KitPlus | Articles

Magine Pro and Appear partner to transform and optimize S...

Appear, the global leader in media processing and delivery technology, and Magine Pro, the platform for B2B managed services for OTT, have been chosen by Sappa to transform its OTT linear distribution media workflow to include fully on-premise transcoding. Sappa has migrated its existing cloud-based workflow to Appear’s NEO20 on-premise live transc...

Submitted by Katya Pristiyanti

Published 17 April 2023

PSSI Global Services deploys Appear X Platform for REMI c...

Appear, the global leader in media processing and delivery technology, has been chosen by PSSI Global Services to deliver contribution backhaul for REMI-based productions for the Ultimate Fighting Championship (UFC®). PSSI Global Services will launch Appear’s X Platform for its global distribution of UFC coverage, beginning in May 2023. Appear’...

Submitted by Katya Pristiyanti

Published 17 April 2023

How LiveU Has Changed The Way We Work At ITV Daytime

As my job title suggests, I’m responsible for planning and executing technology projects across ITV’s Daytime, including outside broadcasts, which are central to what we do. We broadcast live for more than six hours every weekday with four shows: Good Morning Britain, This Morning, Lorraine and Loose Women. With a history as one of the main UK terr...

Submitted by Tim Guilder

Published 16 July 2019

How Broadcasts Can Simplify The Delivery Of Live Video St...

In today’s fast paced environment broadcasters need to quickly, easily, and simultaneously share high-quality live content with multiple affiliates or other broadcast facilities. However, today it’s typical for each third-party transmitter to be connected to its own receiver with its own platform and management system. This results in major TV chan...

Submitted by Phillipe Gonon

Published 16 July 2019

A Truly Mobile Fly On The Wall

A Truly Mobile Fly on the WallFly on the Wall Entertainment is responsible for over 2000 hours of programing that have aired on multiple networks. As the Executive Producers of CBS’s summer sensation Big Brother, going into its 20th season this summer, they have been the key to the growth and evolution of one of the most groundbreaking entertainmen...

Submitted by KitPlus

Published 04 June 2019

Digital Video Tech Innovation - The Game Changer for Liv...

Since the first live television sports event in 1936, when the Olympics was broadcast from Berlin, the sports industry has been an early adopter of the latest technology. The goal continues to be to deliver compelling content around the globe, now to multiple viewing platforms. It’s become a must-have that’s embedded in fan expectations and broadca...

Submitted by Lorna Garrett

Published 04 June 2019

Flexible Connectivity Hits Europe

The low-latency Dejero CellSat network was launched in Europe in January of 2019, which is excellent news for European broadcasters who can now benefit from the same flexibility CellSat provides North American Dejero customers, such as World Racing Group (WRG). The production teams at WRG, the premier sanctioning body for dirt track racing in North...

Submitted by Yvonne Monterroso

Published 21 March 2019

The making of The Heist

Shine TV has never been one to shy away from a challenge, be that in terms of using new technologies, filming ideas or overall formats: we pride ourselves on being ambitious and risk-takers. We make Hunted and The Island with Bear Grylls for Channel 4 and we’ve just made The Heist, this time working with Sky One. These are all huge, ambitiously for...

Submitted by Tom Hutchings

Published 25 January 2019

The Wireless Way to 4k

DTC’s AEON group of products have been specifically designed for the 4K market. We encode with the more efficient HEVC algorithm, which means we are taking a 12G signal and compressing it to a bitrate that can be managed over an RF link. So what makes this a leading idea in the 4K revolution?For a start, sport continues to drive technical innovatio...

Submitted by JP Delport

Published 09 November 2018

Ride along on the Tour de Tech at IBC

Finding your way through the halls and aisles of the massive IBC can feel a bit like attempting to complete all 21 stages of the Tour de France — but in far fewer days. But have no fear; your team at Garland is all geared up and ready to show you the best on show at this year's exhibition. Consistently breaking away from the pack is LiveU (stand 3....

Submitted by Lorna Garrett

Published 08 September 2018

Cellular Network Congestion at the Royal Wedding

As with all major events, planning for the Royal Wedding and surveying potential broadcast locations and securing reliable connectivity for video over IP workflows was top of mind for Canada’s Global TV. For major live broadcasts, in particular, when the entire world is watching, an extremely high degree of confidence is crucial because the live fe...

Submitted by Rob Waters

Published 18 July 2018

Run Leaner, More Agile and Scalable OTT Operations

The migration to Software-as-a-Service (SaaS) for media processing is underway and growing as broadcasters and content service providers explore new ways to increase agility and operational efficiencies. With media processing SaaS, content and service providers can quickly and easily deploy new channels, deliver a better quality of experience (QoE)...

Submitted by Olivier Karra

Published 18 July 2018

Will we soon be paying our respects to PayTV

Recent reports show pay TV in the US peaked in 2012 and will keep dropping over the next five years. Digital TV Research’s North America Pay TV Forecasts state the US will see a 20% drop between 2012 and 2023. Should the UK be readying for a similar change in consumer viewing, or is something different happening here?Looking at UK pay TV revenues,...

Submitted by Malcolm Harland

Published 18 July 2018

Delivering on the 4k Promise

It’s happened. Consumers are demanding 4K UHD content. They have the TVs, smartphones, tablets and other devices they need, and with much of Netflix and Amazon original content in 4K, as well as sports coverage from BT and Sky, consumers have tasted the future of content quality and are hungry for more. But broadcasters need not worry if their cust...

Submitted by Lorna Garrett

Published 07 June 2018

A new AEON in Wireless 4k

Whatever production companies are doing right here, right now, today, with wireless HD production tools, they want to do right here, right now, today with 4K UHD. That’s great, but common wisdom would share a host of challenges around 4k UHD, not least, the fact that 4K UHD requires 8x the processing power to transmit, then demands additional horse...

Submitted by JP Delport

Published 12 February 2018