ArKaos Launches MediaMaster 5.2

Date: 21/03/2018
ArKaos Launches MediaMaster 5.2

ArKaos stays at the cutting edge of entertainment video and media solutions with the release of MediaMaster 5.2, the latest software version for its powerful and flexible real-time video control software platform.

The key new features that 5.2 brings to MediaMaster users are:

· DMX Merge: To combine parameters like Pan and Tilt from a lighting console and video sources from MediaMaster

· Pixel Blending: Utilising the Blend function, the colour output of a lighting console can be blended - via DMX from the lighting console with the video output of MediaMaster.

· Kling-Net Draft Devices: Allow a show to be prepared remotely – disconnected from the physical devices

· Extended Fixture Creation: Supports complete DMX Devices like moving heads with Pan / Tilt

· 64 Bit Support: for all applications – enabling quicker and more responsive operation.

DMX Merge:

This allows a sophisticated collaboration between video sources and individually pixel-mappable lighting devices, so a fixture – for e.g. a 5x5 matrix-style unit or a light with LED rings - can be panned or tilted into specific positions simultaneously to pre-defined pixel-mapping / effects playing.

This opens up a whole new creative avenue for lighting and visual designers, operators and programmers.

The DMX Merge command enables the lighting console to generate an Art-Net stream to control the pan / tilt functionality.

MediaMaster receives that Art-Net stream and works on the LED colour values, eventually replacing them as the lighting designer decides how the blending should specifically occur, and the merged result is sent to the lighting fixture defining the colour output.

MediaMaster 5.2 makes this feature - currently available only on top end consoles and control platforms – more accessible, more powerful and easier to use, as well as affordable to a greater range of users and scenarios.

Pixel Blending

This is a unique function also associated with the new Art-Net merging capacity and allows subtle and elegant effects to be triggered via the MediaMaster.

The LD may want to use – for example – a series of upstage LED battens in block colours which will be programmed via the lighting console. At another point in the show, they may want to display a cool kinetic texture across the front of the same LED battens.

MediaMaster 5.2 controls how this blending occurs. Two DMX channels define the operation and the colours mixed by the console and rendered by the MediaMaster.

The LD can have precision control over how the MediaMaster inserts the colour values across the LEDs and how this – respectively – affects any programming on the lighting console.

For fast moving, hi-energy EDM, trance and techno shows, it’s possible to strobe the MediaMaster output from the lighting console… keeping visuals totally in sync and harmony with the beat and rhythm of the DJ.

Kling-Net Draft Devices

This invaluable feature allows offline mapping and the potential maximisation of time that can be used efficiently and effectively – perfect for show environments where minutes and seconds count!

Kling-Net enabled devices no longer need to be physically connected to a server running MediaMaster 5.2. The system’s plug-and-play functionality means programming can continue quickly and effortlessly, presenting greater flexibility and more options for shows with multiple devices that need mapping.

Extended Fixture Creation

The Art-Net DMX merge facility implemented in MediaMaster 5.2 unlocks the system’s true potential to work with more complex lighting fixtures which have more than just LED channels.

The fully redesigned fixture creation dialogue in version 5.2’s Art-Net mapper makes it quick and easy to support devices like LED panels, matrix-style units and LED wash lights with individual ring and pixel control.

64 Bit Support

Every application in MediaMaster 5.2 is compiled in 64-bit mode.

This utilizes additional available memory, giving users more instant access to content, programming and effects in real-time without latency or rendering lag.

MediaMaster has been designed by ArKaos to enhance the creative design experience in any show, event or display scenario.



Tags: ArKaos | MediaMaster | video | software | DMX | Art-Net
Submitted by Louise Stickland
View author's directory page

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Octopus Newsroom and STRYME announce MOS-based partnership
Octopus Newsroom announces a partnership agreement with Vienna-based STRYME which produces broadcast ingest solutions for the global broadcast market. The agreement centres on the integration of STRYME's GENESIX VideoServer V9 and the Octopus NRCS via the industry standard MOS software protocol.
Tags: Octopus Newsroom | NRCS | broadcast newsroom systems | Octopus 7 | Octopus 8 | iPhone-based newsroom system | iPad-based newsroom system | Traco Media Bridge | MOS interface
Submitted by Stylus Media Consultants
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Finepoint Broadcast Reports Vibrant IBC2018 Posted: 17/10/2018
Finepoint Broadcast Reports Vibrant IBC2018

Finepoint Broadcast reports a successful 2018 International Broadcasting Convention with hundreds of mainstream manufacturers introducing new technology and some of the world's most influential broadcasters demonstrating new creative production concepts.

Tags: Finepoint Broadcast | broadcast equipment rental | broadcast equipment hire service | broadcast camera rental | television production equipment rental | dry hire service-provider | new and used broadcast production equipment | professional audio visual sales and | IBC 2018
Submitted by Stylus Media Consultants
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Ikegami Sees Growing Interest in HDR Posted: 17/10/2018
Ikegami Sees Growing Interest in HDR
Ikegami reports rapidly growing interest in high dynamic range production (HDR) equipment among delegates attending the 2018 International Broadcasting Convention. Held in Amsterdam every September, IBC is Europe's largest annual broadcast trade show. The event this year attracted 1,700 exhibiting companies and 55,884 registered attendees.
Tags: Ikegami Electronics | broadcast cameras | video monitors | optical camera links | medical imaging equipment | 4K hybrid base station | 4K EFP cameras | 4K studio cameras | 8K EFP cameras | 8K studio cameras | optical camera links | fibre camera links | fiber camera l
Submitted by Stylus Media Consultants
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Asim Saeed Joins Ikegami Electronics as Business Development Manager Posted: 17/10/2018
Asim Saeed Joins Ikegami Electronics as Business Development Manager
Ikegami announces a new addition to its sales and support team with the appointment of Asim Saeed as Business Development Manager. Reporting to Ikegami Europe President Kenzo Ishizuka, Asim Saeed will promote the full Ikegami range of broadcast and medical products to existing and potential customers.
Tags: kegami Electronics | broadcast cameras | video monitors | optical camera links | medical imaging equipment | 4K hybrid base station | 4K EFP cameras | 4K studio cameras | 8K EFP cameras | 8K studio cameras | optical camera links | fibre camera links | fiber camera li
Submitted by Stylus Media Consultants
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ENG Professionals Darren Bramley and Ken Cavali Embrace New flowtech100 Posted: 17/10/2018
ENG Professionals Darren Bramley and Ken Cavali Embrace New flowtech100
Renowned news cameramen Darren Bramley and Ken Cavalli have endorsed the new flowtech100 after field-testing the tripod in demanding electronic newsgathering (ENG) and live news environments. The world's fastest deploying tripod, flowtech100 is compatible with all 100mm fluid heads and can support a payload of up to 30 kilograms (66 pounds), making it ideal for heavy-duty ENG production.
Tags: ENG Professionals | Darren Bramley | Ken Cavali | flowtech100 | World\'s Fastest Tripod
Submitted by Wall Street Communications
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PMC Monitoring For Private Studio Posted: 17/10/2018
Top French Film Composer Nathaniel M and eacute;chaly Chooses PMC Monitoring For His Private Studio
French composer Nathaniel Méchaly has installed a pair of PMC IB2S XBD-A monitors in his private studio in Paris, citing the precision and openness of their sound as the main reasons for choosing this system.
Tags: PMC Speakers | Nathaniel Mechaly | IB2S XBD-A monitors | Film Scores | Taken | Liam Neeson
Submitted by White Noise Public Relations Ltd
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