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3D for Cinema, ProAV and Events

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Over more than a century of motion picture presentations there have been periods when 3D has emerged, and each time interest has faded away. The latest 3D wave goes back to the advent of digital technology for cinemas. Digital Cinema Initiatives (DCI) was formed in 2002 and delivered its first DCI Specification in 2005, when Doremi was well ahead w...

Submitted by Bob Pank#

Published 01 January 2013

4KTV The next bigger thing?

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4KTV – The next bigger thing?The history of 4K digital moving images goes way back to the mid 1990s. That was when film effects started to be processed digitally and produced amazing results – maybe a bit too amazing for some. Of course the effects had to be seamless and so the digitised effects images had to carry all the required detail of the 35...

Submitted by Bob Pank#

Published 01 August 2012

Is it time to hang up your glasses for field 3D monitorin...

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The rapid growth of 3D content being shot and produced has created many challenges to the camera operators, production teams and indeed manufacturing companies. There has always been the problem of viewing 3D material as it is being shot and the ability to review it immediately afterwards, whether as a camera viewfinder or a portable 3D monitor. At...

Submitted by Bob Pank#

Published 01 January 2012

Fast 3D

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It is easy to make the assumption that 3D should comply with existing standards, as in the 2D video streams of television or movie images running at 24, 25 or 30 frames per second, according to the relevant 2D standards. However, the recent step up to doubled frame rates, generally referred to as 50p or 60p for television and 48p (or higher) for mo...

Submitted by Bob Pank#

Published 01 November 2011

3D to see at IBC 2010

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IBC2010 marks the fourth year when the new wave of Stereoscopic 3D took hold at the show. That’s three years of time for development and implementation. While cinema is racing ahead, taking a good extra percentage of people at the door who pay a 3D premium price – television in Europe is only just beginning. Sky is the pioneer for the UK, going on...

Submitted by Bob Pank#

Published 01 October 2010

Doremi Silver Anniversary

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It was 25 years ago that Doremi founder and CEO Camille Rizko, invented a better way to perform digital audio for postproduction. He was joined by his brother Emil, and fellow engineer Safar Ghazal. And so from humble beginnings in the San Fernando Valley, California, the Doremi partners have never looked back. In 1985, the entertainment industry w...

Submitted by Bob Pank#

Published 01 May 2010

Eye to Eye New post-production kit at IBC 2009

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This alphabetical overview of new video and film post-production kit at IBC 2009 was going to start with Apple but the company pulled out of both NAB and IBC in 2008. I begin instead with Avid which has certified its Media Composer, NewsCutter, Symphony and DS software to run on the new HP Z series Workstations – the HP Z800 and HP Z400. Avid custo...

Submitted by Dennis Lennie

Published 01 October 2009

Converting for displays

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Behind every great display there’s a great converter. Ever since television started to go digital in studios and post production, the number of digital formats has grown. For a while the television standards bodies got a grip and succeeded in pulling nearly everyone along the ‘SDI’ track; now itself expanded to HD-SDI and 3G-SDI – carrying a multit...

Submitted by Dennis Lennie

Published 01 September 2009