KitPlus | Articles

Honey, I shrank the data. How DNA storage could reduce th...

By A3 Communications Capacity, cost, and performance. Three of your top data storage priorities? No wonder, and it’s the same for most organisations across the media and entertainment sector. The volume of data M&E organisations produce is in overdrive, with its global storage market size predicted to reach almost $18bn by 2027. That is likely...

Submitted by KitPlus

Published 17 March 2023

Solving Rigorous Digital Workflow Challenges

Headquartered in New Zealand, The Rebel Fleet offers digital workflow services to top film and television production companies. Clients address broad creative needs and retain total image control across multiple shooting units with fast turnarounds. Recent projects include The Meg, Adrift, Ash vs Evil Dead, and The Shannara Chronicles. The company...

Submitted by Michael Urban

Published 03 November 2019

New workflows floating on the horizon

The way in which we consume content has fundamentally changed. We want to watch what we want, when we want, where we want and how we want, and we want to find programmes quickly, preferably in HD or increasingly UHD. Content is king and in order to satisfy consumer requirements it is essential media companies can locate their material quickly and e...

Submitted by Lee Sheppard - new

Published 04 April 2017

Ask The Expert- Post Production Supervisor at BBC Studios...

by John Loughman Issue 109 - January 2016 ¢ Tell us about you, your job role at BBC S&PP and what led your career in this direction? I received a BA in Media Production from Cumbria Institute of the Arts. In April of my final year at University, I applied for a Trainee Post Production Assistant role at the BBC and I joined In September 2004. I wor...

Submitted by John Loughman

Published 21 January 2016

Tapeless Workflows, MAM and Archive: Back to Basics

by Mike Shore Issue 103 - July 2015 The broadcast industrys appetite for file-based workflows existed long before the technology required to implement them was available. With the emergence of cheap capture hardware, the continually decreasing cost of storage and the ever-increasing capabilities of inexpensive computing power, the transition from t...

Submitted by Michael Shore

Published 01 August 2015

Transmitting love...live

by Kieron Seth Issue 101 - May 2015 A year after its launch, Transmitter is developing a real name for itself. A partnership between the BPI and music media company LoveLive, it\'s a dedicated online music channel designed to promote the best music talent Britain has to offer. The content produced is shaped and driven by its viewers, and optimised...

Submitted by Kieron Seth#

Published 01 June 2015

Green storage Fat wallets

by Ben Pearce Issue 91 - July 2014 Its not just eco campaigners that want to reduce their carbon footprint. Its also the financial director. Whether youre a small company or a transnational enterprise, you run the risk of losing control of your data and buying more and more disk space. You may be storing many copies of each file on multiple externa...

Submitted by Ben Pearce

Published 01 August 2014

Sportsnet stays ahead of the game with Quantel

by Roger ThorntonIssue 81 - September 2013 Over the last 15 years, Sportsnet has risen to become one of Canadas leading sports media operations. The Sportsnet and Sportsnet One TV channels are complemented by Sportsnet Radio, Sportsnet Magazine and its premium international sports channel, Sportsnet World. In May 2013, parent company Rogers Media a...

Submitted by Roger Thornton

Published 01 October 2013

Will Strauss looks at the growth of MediaCityUK and dock...

by Will StraussIssue 81 - September 2013 Whats up Dock?In less than three years Dock 10 has grown from a mere studio operator with add-ons to a fully-fledged digital media service provider. Will Strauss tracks the changes. MediaCityUK in Salford, Greater Manchester is exactly as the name suggests: a towering metropolis pumping out TV, radio and dig...

Submitted by Will Strauss#

Published 01 October 2013

Preparing for the future in television and film

by Kieron SethIssue 80 - August 2013 We prepare students for a career in television and film, says Sean Thornton of Anglia Ruskin University. As such, the technology we use has to be real-world and broadcast standard The Media Services team provides equipment to under- and postgraduate students and operates facilities that include TV and photograph...

Submitted by Kieron Seth#

Published 01 September 2013

Storage news: Space 4K Duo, the facility goes on location

Issue 80 - August 2013 The 4K location shoot is now commonplace, particularly in film, music video and drama production. However, for digital imaging technicians (DITs) working in the field, UltraHD is extremely problematic. Once data is ingested, replicating the material for insurance purposes can be taxing and the process of offloading files onto...

Submitted by KitPlus

Published 01 September 2013

Bringing increased efficiencies to file-based workflows

by Reed HaslamIssue 80 - August 2013 Most professionals in todays broadcast and media industries can remember a time when the videotape format was ubiquitous. It was the defacto recording, storage, and playback medium for many years, and fragments of the medium still exist today. What clearly contributed to the success of tape is its compact packag...

Submitted by Reed Haslam

Published 01 September 2013

Preparing for the future in television and film

“We prepare students for a career in television and film,” says Sean Thornton of Anglia Ruskin University. “As such, the technology we use has to be real-world and broadcast standard.”The Media Services team provides equipment to under- and post-graduate students and operates facilities that include TV and photographic studios, video editing rooms...

Submitted by Kieron Seth#

Published 01 July 2013

Game, Set and Media Management

A week into Wimbledon and my chances of getting there this year seemed to be dwindling fast. A late call on Friday afternoon though from Timeline TV rekindled my hopes of not only seeing a bit of tennis but getting an exclusive tour around the Wimbledon Broadcast Centre. Always one to grab the opportunity to see both tennis and kit in action my nex...

Submitted by Bob Pank#

Published 01 August 2010

Implications of a Tapeless workflow

The rise of ‘Tapeless Workflows’ is dramatically changing the way broadcasters and post-production facilities protect the content they are working on or own. The traditional workflow relies on tapes to record and protect information, usually stored on a shelf to be used again if necessary. However, due to changes in technology and the demands of an...

Submitted by Dennis Lennie

Published 01 November 2009