KitPlus | Articles

Gearing up for The Americas with Simon Reeve

For several years, it has been my honour to collaborate as director of photography with Simon Reeve, the well-known British author, adventurer, and TV presenter. Our latest partnership, the popular BBC Two program “The Americas With Simon Reeve,” is our most ambitious project yet, tracing Simon’s journey from the top to the toe of two continents. S...

Submitted by Jonathan Joung

Published 27 January 2020

Undercover Remote Production

It’s only taken 20 years and it seems that Remote Production is finally coming of age, but it now requires far more cameras than anyone envisaged back in the last century!The move to remote production is one of the unstoppable trends of 2019 and moving into 2020. Our CamBall cameras pioneered remote working as early as 2003 with sport and wildlife...

Submitted by David Bradley

Published 10 September 2019

TV Futures - Producers Produce

I’ve learnt two major facts about being a producer since studying on my BSc Television and Broadcasting course: ‘the role of producer cannot be defined in a sentence’ and ‘if your team don’t see you working, you’re doing your role as producer correctly’. When I first came to The University of Portsmouth I knew what course I wanted for skills and ro...

Submitted by Emily Merritt

Published 04 June 2019

Filming behavioural sequences in tough environments

Three leading figures from the world of natural history production discuss their experiences with the Panasonic VariCam and EVA1 large sensor cameras, and offer advice for shooting in challenging environments including underwater, at high altitude and in extreme weather. Panasonic was proud to sponsor an exclusive seminar with three leading individ...

Submitted by KitPlus

Published 24 January 2019

GoPro HERO 7 Review

When I heard I was filming a nature restoration project in the pouring rain this week I was excited. WHY? No Cameraman enjoys the rain, surely but this time I was enthusiastic because I knew this would be the perfect opportunity to try out the brand new GoPro Hero 7 Black Edition. Scythes, water, and wildlife that excrete things are not normally co...

Submitted by Tim Bearder

Published 09 November 2018

IBC - how was it you

IBC 2016 was very much a launching show, with more new products and updates than in many recent IBC\'s or NAB\'s. With so many of these announcements directly in the remit of a cameraman, blink and you\'d miss the next big thing in camera and lenses news. With this in mind, this review focuses on camera and lenses only. One consistent factor among...

Submitted by Duncan Payne

Published 10 November 2016

The changing face of streaming

I have been in the streaming business for more than 20 years and I've witnessed a number of major shifts in the industry. Currently we are experiencing such a shift as we see a massive increase in users viewing content but also a sea change in how it's being discovered and viewed. Over the last few years there has been a continual rise in the use o...

Submitted by Jake Ward

Published 22 July 2016

Networking with the GTC

The annual Guild Of Television Cameramen ( GTC ) Open Day and AGM was held recently in the Oxfordshire countryside on a sunny Sunday. It's a while since I've attended one, and the welcome was as warm and friendly as it always has been. Organisations like these must be incredibly useful for freelance camera operators, most of whom do not attend NAB,...

Submitted by Duncan Payne

Published 14 June 2016

The Search For The Coastal Wolf

by Bertie Gregory Issue 112 - April 2016 Bertie Gregory, 2012 Youth Outdoor Photographer Of The Year and 2015 Scientific Exploration Society Zenith Explorer, is a professional wildlife photographer, filmmaker and presenter whose first solo assignment for National Geographic will debut in Spring 2016 on their new online platform. This 24 part series...

Submitted by Bertie Gregory

Published 25 April 2016

Open Source for Film and TV Production

by Dan Mulligan Issue 98 - February 2015 There\'s nothing like a new project to make you feel excited about life, and excited is definitely how I\'ve been feeling since I adopted an Open Source policy to my companies\' camera and workflow divisions. My background is in cameras. I started out assisting and focus pulling before moving up the ranks to...

Submitted by Dan Mulligan

Published 01 March 2015

Wild about Hovercam

Hovercam Ltd. are industry leading specialists and have a team with over 20 years of experience in aerial filming and photography. The company was established in 1992 and now offers a wide range services including Full-size helicopter, Remote controlled helicopter and Airship filming in various formats including 35mm and HD. In addition to this, Ho...

Submitted by Dennis Lennie

Published 01 January 2015

Location: Seychelles with the Canon C300PL

by Kieron Seth Issue 86 - February 2014 The idea that the Seychelles are all about palm-lined beaches underplays the scale and diversity of this geologically rich group of islands. Unlike many other tropical paradise destinations, a beautiful seascape is only part of the picture for this gem of the Indian Ocean. From the 900 metre peak of Morne Sey...

Submitted by Kieron Seth#

Published 01 March 2014

Will Strauss looks at 6 reasons why 4k is so special

by Will Strauss Issue 86 - February 2014 4k (or UHD) is everywhere. Whether you want it or not, it is (slowly) permeating the living room - in the form of TV sets - and gradually becoming more commonplace on location and in the studio. Someday soon it will be broadcast in the UK too. As Bob Pank points out on page 56 there are a number of reasons f...

Submitted by Will Strauss#

Published 01 March 2014

Taking the heat out of lighting

by Kevin CookIssue 82 - October 2013 Weve seen a gradual move away from tungsten video lighting for a number of years now and for all sorts of reasons. Firstly theres the ecological issue about using tungsten lights. Burning a metal filament within a gaseous-free glass chamber is not the most efficient way to generate a light source. Most of the en...

Submitted by Kevin Cook

Published 01 November 2013

Adventure Filmmaking with Ian Burton

What exactly is it that you do now/ what do you specialise in? How did you get started in filmmaking?I'm an independent adventure filmmaker, specialising in shooting in remote and ‘vertical’ locations. I shoot my own projects as well as commercial projects for a huge range of companies, and I love filming world class extreme athletes pushing themse...

Submitted by KitPlus

Published 01 April 2013