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IP Technology for Broadcast Audio Routing Systems

As the AoIP debate continues to confuse and delight in equal measure, what is clear is different scenarios require specific solutions. So is there a solution that encompasses open standards and existing proven AoIP technologies to the benefit of all?IntroductionBy definition, network infrastructure (switches, routers and cables) is protocol and tec...

Submitted by Tom Knowles

Published 10 September 2019

Making the Workflow Flow

The toughest things about being the Standards Vice President (SVP) is that everyone expects standards to be the most important thing. In all the systems that I’ve designed and deployed over the years, I've yet to find any production workflow that is 100% standards based. True, the core technologies may well be standards based, but the overall workf...

Submitted by Bruce Devlin - new

Published 16 July 2019

What is the JT-NM Tested Program

The National Association of Broadcasters (NAB) Show 2019 has come and gone with the usual onslaught of product announcements, launch parties, demonstrations and the usual high-density crowds preventing any high-speed movement between halls. The IP showcase, this year, featured a JT-NM tested program. If you're unfamiliar with the JT-NM, then it's w...

Submitted by Bruce Devlin - new

Published 04 June 2019

Mr MXF thinks the future is made of components

The recent SMPTE IMF plugfest that was kindly hosted by Fox in Burbank gave the vendors, users and content owners a chance to discuss the fine details of the IMF standard and to get excited about where it will take the Post Production community. If you haven\'t heard of IMF then you have not been standing within 500ft of me for the past year. IMF i...

Submitted by Bruce Devlin

Published 15 February 2017

IP for live production

The production and transmission of a live sporting event is one of the most technically challenging assignments for any crew. After all, you can't ask to take the shot again at a live event! Multiple signals in a variety of formats need to be transmitted around the sporting venue, as well as being seamlessly integrated with feeds from a studio or o...

Submitted by John Smith

Published 01 April 2016

Making remote production over IP a reality

by John Smith Issue 107 - November 2015 Live sports broadcasting is one of the most technically challenging tasks for any production team. Multiple signals in multiple formats need to be transmitted around the sports facility. In addition, signals need to be integrated with feeds from other locations to create a complete broadcast stream. As a resu...

Submitted by John Smith

Published 01 December 2015

Take it to the bridge

by Will Strauss Issue 91 - July 2014 Since the late 1980s, studios, facilities, OB trucks and many other professional broadcast set-ups have relied on digital video standards such as SDI (Serial Digital Interface) to move audio and video around. Using SDI it has been possible to happily construct a reliable, error-free, plug-and-play, real-time ope...

Submitted by Will Strauss#

Published 01 August 2014

Tech trends drive more efficent and more flexible communi...

by Serkan Gner Issue 89 - May 2014 The emergence of new signal transport protocols and standards and the embrace of new methods of interfacing are changing the way communications are being handled for broadcasters. Increasing implementation of Audio Video Bridging (AVB) and the growing need and acceptance of remote mobile connections to intercom sy...

Submitted by Serkan Guner

Published 01 June 2014

Digital Communications

by Christian Bockskopf Issue 87 - March 2014 1. What does Riedel do? Riedel Communications designs, manufactures, and distributes pioneering real-time video, audio, data, and communications networks for broadcast, pro audio, event, sports, theater, and security applications. The company also provides rental services for radio and intercom systems,...

Submitted by Christian Bockskopf

Published 01 April 2014

Archive eXchange format (AXF) explained

by S Merrill Weiss Issue 85 - January 2014 The proprietary nature of archive storage long has made it challenging for content producers and owners to exchange archive files and media between systems. Thus, when faced with the need either to migrate archives to new generations of storage technology or to consolidate archives, media companies have be...

Submitted by S. Merrill Weiss

Published 01 February 2014

Learning to love IT with Dick Hobbs

There are three clearly defined levels of activity at NAB. There is the buzz which someone is trying to get going, there is the stuff which people are actually trying to buy, and there is the latest collection of buzzwords and catchphrases which provide endless entertainment for those with a love of language. This year, for instance, we were all to...

Submitted by Bob Pank#

Published 01 June 2013

JVC introduces new Final Cut Pro 6

Victor Company of Japan, Ltd. (JVC) further expands its ProHD camcorder line-up by introducing two professional solid state camcorders, the industry's first to store files in the native QuickTime format for Apple's Final Cut Pro™ onto reliable and inexpensive SDHC media cards. The compact hand-held GY-HM100 3-CCD camcorder is introduced in January...

Submitted by Bob Pank#

Published 01 April 2009