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Singularity - QA and compliance monitoring in one box

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by Martin DysterIssue 79 - July 2013 The task of maintaining loudness-compliant, high-quality delivery for broadcast audio is no longer a question of simply using ones ears. Audio channels produced for todays fast-paced productions come in embedded SDI workflow with streaming signals containing a mix of mono, stereo, surround, Dolby encoded and des...

Submitted by Martin Dyster

Published 01 August 2013

Understanding and Managing the Piracy Continuum

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Content owners, content distributors and security vendors have traditionally characterized digital “pirates” as a single malicious group with ill intentions. This, however, is seriously short-sighted because it is an overgeneralization that not only overshadows true consumer behavior, but results in misguided piracy mitigation tactics and missed re...

Submitted by Bob Pank#

Published 01 November 2012

Synchronising the Shelf Stackers

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The six-episode BBC Series “Shelf Stackers” brings audiences lots of laughs with its witty teenage commentary. Dom Bridges directed and helped edit the popular show as well as automating the synchronisation of audio clips for its dual-system sound productionBridges began his career as a graphic designer, which eventually led him to commercial desig...

Submitted by Bob Pank#

Published 01 February 2011

Post Production Recipes

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Multi-camera editing adds zest to any video production. It captures an event - a moment - from different angles, conveying a comprehensive and nuanced message. Often underrated, sound is a key ingredient in the mix. For the highest quality sound, separately recorded (dual-system) audio is the preferred technique. All leading non-linear editors (NLE...

Submitted by Bob Pank#

Published 01 September 2010