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5 Things I Saw At NAB

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by Peter Savage Issue 113 - May 2016 ARRI Trinity stabilisationIt may look like something that was dreamt up for a sci-fi film but the Trinity stabilisation system is a truly remarkable bit of kit that is most certainly real. Available as an upgrade to the Artemis or a third-party camera stabiliser, it consists of a compact and lightweight two-axis...

Submitted by Peter Savage 2

Published 13 May 2016

Must haves for wireless camera transmission

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1. How has OB technology and workflow evolved over the years?In the days of analog, camera operators were basically tethered to the camera via cable. Additionally, when doing a remote transmission the production required line-of-sight to the receive site or to a satellite. It took a small army and lots of hardware to make an on-location shoot happe...

Submitted by John Payne

Published 01 April 2016

Shoot safe, shoot dynamic

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by Nick Allen-Miles Issue 104 - August 2015 Todays craze for shooting from a UAV or drone is not for the faint hearted. Unless used legally and in very limited situations, its a dangerous way of capturing dynamic shots. Wherever people are involved or height restrictions apply, there are more useful ways of filming safely that deliver a more intere...

Submitted by Nick Allen Miles

Published 01 September 2015

Kit Protection - the professionals choice

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Issue 98 - February 2015More than 30 years of product development has ensured Peli Cases are the market leader in essential protection for broadcast and photographic equipment. Offering watertight, dustproof and crushproof security, Peli cases are backed by legendary "You break it, we replace it\" lifetime guarantee. Professionals choose Peli cases...

Submitted by KitPlus

Published 01 March 2015

Wireless cameras at live events

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by Scott WalkerIssue 81 - September 2013 While wireless cameras have been used in high end broadcast for years, prices have dropped and there are now a variety of products on the market to suit lower cost broadcasts, and the technology is creeping into events with live outdoor screens and lower budgets, where it adds a creative angle to the show. I...

Submitted by Scott Walker

Published 01 October 2013