KitPlus | Articles

Ad servers and switching solutions

i Hardware-based ad servers and switching solutions have been around for a long time and, broadly speaking, do the job just fine. That said, after a number of meetings before and during NAB 2017, what I found is that a lot of people are looking to replace components of their hardware-based ad servers, the switching function being chief among them....

Submitted by Peter Blanchford

Published 07 September 2017

The 7 Steps to Saving Film

i We live in a world where - thanks to everything from smartphones to cheaper professional gear - more and more footage is being shot today than ever before. It\'s a little known fact, however, that as more movies are made, archived physical film works all over the world are in danger of being lost to the damage of time. The Library of Congress alo...

Submitted by KitPlus

Published 07 September 2017

You can have your OTT and IP IT too

It has taken a long time, for a variety of reasons, but the rising tide of pushing mainstream content over IP is now commonplace. Looking back a few years, some manufacturers, who were early to recognise the advantages, were keen to implement IP based interconnectivity, even though some of their customers remained, and are still, somewhat reluctant...

Submitted by Peter Blanchford

Published 13 January 2017

Manage and Monitor

Issue 93 - September 2014 In less than a month’s time, British television producers will be asked to deliver their programmes to broadcasters as files rather than tape. Some have been doing it for years. For others, it’s a whole new world. Fundamentally, the change is just replacing physical items like tapes, labels and VT reports with their zeros...

Submitted by Will Strauss#

Published 01 October 2014

Premier league infrastructure

by Alan Green Issue 88 - April 2014 It is now common practice to cable major sports venues for broadcast operations. It saves time rigging pulling cables in to every camera and commentary position can take a day or more. The efficiency is great for broadcasters it means that the same truck can work at different grounds on consecutive days. As well...

Submitted by Alan Green

Published 01 May 2014

Will Strauss looks at automatic QC for the people

by Will StraussIssue 83 - November 2013 The method in which television producers should deliver their programmes to UK broadcasters is changing. From 1 October 2014 it will be digital files, rather than HDCam SR tapes, that are the preference. It is a fundamental and fairly disruptive change that is the cause of much debate right now. The parameter...

Submitted by Will Strauss#

Published 01 December 2013

Finding a Flexible Post Workflow

In the heart of London's Shoreditch is the award winning post-production house – Splice. Specialising in broadcast, commercial and corporate post production, the boutique studio is home to forty full-time employees and a grand display of state-of-the art technology spanning three floors including: two Baselight grading theatres, Avid DS suites and...

Submitted by KitPlus

Published 01 February 2013

Id Hide You.......

I’d Hide You....... The 8,000 mile journey of the Olympics torch has been the surprise hit of the games so far. Each step and every handover is filmed and beamed live to connected viewers over the Internet. Easy enough for an organisation as large and technically astute as the BBC, with its wealth of resources, but in this age of new technology, su...

Submitted by Kieron Seth#

Published 01 July 2012

Jamies 30 minute meals are served up

The ChallengeTo shoot, edit, grade and conform 40 x 30 minutes episodes of Channel 4’s Jamie’s 30 Minute Meals within an extremely tight timescale, whilst ensuring that quality wasn’t sacrificed throughout the process. The SolutionAn efficient file-based workflow incorporating Avid Media Composer and Avid DS with RED and Canon cameras were used to...

Submitted by Bob Pank#

Published 01 May 2011

Post Production

The global financial downturn is having a significant impact on every industry and television is suffering too. The programme budgets of most channels are being held or cut making the costs of producing content significant in the decision on whether programmes and series are aired. Yet the demand remains for bigger, bolder and more cinematic styles...

Submitted by Bob Pank#

Published 01 September 2010

Eye to Eye Video acquisition and production

BVE2009 in London, February 17-19 offers UK-based programme-makers a useful opportunity to try out the latest video acquisition and production equipment ahead of NABshow2009 and its loud after-echo, IBC. The following outlines some of the new front-end kit likely to be on display at Earls Court. Cameras and camcordersARRI will be exhibiting its D-2...

Submitted by Dennis Lennie

Published 01 April 2009

The morality of meltdown

Apologies for breaking away from my usual broadcast-orientated comments but, when looking at the micro of our own world, sometimes big macro economic tsunamis crash in – and can have hugely damaging effects on our own small, flat, micro economic island. I’m writing this over the weekend when the US Congress is deciding whether it should bail out th...

Submitted by Dennis Lennie

Published 01 January 2009