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Class: Pragmatism In Engineering

A couple of years ago, Hermann Popp from ARRI came to me and talked about putting MXF in ST 2110. My initial take away was that his proposal felt like exactly the right way to solve the problem he presented, but was completely counter-intuitive to the IP Engineering purists who would push back on the concept of double wrapping the content. It took...

Submitted by Bruce Devlin - new

Published 03 November 2019

IMF Adoption

The Interoperable Master Format isn’t new. It’s been around for more than six years. Despite this longevity, the broad adoption since the publication of SMPTE 2067 has been pretty slow. This is perhaps more because of the age old mantra “if it ain’t broke don’t fix it,” than the ease with which many could interpret the standard. However, it is safe...

Submitted by Howard Twine

Published 04 June 2019

Twenty Years of Transcription

In 1998 Dom Bourne dropped out of university and started a business providing transcriptions to production companies. The company operated from his childhood bedroom and Dom hoped it would keep him in beer money for a year or two before he decided what he really wanted to do with his life. Twenty years later and, this year, Take 1 celebrates two de...

Submitted by Dom Bourne

Published 18 July 2018

Getting started with IMF

i Why is the Interoperable Master Format still exciting? Content is still King, but only if you can get it out to the consumer. I have just had the privilege of doing a live episode of Bruce\'s Shorts at the EBU IMF Workshop in Geneva. It was a privilege because I was able to talk about real world issues in making IMF compositions rather than talki...

Submitted by Bruce Devlin - new

Published 07 September 2017

Mr MXF thinks the future is made of components

The recent SMPTE IMF plugfest that was kindly hosted by Fox in Burbank gave the vendors, users and content owners a chance to discuss the fine details of the IMF standard and to get excited about where it will take the Post Production community. If you haven\'t heard of IMF then you have not been standing within 500ft of me for the past year. IMF i...

Submitted by Bruce Devlin

Published 15 February 2017

The secret to global Gogglebox success

People all over the world love watching other people watch TV. What many of us thought was a ridiculous notion when Gogglebox first aired in the UK in 2013, has since become a worldwide phenomenon. \'Gogglebox is held up by the global industry and broadcast community as an example of excellence in audience engagement and production innovation, and...

Submitted by Chris Cooper

Published 15 February 2017

The true benefits of the media factory ideal

As an industry we know that to be successful in the new multi-platform, multi-format environment there are hurdles that broadcasters and other content owners must overcome. These include: the introduction of non-linear offerings, which require different services to be managed in parallel; the reduction of revenues from conventional linear channels,...

Submitted by Julian Fernandez-Campon

Published 22 July 2016

Ask The Expert- Post Production Supervisor at BBC Studios...

by John Loughman Issue 109 - January 2016 ¢ Tell us about you, your job role at BBC S&PP and what led your career in this direction? I received a BA in Media Production from Cumbria Institute of the Arts. In April of my final year at University, I applied for a Trainee Post Production Assistant role at the BBC and I joined In September 2004. I wor...

Submitted by John Loughman

Published 21 January 2016

Media Management in Final Cut Pro X

by Larry Jordan Issue 95 - November 2014 Media management drives editors nuts. Since the beginning of computer-based video editing, trying to remember where your media is stored is a never-ending battle between "getting it done,\" and "doing it right."With the release of Final Cut Pro X 10.1, Apple made significant changes to media management; then...

Submitted by Larry Jordan#

Published 01 December 2014

Information Control and Automation but not as you know it

by Sandra Squire Issue 90 - June 2014 Cameras, branding, lighting and timers all at the touch of a button. Accurate clocks, timing and cue information are essential components of any broadcasting environment directors, production teams and presenters have always depended on them for the delivery of broadcast critical operations. This is still the c...

Submitted by Sandra Squire

Published 01 July 2014

Review: DaVinci Resolve 10

by Toby Tomkins Issue 85 - January 2014 Colour grading for me is about the final sculpting of the image, in terms of colour, tone, texture and composition. My goal as a colourist is to push the colour, tone and texture to reflect the desired emotion and story of the image. I choose DaVinci Resolve to be my metaphorical chisel because it has a tools...

Submitted by Toby Tomkins

Published 01 February 2014

Archive eXchange format (AXF) explained

by S Merrill Weiss Issue 85 - January 2014 The proprietary nature of archive storage long has made it challenging for content producers and owners to exchange archive files and media between systems. Thus, when faced with the need either to migrate archives to new generations of storage technology or to consolidate archives, media companies have be...

Submitted by S. Merrill Weiss

Published 01 February 2014

Evolving the industry audio monitoring systems

With respect to monitoring, particularly for multiplatform content delivery, how can our facility straddle the divide between baseband and file-based signals?The media industry as a whole is moving toward multiplatform content delivery. This shift includes and affects not only traditional broadcasters and new media outlets, but the content creators...

Submitted by Don Bird

Published 01 June 2013

OTT Monitoring: keeping it simple and useful

IntroductionOTT is generally understood to mean a technique where the transmission of video to the subscriber is based on the same underlying methods as those currently being used to serve out web pages on the internet today. The Over-the-Top name refers to the potential of this technology for bypassing existing traditional television distribution...

Submitted by Bob Pank#

Published 01 October 2012

Audio loudness for video post

For decades audiences have been complaining about the differences in perceived loudness between different parts of a television service, most commonly that the commercials seem louder than the programmes. Finally broadcasters, prompted in many cases by regulators, have addressed the issue. Over the last decade research has determined what it is tha...

Submitted by Bob Pank#

Published 01 February 2012