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An Obituary to Timecode


A stoic and persistent character that stubbornly refused to change with the times, Timecode has finally passed on, but no-one has noticed. A long-lasting industry veteran, Timecode was brought into this world at an uncertain date in the late 1960s due to the needs of analogue tape workflows and the demand for synchronisation between audio and video...

Submitted by Bruce Devlin - new
Published 09 November 2018

Ride along on the Tour de Tech at IBC


Finding your way through the halls and aisles of the massive IBC can feel a bit like attempting to complete all 21 stages of the Tour de France — but in far fewer days. But have no fear; your team at Garland is all geared up and ready to show you the best on show at this year's exhibition. Consistently breaking away from the pack is LiveU (stand 3....

Submitted by Lorna Garrett
Published 08 September 2018

The Biggest Toy Shop in the World


When Nigel Woodford started his career at BBC Wood Norton in 1962, television was black and white and BBC Two had not yet been launched. In 2018 Nigel will retire, and Richmond Film Services, the pro-audio equipment rental company set up by Nigel in 1973, can count numerous contributions to iconic moments in British cultural, sporting and film hist...

Submitted by Emma Morrison
Published 08 September 2018

Managing Technological Change


Continual technological change in the broadcast and media industries can make it difficult to plan for the mid to long term. Typically, broadcasters and media organisation are still implementing the last set of changes to working practices when the next changes come along. Display manufacturers and viewer expectation help drive the different techno...

Submitted by Alan Wheable
Published 08 September 2018

State of the Nation


I am writing this in the middle of a record-breaking heatwave in southern England. Yet it is time to be thinking about the mists and mellow fruitfulness of autumn, or at least the predictably damp and chilly Amsterdam when IBC hits town. What will be the hot talking points of IBC this year? I am not in a position to talk about what the big vendors...

Submitted by Dick Hobbs - new
Published 18 July 2018

AoIP Solutions at Sky TV


Sky UK has recently moved the whole of its Sky News operation into new, state-of-the-art facilities in the Sky Studios building on the Sky TV campus in Osterley, West London. Described as being both the most sustainable broadcast facility of its kind in Europe as well as the most technologically advanced, the Sky Studios project is set to completel...

Submitted by Tom Pidsey
Published 18 July 2018

Twenty Years of Transcription


In 1998 Dom Bourne dropped out of university and started a business providing transcriptions to production companies. The company operated from his childhood bedroom and Dom hoped it would keep him in beer money for a year or two before he decided what he really wanted to do with his life. Twenty years later and, this year, Take 1 celebrates two de...

Submitted by Dom Bourne
Published 18 July 2018

Informed Disruption


The industry is currently going through an enormous amount of disruption, and while many are charging in to embrace the changes, others are wringing their hands with indecision. In 1990 during a time of disruption, Boxer was founded to help companies make sense of the changes and provide independent counsel that would steer its clients through the...

Submitted by Marc Risby
Published 07 June 2018

Why is ST2110 important


Presenting to a capacity audience at a joint meeting of the RTS Thames Valley Centre and SMPTE in Reading, research engineer and industry commentator Tony Orme opened the evening with the assertion - “SMPTE’s ST2110 is the most important development to hit broadcast television since John Logie Baird went head to head with EMI-Marconi at the 1936 BB...

Submitted by Penny Westlake
Published 07 June 2018

Listening to the needs of audio engineers


Monitoring SDI video content within an installation is and has always been straight forwards. If you have a monitor, and you can see the image correctly, all is well. This is not necessarily the case for metadata and especially not for audio. Assuming a SMPTE 352 payload packet is present on the SDI signal, this metadata determines how the video co...

Submitted by Alan Wheable
Published 07 June 2018

Technological advances in the broadcast industry


Since it is Omnitek’s 20th anniversary this year, I thought it would be interesting to look back over the technological advances in the broadcast industry over the last few decades and look at the similarities between then and now. When I started work in the Broadcast television industry in 1975, video was analogue (with only 3 of 4 formats to worr...

Submitted by Alan Wheable
Published 26 March 2018

AoIP in the intercom world


Everyones talking about using AoIP (Audio over IP) in the broadcast world, but what does it mean to the operators actually making the production - the intercom users? And after years of interoperability taking the lowest common format of analogue tie-lines (also known as 4-wires), has intercom today already moved into the digital world by sharing d...

Submitted by John Sparrow
Published 17 January 2018

The Transition to a full end to end IP video solution


Most video professionals will agree that the future is IP. The question is, when and how do they make this transition? With manufacturers just introducing new IP products, many people are observing and waiting. However, the reality is that the move to IP is already rapidly taking place and is more transformational than the move from analogue to dig...

Submitted by Brian Olson
Published 02 November 2017

IP or not IP, that is the question


There can be a one size fits all approach to prompting, but with the many forms of production in todays broadcasting world - from a major sporting event, to the biggest Saturday night entertainment show, to a 24-hour news operation or prompting on location - it is unlikely that a single system will suit every circumstance. The equipment needs to be...

Submitted by Brian Larter
Published 02 November 2017

IP Based Remote Production


i Over the last few years Suitcase TV has been getting involved in remote production at the software layer, and I want to talk about some of the ways we have been getting involved in remote production, including a specific trial that we did last year with BBC Sport for the Euro 2016 tournament in Paris. Before I get into the detail of remote produc...

Submitted by Ed Calverley
Published 07 September 2017