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Connect A Broadcast-Quality Miniature Camera To Your Comp...

Upgrade any home working or live streaming setup with a broadcast-quality professional webcam. CV503-U3 benefits from a simple plug & play setup, with a single USB 3.0 cable connecting the camera to any computer. Thumbscrew locks on the camera’s USB connector reduces the risk of signal loss due to a loose connection. Any Mac, PC or Linux computer w...

Submitted by Spencer Doran

Published 28 September 2020

Review: JVC GY-HC900 Camera

JVC has a long history of developing relatively low price-point equipment, dating right back to its success in the 1970s with the VHS tape format. JVC products sometimes impact the broadcast mainstream but generally find greatest success in niche market segments such as news production where price and portability take priority over the no-comprise...

Submitted by Andy McKenzie

Published 16 July 2019

Canon EOS C300 MkII Camera Review

Canon described the EOS C300 Mark II at its launch as 'a game-changer for creative film-making'. What interested me was whether the camera's impressive feature set, compact size and very aggressive price point matched the needs of the video production market. Key features At the front end of the camera is a Super 35mm CMOS sensor capturing Full HD...

Submitted by Andy McKenzie

Published 04 June 2019

BSC Expo 2019 Report

BSC Expo returned to the Battersea Evolution on Friday February 1st and Saturday 2nd. It is a busy and friendly event though this year in need of some temperature control: exhibitors around the entrance area were uncomfortably aware of the wintry conditions outside and the main hall was in need of cooling. BenQ showed examples from its range of mon...

Submitted by Paul MacKenzie

Published 21 March 2019

The way forward in a changing world

The broadcast and media industries are evolving in all areas to adapt to the challenges of competition from OTT, changing user viewing habits, technological advances in image resolution, dynamic range and colour rendition as well as embracing new video over IP infrastructures. Test and measurement equipment manufacturers also have to evolve to supp...

Submitted by Alan Wheable

Published 21 March 2019

Sony HDC-4800 Review

First announced at NAB 2016, the Sony HDC-4800 is a studio camera system capable of shooting 4K/UHD at up to 8x or full HD at up to 16x. With a price point upwards of £250,000 it is a very high-end product with a wide feature set. In Sony's own words, "This is the future of live production, designed to satisfy the storytelling aspect of modern spor...

Submitted by Andy McKenzie

Published 09 November 2018

Managing Technological Change

Continual technological change in the broadcast and media industries can make it difficult to plan for the mid to long term. Typically, broadcasters and media organisation are still implementing the last set of changes to working practices when the next changes come along. Display manufacturers and viewer expectation help drive the different techno...

Submitted by Alan Wheable

Published 08 September 2018

DaVinci Resolve Mini Panel from Blackmagic Design - Revie...

Blackmagic\'s new, more affordable control surface for professionals is probably the most perfect panel I\'ve ever used. By Rebecca Goodeve I\'ve been a colourist for a number of years now. I\'ve worked on everything from Pan to the latest Lurpak commercial, and, in that time, I\'ve also had the chance to work with a variety of grading solutions cu...

Submitted by Rebecca Goodeve - new

Published 04 April 2017

Test and measurement in a multiformat world

The evolution of television technology since the days of 525-line and 625-line standard definition has left a large legacy of standards which modern broadcast systems now have to recognise and process. In today's video and audio business, creatives and technical staff have to be ready to handle a multiplicity of signal types. In its standard form,...

Submitted by Kevin Salvidge

Published 24 August 2016

Canon C300 MkII Reviewed

The Tech It 's been just over eight months since the release of the updated C300 camera the C300 MkII and almost five years since Vincent Laforet shot Mobius with a pre-production C300. In a landscape dominated by self-shooters and the continued rise of internet video, the C300 perhaps surprisingly like it 's forefather the 5DMkII came to become a...

Submitted by Ben Sherriff

Published 14 June 2016

Waveform Monitors in 4K Production

by Alan Wheable Issue 112-April 2016 Waveforms have always been one of the essential tools for anyone working in the video industry and are used for level alignment, grading and quality control to touch on just a few areas. Working with HD and 3G-SDI waveform technology may have been a solution in the early days of UHD/4k to display the waveforms f...

Submitted by Alan Wheable

Published 25 April 2016

Sony PXW-FS5 Review

by Alister Chapman Issue 106 - October 2015 I was lucky enough to get some hands on time with a prototype FS5 in Amsterdam at IBC. In case you havent heard about it, the PXW-FS5 is a compact interchangeable lens, super 35mm camcorder from Sony that can record in HD or UHD 4K. It shares many of the features of the already incredibly popular PXW-FS7...

Submitted by Alister Champman

Published 01 November 2015

REDucation - Real world RED camera training

by Ben Sherriff Issue 101 - May 2015 Saturday 28th and Sunday 29th March saw the REDucation training workshop arrive in London at the Met Film School in Ealing Studios West London. I\'ve used a Red One but have yet to work on a shoot where I can get my hands dirty with the newer cameras they manufacture (Epic-X, Scarlet, Dragon and now Weapon). Whe...

Submitted by Ben Sherriff

Published 01 June 2015

Sony PXW-FS7

by Alister Chapman Issue 94 - October 2014 At IBC Sony launched a new camera. In fact Sony launched several new cameras. This is nothing new, every year Sony launch cameras. But this year Sony really created quite a stir with one camera in particular, the Sony PXW-FS7. So what is it about the FS7 that is so special? Looking at the specs alone this...

Submitted by Alister Champman

Published 01 November 2014

Shooting Cinematically

by Ben Baldwin Issue 93 - September 2014 One Monday morning in July I headed to Pinewood Studios to spend an hour in the company of Den Lennie and Philip Bloom for a Sony Webinar - Shooting Cinematically. Both DOPs share a passion for helping aspiring filmmakers grow their skills and confidence and both have a wealth of knowledge when it comes to c...

Submitted by Ben Baldwin

Published 01 October 2014