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Meeting standards in 3D


It has been said that poor quality stereoscopic TV will ‘poison the water’ for everyone. This was because in the past 3D was made to quite poor and uncontrolled production and delivery standards. But since BSkyB’s “Technical Guidelines for Plano Stereoscopic 3D Programme Content” were published over two years ago programme makers have had specific...

Submitted by Bob Pank#
Published 01 January 2013

3d Screens


Often exhibitions such as IBC and NAB can be summed up as progressive – slightly better products but nothing really new. Sometimes there is a breakthrough such as Ampex’s introduction of the VTR in 1956. The early years of digital production and post tools were rich in totally new things. At the time I worked at Quantel and seeing inventions like P...

Submitted by Bob Pank#
Published 01 December 2012

Summer of 3D


Having put 3D to one side for a few months it was very interesting to jump back into the third dimension. With 3D not making the headlines much, if at all, you might be lulled into thinking it has faded away, but that’s not the case. Many events are being shot in 3D, including the Olympics and, although there has been nothing happening that could b...

Submitted by Bob Pank#
Published 01 September 2012

3D Diaries Cameras: more for less


http://www.tv-bay.com/imag/issue062/files/44.htmlCameras: more for less?There is plenty of guidance available about how to shoot ‘good’ stereo 3D and the principles are quite easy to understand. Achieving good results takes good equipment and, maybe, the assistance of a stereographer and even a convergence puller... unless you are using one of thos...

Submitted by Bob Pank#
Published 01 March 2012

2011: 3D Make or break?


Last year was predicted to be the year when 3D would leap forward or flop. History is littered with short periods of interest and development only for 3D to drop off the scene again. 3D Diaries has maintained that this time it’s different as now nearly all the right technologies are available – the only missing link being a practical autostereoscop...

Submitted by Bob Pank#
Published 01 February 2012

3D Five years on


For me, IBC2006 was the beginning of the modern 3D era. At an invitation-only presentation, 3ality’s CEO Steve Schklair described what his company was achieving with S3D. Suddenly it all made sense. With the accuracy of digital shoots and computer technology replacing difficulties and expense of working with film, 3D could now be viable. Unlike the...

Submitted by Bob Pank#
Published 01 December 2011

Fast 3D


It is easy to make the assumption that 3D should comply with existing standards, as in the 2D video streams of television or movie images running at 24, 25 or 30 frames per second, according to the relevant 2D standards. However, the recent step up to doubled frame rates, generally referred to as 50p or 60p for television and 48p (or higher) for mo...

Submitted by Bob Pank#
Published 01 November 2011

Doing 3D by the book


'3D TV and 3D Cinema: Tools and Processes for Creative Stereoscopy' (ISBN: 978-0-240-81461-2) is Bernard Mendiburu’s latest book, published this summer by Focal Press. It follows on from his previous success ('3D Movie Making') which has had several reprints to keep up with demand. Since the first book came out two years ago, the art of 3D media, t...

Submitted by Bob Pank#
Published 01 October 2011

3D a Geographic Thing


It may just be coincidence but, in the last week, two stories about 3D in Scandinavia have landed on the 3D Diaries desk. Of course two swallows do not a summer make but maybe there is a trend here, with some nations embracing the third dimension more than others. Sony Professional is currently building what they claim is Scandinavia’s first 3D-rea...

Submitted by Bob Pank#
Published 01 September 2011

Game, Set and Match


It was only three months ago that this column hailed featured the new DVB-3DTV standard. But already there’s talk of a second version, or rather ‘phase’, as described by David Wood of the EBU in the new 3D Roundabout newsletter. In a way this is healthy. It shows just how fast 3DTV is moving and, whereas phase 1 is designed to work with existing 2D...

Submitted by Bob Pank#
Published 01 August 2011

tv-bay questions


Who are you? (about yourself and who you work for)?I am a freelance colourist working mainly in London and LA. I am the founder of the UK’s first datalab MYTHERAPY. I am also working on behalf of several manufacturers in research and development of colour science for digital film cameras; I am a demo artist for Iridas and Master Colourist at ICA In...

Submitted by Bob Pank#
Published 01 August 2011

The Space Race


You would have thought that the Royal Wedding, with its forecast record global viewing, would be available in 3D. Reports in the Guardian newspaper say that Sky 3D was keen to provide a complete 3D service, and indeed they did have cameras to shoot the outside scenes but access inside the Abby was denied. The paper also reports reasons given as ‘ca...

Submitted by Bob Pank#
Published 01 July 2011

North West 200


As the gates to the event open and the hordes roll in to watch the North West 200 motorcycle race, production company Greenlight TV is primed: production schedule ready, broadcast timetable planned meticulously. Then... torrential rain, a crash and a major oil spill... finally a credible bomb alert. It's at times like these when production skills a...

Submitted by Kieron Seth#
Published 01 July 2011

3D One year on


The month started with a trip to Sony to visit its very impressive 3D Customer Experience Centre where Paul Cameron (Training) gave a three-hour run down all about 3DTV production. This very compact version of Sony’s three-day course kept me on my toes. Early on he pointed out that 3D had been in favour, and then out, several times already, at abou...

Submitted by Bob Pank#
Published 01 June 2011

3D Film-making Goes Independent


James Cameron and Sky TV have stolen the stereoscopic 3D limelight. Events such as football cup finals and royal weddings have seemingly been produced with no expense spared in order to show 3DTV at its best. The Ryder Cup, for example, employed an incredible 21 3D Polecam rigs, supplementing the main camera systems. Beyond the world of Hollywood a...

Submitted by Kieron Seth#
Published 01 June 2011