KitPlus | Articles

Where Are You in Your Cloud Adoption Strategy

By Chris McCarthy, VP Media Solutions at TMT Insights The Media and Entertainment technology industry continues to evolve in its journey from on-premises infrastructure and workflows to the cloud-native landscape notably described in MovieLabs’ 2030 Vision whitepaper. Most major studios and content creators have adopted the cloud for some portio...

Submitted by Chris McCarthy

Published 27 February 2024

Lets do the Time Warp

Time Warp is one of the biggest indoor electronic music events in Europe if not the world, and recently returned to its spiritual home in Mannheim, Germany for the first time in four years for a sold-out attendance that saw 30,000 people soaking up world-class sound. The influential festival was hosted across six floors of Maimarkthalle, a huge...

Submitted by Patrick Hussey

Published 05 July 2023

DIT Sam Petrov Taps AJA ColorBox for Live Grading Flexibi...

Whether working on a feature film, episodic series, or unscripted show, crafting the look of content before it reaches post requires technical acumen and a creative eye. The DIT (Digital Imaging Technician) is integral to this process, bridging the technical realities with the creative goals on-set to ensure the team can achieve its desired aesthet...

Submitted by Anna

Published 27 June 2023

Rohde & Schwarz integration with Adobe Premiere Pro

Now recognised as one of the leading editing platforms for television and video post, Adobe Premiere Pro combines powerful functionality and a familiar user interface whilst remaining a competitive option. Simple integration with other applications in the Adobe Creative Cloud family, including After Effects (motion graphics), Audition (audio post)...

Submitted by Ciaran Doran

Published 24 February 2022

Using Modern Technology at Envy Provides a View into the...

As Jai Cave, ENVY’s technical operations director put it, “in a way, we are the cloud to our customers and partners.”ENVY’s use of modern technology, including remote edit capabilities and their expansive use of Signiant Media Shuttle, enables them to collaborate with customers and partners around the world, and made the transition to remote work d...

Submitted by Michael Darer

Published 09 December 2020

TVFutures My Dive in to Learning

In 2014 I had my first taste of underwater diving. I was on a family holiday and I happened across the experience of a lifetime. Within the first few minutes of that adventure I had decided that I wanted to be part of the diving world going forward. After countless dives and extensive training to become a scuba diving instructor, I made the decisio...

Submitted by Lucy Crow

Published 26 March 2020

Eye Contact in Documentaries

Eye contact filming (where the interview subject speaks directly into the lens) is now more common in documentaries. But it hasn’t always been possible or acceptable for filmmakers to do. When I studied Screen Documentary in 1998, I was taught that the subject should look to the left or right of the screen. As an interviewer, I sat close to the cam...

Submitted by Sybil Ah-Mane

Published 27 January 2020

Creating Diverse Show Content For Diversity

Diversity has been a household name in the UK for many years now. Can you tell us about your involvement with them?After winning Britain’s Got Talent (BGT), the group’s entire existence got turned on its head. One of the first things Diversity’s leader, Ashley Banjo, did was to make a list of all the things he thought made a show great. The screen...

Submitted by clive silver

Published 27 January 2020

A Place For Placements - TVFutures

I've been interested in media all my life… making short films with my mates in Windows Movie Maker when I was little... I never really knew where I wanted to go career wise, but I knew I always liked video production. So it will come as no surprise that I chose a degree that would provide that outlet, and I hoped that dedicating three Years to stud...

Submitted by Luca Di-Maio

Published 03 November 2019

Solving Rigorous Digital Workflow Challenges

Headquartered in New Zealand, The Rebel Fleet offers digital workflow services to top film and television production companies. Clients address broad creative needs and retain total image control across multiple shooting units with fast turnarounds. Recent projects include The Meg, Adrift, Ash vs Evil Dead, and The Shannara Chronicles. The company...

Submitted by Michael Urban

Published 03 November 2019

Pro Pancake Editing With Premiere Pro

Pancakes & post production. Not two things you might at first put together. But using pancake timelines can be an extremely effective way of working - so bear with me!Very recently I began working on a series of edits for Premier League kicks. If you’ve not heard of it, I’d encourage you to do a quick Google search and check it out. It's a really c...

Submitted by Alex Macleod

Published 03 November 2019

Live Streaming Workflows Examined

In today’s hyperconnected world, audiences expect accessible, high quality content across the displays they see every day, whether at home or on the go, at a concert or church service, or even in the board room. There are a number of approaches professionals can take to deliver live content, but each workflow ultimately varies depending upon the de...

Submitted by Bryce Button

Published 03 November 2019

The Making of Zero

The Brothers Lynch explain how they created the sinister atmospheric world for their new sci-fi shortIn a post-apocalyptic world where humankind has emerged victorious in a war against artificial intelligent machines, a young girl dares to venture into the unknown. This is Zero, the new sci-fi short film from acclaimed British writer-director duo T...

Submitted by Keith and David Lynch

Published 10 September 2019

Covering Ironman Australia

KitPlus recently chatted with Stephen Kane, production manager of IRONMAN Oceania in Australia and New Zealand. IRONMAN is one of the leading mass sports brands in the world, consisting of over 260 events across 44 countries including long (IRONMAN and IRONMAN 70.3) and short (Sprint and Olympic) distance triathlons, mountain bike stage racing, roa...

Submitted by KitPlus

Published 10 September 2019

TV Futures - Producers Produce

I’ve learnt two major facts about being a producer since studying on my BSc Television and Broadcasting course: ‘the role of producer cannot be defined in a sentence’ and ‘if your team don’t see you working, you’re doing your role as producer correctly’. When I first came to The University of Portsmouth I knew what course I wanted for skills and ro...

Submitted by Emily Merritt

Published 04 June 2019