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Live Streaming Workflows Examined


In today’s hyperconnected world, audiences expect accessible, high quality content across the displays they see every day, whether at home or on the go, at a concert or church service, or even in the board room. There are a number of approaches professionals can take to deliver live content, but each workflow ultimately varies depending upon the de...

Submitted by Bryce Button
Published 03 November 2019

The Making of Zero


The Brothers Lynch explain how they created the sinister atmospheric world for their new sci-fi shortIn a post-apocalyptic world where humankind has emerged victorious in a war against artificial intelligent machines, a young girl dares to venture into the unknown. This is Zero, the new sci-fi short film from acclaimed British writer-director duo T...

Submitted by Keith and David Lynch
Published 10 September 2019

The impact of drone incidents on the industry


Cast your minds back to December, when commercial drone operators were on the verge of breathing a sigh of relief having made it through another 12 months without a major drone incident. Then, came ‘The nightmare before Christmas’ when those reported drone sightings in the vicinity of Gatwick Airport grounded planes for 36 hours and caused more tha...

Submitted by Phil Vinter
Published 24 January 2019

State of the Nation - November 2018


There is an interesting seminar called Size Matters at the KitPlus Show – organised by the publishers of this fine magazine – at MediaCityUK in Salford on 6 November. It’s a talk by cinematographer Alistair Chapman on the way that camera technology is changing, and in particular the size of the electronic device which creates the image is growing....

Submitted by Dick Hobbs - new
Published 09 November 2018

An Epiphany Moment


I had been negotiating the sale of my company and had reached the really hard end of the bargain. We were close to agreeing the final sum after a lot of too-much-give-and-not-enough-take negotiation. The solicitors were calling me, keen for a deal. It had come down to one sticking point and, in my hard ball “I am the Wolf of Wall Street” guise, I w...

Submitted by Peter Savage 2
Published 09 November 2018

Panasonic EVA1 and Atomos Shogun Inferno ProRes Raw Revie...


Filmmakers all over the world are embracing an affordable new route to higher-than-4K video recording. It’s just a few weeks since Atomos enabled support for 5.7K Apple ProRes RAW recording from the Panasonic EVA1 with the Shogun Inferno monitor/recorder, but filmmaker David Fernandes and DP Gregory Bennett have already become the first to use 5.7K...

Submitted by David Fernandes
Published 18 July 2018

G-Teching Storage to another level


That heart-dropping, cold-sweat evoking moment your external hard drive fails to connect to the computer and you realise the precious project you’ve been working on for weeks is lost for good (unless you want to spank hundreds on a recovery service that may or may not retrieve some of the mangled data!)Ah, the fun of video storage - it may not be t...

Submitted by Phil Vinter
Published 18 July 2018

A Pandoras Box to empower the filmmaker


The setting was Celebro Studios London, home to their fully 4k television studios, where journalists and industry commentators gathered late last November to witness the launch of the revolutionary Rotolight Anova PRO 2. This was no ordinary unveiling though, the launch was streamed live on Facebook and YouTube and hosted by award winning news anch...

Submitted by KitPlus
Published 12 February 2018

AoIP in the intercom world


Everyones talking about using AoIP (Audio over IP) in the broadcast world, but what does it mean to the operators actually making the production - the intercom users? And after years of interoperability taking the lowest common format of analogue tie-lines (also known as 4-wires), has intercom today already moved into the digital world by sharing d...

Submitted by John Sparrow
Published 17 January 2018

Video Tape recorders cannnot die.


In its simplest form, Tape Archiving requires:- 1) Playback decks 2) Tape Cleaning Facilities 3) Tape Baking Incubator/Oven 4) Ingest Platforms 5) Storage This article concentrates on what is often described as the weakest link, namely 1) above i.e. the Playback Decks and what could be another weak link, namely 2) i.e. Tape Cleaning Facilities. I h...

Submitted by KitPlus
Published 02 November 2017

State of the Nation - part 2


This is, of course, the IBC issue of this splendid magazine. Much of the rest of its pages are filled with what you will see there, or (in some cases) what vendors and their marketing communications agencies want you to see there. This year’s IBC is a particularly special event, though. It is 50 years – almost to the day – since the very first Inte...

Submitted by Dick Hobbs - new
Published 19 October 2017

TV Futures - Running around for clients


My second year at the University of Portsmouth seemingly began in a familiar fashion to the previous year. We sat in a large lecture theatre and listened intently to our course leader, who gave an outline as to what students on the BSc Television and Broadcasting course should be expect experience-wise from the up-and-coming year. He continued to e...

Submitted by Joseph Long
Published 19 October 2017

Supporting creativity and driving better workflows


For decades videographers and filmmakers have been pushing the boundaries when it comes to creativity all with the aim of delivering a visually spectacular and engaging experience to viewers. For the most part they rely on artistic vision and innate skill, but over the last few years technology has been playing more of a role in enabling that creat...

Submitted by Rod Aaron Gammons
Published 19 October 2017

Canon CN-E 18-80mm T4.4 Review


i The Canon Cine range of lenses have been around for quite a few years now. The CN-E Cinema Prime lenses became an early alternative to using PL adaptors or the Zeiss Compact Prime lenses. Other than that the choice was rehoused stills lenses or maybe if you were lucky a set of Zeiss super speeds. The cine lens set became a cost effective offering...

Submitted by Ben Sherriff
Published 07 September 2017

Advances in LED lighting innovation with Rotolight AEOS


i There\'s no doubt that lighting plays a critical role in videography, filmmaking and photography. It\'s the area of content capture that brings added creativity to shoots, whether that\'s filming a wedding, producing a commercial or making a movie. Much like cameras have evolved over the past few years, lighting has also evolved; from the traditi...

Submitted by Rod Aaron Gammons
Published 07 September 2017