KitPlus | Articles

The dangers of live streaming without a license

The entertainment industry is visual and sound driven. Without these two elements there would be no such a thing as entertainment. Its obvious that there are people who create sound/s and visuals. Copyright laws were created to protect the industry and these artists. Many organisations have been created to look after musician, writers, poets and fi...

Submitted by Joseph Adamson

Published 02 November 2017

Setting out your terms of business

by Den Lennie Issue 107 - November 2015 Its one thing to win a client and work, but it can be a whole different thing getting paid. Setting out a simple one-page terms of agreement can protect you. Im not qualified to give legal advice so I encourage you to seek professional advice when setting up your own terms of business. In simple terms, you ju...

Submitted by Den Lennie

Published 01 December 2015

Keep memories safe at RWF

by Martin Bennet Issue 103 - July 2015 RWF World founders Gwynne Roberts and Sadie Wykeham have embarked on a 30-plus year mission with a single purpose: to tell the world about human rights violations through the eyes of its survivors. Through the course of their journey, these truth-seekers have informed the world of late 20th-century injustices...

Submitted by Martin Bennett

Published 01 August 2015

#TVFutures

by Raechelle Jackson Issue 94 - October 2014 The third year level of BSc Television and Broadcasting has become infamous. Students know it will be a hard year long before they join the level, and now I am in that position, I sense both the crackle of fear and anticipation. So if there is anybody reading this expecting to see comments about hating e...

Submitted by Raechelle Jackson

Published 01 November 2014

Music licensing for corporate video

by Kevin Cook Issue 89 - May 2014 Music copyright is a nightmare. Its an incredibly confusing subject and failing to understand it can be potentially ruinous. As a corporate video producer you simply cant skip around the subject as its something that youll have to deal with on a daily basis. Quite often clients will also ask for their favourite com...

Submitted by Kevin Cook

Published 01 June 2014

Made with love

by Simon Marett Issue 89 - May 2014 It can wash over you, hardly heard but intensely felt. It can convey a mood without a word being spoken. It can jar and jangle your nerves - in a good way, if its a thriller. Or it can make you cry. The choice of music is a crucial component to the overall feel of many TV programmes - as important as the grade, t...

Submitted by Simon Marett#

Published 01 June 2014

Education: Live TV approaches to learning without a safe...

by Jennie RawlingIssue 81 - September 2013 Live broadcasting is the core business of the University of Portsmouth course, BSc (Hons) Television and Broadcasting, and they are now entering into their fifth successive year of weekly television output. Course leader and senior lecturer Charlie Watts is delighted with the developments so far, but there...

Submitted by Jennie Rawling

Published 01 October 2013

Ensuring online video revenue in the face of piracy

by Helge HoibraatenIssue 80 - August 2013 When it comes to distributing video online, broadcasters and other content distributors have seen a substantial viewing time amongst certain demographics move from traditional channels to piracy. Numerous debaters have tried to give a definite answer to whether this hurt sales and current business models, o...

Submitted by Helge Hoibraaten

Published 01 September 2013

Ask the Experts: Content Storage, Security, Archive and M...

The media and entertainment industry is currently experiencing an unprecedented level of financial pressure. This comes from not only the turbulent economic era in which we are living, but also from increased competition and the need to repurpose content for consumption on different platforms and devices. In order to succeed, businesses need to do...

Submitted by Bob Pank#

Published 01 October 2012

Doing 3D by the book

'3D TV and 3D Cinema: Tools and Processes for Creative Stereoscopy' (ISBN: 978-0-240-81461-2) is Bernard Mendiburu’s latest book, published this summer by Focal Press. It follows on from his previous success ('3D Movie Making') which has had several reprints to keep up with demand. Since the first book came out two years ago, the art of 3D media, t...

Submitted by Bob Pank#

Published 01 October 2011

A day in the life of a Royals videographer

Times have changed; no more phone calls, telexes or faxes, - remember them? Now it’s E-mails; what would we do without them?A quiet day in the office-come-edit-suite, the FCP rendering yet another set of archive clips, and the other Mac illuminated with Thunderbird, when ‘ping’ (the Mac version of “You got mail”) wakes one up from the hypnotic tran...

Submitted by Bob Pank#

Published 01 May 2011

Television on television

Just at the moment I am receiving a steady, almost daily, stream of press releases from an American company called IVI. The service they offer is aimed at an American audience so I will not bore you with the details of their campaign. But it raised some thoughts in the back of my mind. IVI has developed some clever (it claims) software, for Mac, Li...

Submitted by Bob Pank#

Published 01 November 2010

Those Who Forget the Past are Doomed to Delete It

Hundreds of thousands of hours of film and video archives are slowly deteriorating in vaults and storage containers around the world. Although numerous projects are underway worldwide to restore, preserve and protect these vast repositories of cultural heritage, it does little good if the rescued material isn’t catalogued, archived and managed. If...

Submitted by Bob Pank#

Published 01 October 2010

Musical matches for your production

The best production you've ever created is in the can. It's time to match your masterpiece with an equally impressive musical soundtrack. But where to start? It's time to dispel the myth that music licensing is complex or expensive and to understand what options are available to you. Firstly, let's get one thing straight. Music, a bit like lunch, i...

Submitted by Dennis Lennie

Published 01 January 2010

Eye to Eye: Content Protection 2009

In the early days of audio and video recording, the limitations of analogue devices provided a fairly high level of content protection by ensuring that any captured signal was either inferior to the original or fairly soon became so. Optical digital media changed all that, allowing practically perfect copies of speech, music, still images and movin...

Submitted by Dennis Lennie

Published 01 November 2009