KitPlus | Articles

Celebrating Chroma-Q with 15 Years in LED Lighting

LED lighting brand, Chroma-Q® recently held summer BBQ & open day events to celebrate with the industry reaching its 15th year in LED technology. Held at the Northern and Southern offices of the brand’s UK dealer, A.C. Entertainment Technologies, the informal gatherings were an opportunity for Chroma-Q users new and old – including lighting designe...

Submitted by Ian Muir

Published 16 July 2019

Lighting with Gurdip Mahal

Gurdip Mahal’s credits for lighting design are impressive. Including major Awards shows such as BBC Sports Personality of the Year, Children in Need, as well as The Voice, Top Gear and Crystal Maze, his CV would almost certainly include at least one show with which any one of us is familiar. In addition, he has applied his own particular style to p...

Submitted by Ian Muir

Published 04 June 2019

Rotolight Anova Pro 2 User Review

The Anova PRO 2 is the fourth generation of Rotolight’s studio/location light, offering 70% more power output than its predecessor. It is claimed be one of the brightest LED lights ever launched in its class, delivering 10,700 lux at 3 feet yet consuming only 72 watts. Figure 1 shows the front with accessory mounting spigots (1), optional barn door...

Submitted by Andy McKenzie

Published 21 March 2019

Shedding Light on the Blackmagic Pocket Cinema Camera 4k...

“What is it about light that has us craving it?” Is the question asked in the opening seconds of Garth de Bruno Austin’s latest short, The Colour of Light. Exploring this natural, human need as well as our innate desire to control it, Garth’s film showcases everyday people going about their lives in differing degrees of luminance, whether that be a...

Submitted by Garth de Bruno Austin

Published 09 November 2018

How to shoot the perfect lighting mix

Advances in high-quality LED lighting over the past couple of decades might be one of the best things that’s ever happened to broadcast and cinema production. Compared to traditional tungsten fixtures, LED lights offer powerful operational and financial benefits from longer life and lower energy bills to brighter, more consistent light and greater...

Submitted by Alan Ipakchian

Published 07 June 2018

Reunion on Kingsman ensures efficient workflow for sequel

Both on and off camera, there are some collaborations that are built to last. Armed with the success of their work on the first film adaptation of the Kingsman comic book (Kingsman: The Secret Service), director Matthew Vaughan reunited with cinematographer George Richmond, DIT Joshua Callis-Smith and colorist Rob Pizzey, to deliver Kingsman: The G...

Submitted by KitPlus

Published 02 November 2017

Advances in LED lighting innovation with Rotolight AEOS

i There\'s no doubt that lighting plays a critical role in videography, filmmaking and photography. It\'s the area of content capture that brings added creativity to shoots, whether that\'s filming a wedding, producing a commercial or making a movie. Much like cameras have evolved over the past few years, lighting has also evolved; from the traditi...

Submitted by Rod Aaron Gammons

Published 07 September 2017

The now and how of LED Lighting

LED lighting has come a long way from the days when companies like Outsight were ridiculed by major manufacturers at trade shows because, the manufacturers asserted, technology couldn\'t be entrusted with the requirements of our industry. During this time the market has moved from that initial question, "What is LED?\" to "Is LED ready?\" and final...

Submitted by Tama Berkeljon

Published 15 March 2017

The Benefits of LED Lighting in Broadcast

The humble LED studio light has come a long way since its introduction. In the early days adoption was low, while scepticism that the quality and functionality of LEDs could rival traditional tungsten lighting was high. There has been a period of adjustment, challenges (particularly around light quality and manufacturing) overcome and the broadcast...

Submitted by Rod Aaron Gammons

Published 15 March 2017

The Future of LED Lighting

From the moment the LED light entered the broadcast, media and entertainment world its key differentiator was its energy efficiency compared to traditional tungsten studio lighting. LEDs use far less energy in the region of 90% less than tungsten lights and produce less heat. In addition, they are far more portable and generally have a longer lifes...

Submitted by Rod Aaron Gammons

Published 25 August 2016

Recreating a Masterpiece

by Stuart Harris Issue 112 - April 2016 Tell us a bit about yourself Stuart. At the moment I am the acting head of cinematography here at the National Film and Television School. I have been a cinematographer from around 1980 and I have done commercials, music videos, feature films, sort of everything really. I think a creative career was what I wa...

Submitted by Stuart Harris

Published 25 April 2016

Grading Temple - Making the future look vintage

Cineground's Simon Allard and Nguyen Anh Nguyen reveal how they used Kowa lenses and an atypical approach to grading to give their new sci-fi cyberpunk thriller, "Temple\" a unique vintage look. Created by the same indie team behind "The Akira Project,\" a viral trailer which garnered more than three million views online in 2014, "Temple\" is a new...

Submitted by Simon Allard

Published 01 April 2016

Raising the bar at BVE

Azule's Peter Savage managed to drag himself away from his countless BVE meetings (and the show bar) for long enough to discover that ˜easy-to-use' was the tipple of choice at this year's show. Trade shows are funny things. When you arrange a lot of meetings, it is quite easy to spend an entire week at an exhibition and not see any kit or attend an...

Submitted by Peter Savage 2

Published 01 April 2016

Missing Parts Of The Spectrum

by Graham Jaggers Issue 107 - November 2015 Since the phasing out of conventional filament light bulbs and their replacement with fluorescent and LED, many manufacturers indicate the colour accuracy of their lamps with a CRI (Colour Rendering Index) number. It is possible however, to illuminate a scene using lamps with quite good CRI ratings and ex...

Submitted by Graham Jaggers

Published 01 December 2015

How full is your spectrum?

by Ian Muir Issue 98 - February 2015 Colour tuneable (Bi-Colour) LED based lamps are now increasingly commonplace in the world of Film and Broadcast. Their capacity to provide a choice of colour temperatures, usually in the realms of 3200K to 5600K, can be extremely useful. This is particularly beneficial when working in environments where setup ti...

Submitted by Ian Muir

Published 01 March 2015