KitPlus | Articles

Cinematographer Matt Ryan pairs ZEISS Supreme Primes and...

LA based cinematographer Matt Ryan’s enthusiasm for finding the most capable technology to support his creative process has enabled him to shoot across genres and formats. As a Director of Photography, Ryan has shot television for such networks as Disney, FOX, Warner Bros, MTV, PBS, and TruTV. Outside of narrative, Ryan has lensed high-profile comm...

Submitted by Kathryn Ferentchak

Published 08 September 2023

On Stage At Festival Beauregard

Set in the majestic grounds of the Chateau de Beauregard, and in its eleventh year, the festival is an eclectic mix of homegrown French talent and international artists spanning pop, rock, punk and dance. We made the hop across the channel to find out more. With a diverse lineup - where else can you find Tears for Fears, Disclosure, Snow Patrol, Fa...

Submitted by KitPlus

Published 03 November 2019

REVIEW Canon UJ111x8_3B UHD Lens

Shooting in ultra high definition and high dynamic range has become the preferred option for all television productions with a potentially long commercial life. The hir-ing charge and indeed the outright purchase cost of cameras of this standard are not significantly greater than those of high definition standard dynamic range models. With half the...

Submitted by Andy McKenzie

Published 10 September 2019

Why MADI is Still Relevant

While the original idea for MADI was to cater to a very narrow recording studio application, the standard remains a viable go-to multichannel audio technology. Beginning as a standard in 1991, MADI was first introduced to the world as digital production was beginning to come of age. MADI was put together in 1988 by Solid State Logic, AMS-Neve, Sony...

Submitted by Stephen Brownsill

Published 10 September 2019

Keeping the Show on the Road

There is long-established saying in the media business that, if something goes wrong, at least nobody dies. It is almost true unless you happen to be a TV producer suffering a cardiac arrest because your primary video feed has gone blank during a high-budget programme. First-line maintenance is usually in the hands of the user. If a device malfunct...

Submitted by Andy McKenzie

Published 10 September 2019

Celebrating Chroma-Q with 15 Years in LED Lighting

LED lighting brand, Chroma-Q® recently held summer BBQ & open day events to celebrate with the industry reaching its 15th year in LED technology. Held at the Northern and Southern offices of the brand’s UK dealer, A.C. Entertainment Technologies, the informal gatherings were an opportunity for Chroma-Q users new and old – including lighting designe...

Submitted by Ian Muir

Published 16 July 2019

Giving Welsh sport a global audience

From the Ospreys Rugby Union team, to the Football Association of Wales, as well as national cycling, swimming and boxing coverage, Port Talbot based Buffoon Film and Media has been heavily involved in putting Welsh sports on the world stage. Focusing mainly on platforms including Facebook Live and YouTube, the team has already live streamed to mor...

Submitted by Adam Amor

Published 09 November 2018

The shining star of Dancing On Ice

Lighting is an incredibly important part of any TV production, and it can make a huge difference to what is seen on-screen. If the right lights are used in the right way, it can create a mood, set a tone and convey a certain atmosphere. Nowhere is this more evident than on the set of dramatic TV shows such as Dancing on Ice, a hugely popular UK sho...

Submitted by Rod Aaron Gammons

Published 26 March 2018

The Transition to a full end to end IP video solution

Most video professionals will agree that the future is IP. The question is, when and how do they make this transition? With manufacturers just introducing new IP products, many people are observing and waiting. However, the reality is that the move to IP is already rapidly taking place and is more transformational than the move from analogue to dig...

Submitted by Brian Olson

Published 02 November 2017

State of the Nation - part 2

This is, of course, the IBC issue of this splendid magazine. Much of the rest of its pages are filled with what you will see there, or (in some cases) what vendors and their marketing communications agencies want you to see there. This year’s IBC is a particularly special event, though. It is 50 years – almost to the day – since the very first Inte...

Submitted by Dick Hobbs - new

Published 19 October 2017

Highlighting YouTube Space

Video, by definition, requires space and light. However, the right space, with the right light, can make or break a production. YouTube parent company Google\'s new London HQ in Pancras Square at King\'s Cross is certainly the right space. In fact, it\'s so right they\'ve called it YouTube Space London, a 20,000 square-foot, state-of-the-art facili...

Submitted by Peter Daffarn

Published 10 November 2016

Out with the new, in with the old

by Peter Savage Issue 110 - February 2016 Out with the new, in with the oldGetting the film look with a digital camera requires the correct lens: and sometimes that means going back in time, writes Peter SavageFor consumers and professionals alike, a digital camera offers convenience and immediacy. But when youre using one to shoot a movie or TV dr...

Submitted by Peter Savage 2

Published 16 March 2016

THE EVOLVING DRONE CAPTURE MARKET

Issue 110 - February 2016 Although the use of drones to capture content for film and television productions may still seem new to some, Helifilm.com began using drones for photography way back in 2008. Today, we're the premier supplier of aerial footage in Scandinavia, offering services to national and international film teams and providing access...

Submitted by Bjorn Olin

Published 16 March 2016

Lenses cant be that complicated can they? Part 1

with Graham Reed Issue 108 - December 2015 Many people who use lenses have very little understanding in the complexity or the science that goes on behind them. I do not pretend to be an expert on optics but I have spent some time in trying to understand just how complex they are. I think its first just a good idea to remind ourselves of what light...

Submitted by graham reed

Published 15 December 2015

Those pesky scientists

by Dick Hobbs Issue 102 - June 2015 This month\'s picture is of something I was given on a visit to the Grass Valley camera factory in Breda, maybe 10 years ago. I think it is a thing of beauty, which is why it sits in pride of place on top of the wine cabinet. It is the sharp end an HD system camera: the optical block and a CCD imager. We saw in t...

Submitted by Dick Hobbs.

Published 01 July 2015