KitPlus | Articles

Using Modern Technology at Envy Provides a View into the...

As Jai Cave, ENVY’s technical operations director put it, “in a way, we are the cloud to our customers and partners.”ENVY’s use of modern technology, including remote edit capabilities and their expansive use of Signiant Media Shuttle, enables them to collaborate with customers and partners around the world, and made the transition to remote work d...

Submitted by Michael Darer

Published 09 December 2020

State of the Nation and Virtual Social Distancing

Under normal circumstances, I usually make my plans for NAB in November time. It’s when the airlines tend to have sales. This year, for personal reasons, I did not get around to booking back then, and it was only at the end of February that I could start thinking about it. Well, the airline sales had long gone, and I was faced with the prospect of...

Submitted by Dick Hobbs - new

Published 26 March 2020

TV Futures - Producers Produce

I’ve learnt two major facts about being a producer since studying on my BSc Television and Broadcasting course: ‘the role of producer cannot be defined in a sentence’ and ‘if your team don’t see you working, you’re doing your role as producer correctly’. When I first came to The University of Portsmouth I knew what course I wanted for skills and ro...

Submitted by Emily Merritt

Published 04 June 2019

NAB Review

by Duncan Payne Issue 113 - May 2016 As I emerge from the customary post-NAB haze and try to formulate a coherent analysis of the 2016 show, perhaps the most striking realisation is that despite pacing the halls for four long days, I barely scratched the surface. The scale of the event, much like Las Vegas itself, is simply extraordinary, with over...

Submitted by Duncan Payne

Published 13 May 2016

TV Futures

by Gemma Frith Issue 113 - May 2016 I used to hate audio. Every time we recorded audio on a location shoot, something seemed to go wrong. It was a nightmare. And because I didn\'t understand it, I avoided it and would do anything to not be responsible for recording sound. However, eventually it got to a point where I hated how much I hated audio mo...

Submitted by Gemma Frith

Published 13 May 2016

Are your employees protected while traveling abroad on bu...

by Leighton Chenery Issue 110 - February 2016 Are your employees protected while traveling abroad on business?In a climate of growing global volatility it's no secret that travel risks have increased as we've seen with sad frequency in recent years. When things go wrong in a foreign country they can go very wrong and it can expose employers to majo...

Submitted by Leighton Chenery

Published 16 March 2016

Ask The Expert- Post Production Supervisor at BBC Studios...

by John Loughman Issue 109 - January 2016 ¢ Tell us about you, your job role at BBC S&PP and what led your career in this direction? I received a BA in Media Production from Cumbria Institute of the Arts. In April of my final year at University, I applied for a Trainee Post Production Assistant role at the BBC and I joined In September 2004. I wor...

Submitted by John Loughman

Published 21 January 2016

Media acquisition and Archive Workflow

by Ryan Jenkins Issue 109 - January 2016 Hello, I am Ryan Jenkins, a third year student at the University of Portsmouth and as part of my final year on the BSc Television and Broadcasting course, I am the Post Production manager for all television teams making live programmes, something we specialise in. My role has thus far seen me design a workfl...

Submitted by Ryan Jenkins

Published 21 January 2016

Still looking good

by Dick Hobbs Issue 107 - November 2015 The television industry is in crisis, as we all know. Experts everywhere are telling us that consumers want content on demand, wherever they are. Online and mobile platforms will mean the end of the broadcaster and the channel as a brand. But heres the thing. While all these experts are telling us this, consu...

Submitted by Dick Hobbs.

Published 01 December 2015

Stop, collaborate and listen

by Peter Savage Issue 106 - October 2015 Fresh from his trip to Amsterdam, Azule chairman Peter Savage relives what he saw at IBC by highlighting a very welcome industry trend: equipment manufacturers are finally talking to each other. Its not terribly rock and roll but the most surprising and welcome - thing that I saw at IBC 2015 was the willing...

Submitted by Dick Hobbs.

Published 01 November 2015

Take a peek at Periscope

by Beth Zarkhosh Issue 106 - October 2015 If youre a Twitter user, you may have recently started to notice an increase in the use of the word Periscope. No, this is not a sudden surge of nautical fanatics - Periscope is the latest social media app to the take the web(/world) by storm and has duly been morphed into a verb - to Periscope. The live vi...

Submitted by Beth Zarkhosh

Published 01 November 2015

High-speed archiving in a high-res world

by Lee Sheppard Issue 102 - June 2015 SGL has partnered with Avid for the past 11 years and the companies continue to deliver solutions that are required by today\'s modern broadcast facilities. SGL FlashNet, the engine that drives Avid Interplay Archive, provides customers around the world with an integrated MAM/PAM archive solution. Built around...

Submitted by Lee Sheppard

Published 01 July 2015

The future of storage is now affordable and flexible.

by Ed Harper Issue 102 - June 2015 As the 10th anniversary of the Avid ISIS shared storage product line approaches this autumn, Ed Harper, senior product manager in the Avid ISIS collaborative storage solutions group, looks at how the company continues to innovate its flagship, flexible and scalable storage solution. Over the years, our engineering...

Submitted by Ed Harper

Published 01 July 2015

Venice live productions tools go to the consumer

by Tim Felstead Issue 98 - February 2015 The objective of most studio production is to cost effectively create live or as live television to which audiences will be drawn. During the process of creation, recording into media servers can either be a separate process used only for immediate replay, or can be part of a media workflow serving multiple...

Submitted by Tim Felstead

Published 01 March 2015

The fast-moving business of providing pop-up editing suit...

by Danny Carri Issue 97 - January 2015 Video editing is moving at a fast pace, with video, software and server specifications all changing with the seasons. For production companies who know what they want, hiring an editing system for the duration of a production is an efficient alternative to hiring the services of a post production facility. We...

Submitted by Danny Carri

Published 01 February 2015