BritBox launches on netgem.tv

Date: 28/01/2020
BritBox launches on netgem.tv

netgem.tv, the TV service designed for modern and savvy viewers in the UK and Ireland, is delighted to announce they will now offer the new BritBox service through its growing network of ISP operators and enabled netgem.tv devices in the market, available now.

BritBox is a digital video subscription service created by the BBC and ITV. The service brings the very best in past, present and future British programming and award-winning content to viewers all in one place for £5.99 per month in HD. The service includes high quality factual and entertainment content from Channel 5 plus original British comedies from Comedy Central UK. BritBox features the biggest collection of British content available on any streaming service, and brand new commissions for British production companies specifically created for BritBox. BritBox also offers expert curation and playlists that will enable viewers to easily find programmes they know and discover new favourites via web, mobile, or on their main TV, now also available on netgem.tv enabled devices and TV sets.

To mark the deal with BritBox, netgem.tv is also adding an extra 15 HD channels to its exciting line-up, which already features over 100+ live channels including Freeview and Premier Sports channels. Customers have access as well to the 25 catch-up channels, via all FreeviewPlay catch-up services, including all BBC iPlayer, ITV Hub, All 4, My5 and UKTV and netgem.tv add ons such as Amazon Prime Video, hayu, Rakuten TV and YouTube. Additionally, following YouTube’s updates to the YouTube Kids app at the start of the year, netgem.tv will also feature the kids-safe YouTube Kids app to its service.

Sylvain Thevenot, managing director of netgem.tv said “British television has a rich and diverse heritage that BritBox is making accessible to an ever-increasing audience and, with our service already accessible via 12 Ultrafast Fibre provides with a reach of a quarter of a million TV households and growing with the Fibre rollout in the UK, we are delighted to be part of that heritage’s future.”



Tags: netgem.tv | Britbox | BBC | ITV
Submitted by Bubble Agency (Bubble Agency)
View author's directory page

Related Interviews
  • EBS at IBC 2015

    EBS at IBC 2015

  • Bluebell at NAB 2012

    Bluebell at NAB 2012


Related Shows
  • The future of audio with BBC R&D at BVE

    The future of audio with BBC R&D at BVE


Related Articles
  • From Industry to Teaching

    From Industry to Teaching

  • TVFutures - Learning Editing Platforms

    TVFutures - Learning Editing Platforms

  • How LiveU Has Changed The Way We Work At ITV Daytime

    How LiveU Has Changed The Way We Work At ITV Daytime

  • State of the Nation - Drama

    State of the Nation - Drama

  • Grading BBC Sounds

    Grading BBC Sounds

  • What is next after University

    What is next after University

  • Have Lorry will Broadcast - NHS70

    Have Lorry will Broadcast - NHS70

  • TV Futures, Tales on Location

    TV Futures, Tales on Location

  • TVFutures: Learning is the key

    TVFutures: Learning is the key

  • Managing Talent

    Managing Talent

  • The ITTP - A Review

    The ITTP - A Review

  • TV Futures - Running around for clients

    TV Futures - Running around for clients

  • Integrated and automating marketing campaign production

    Integrated and automating marketing campaign production

  • TV Futures

    TV Futures

  • Designing the correct workflow

    Designing the correct workflow

  • Being a Content Creator

    Being a Content Creator

  • The Benefits of LED Lighting in Broadcast

    The Benefits of LED Lighting in Broadcast

  • The Future of Bournemouth Air Festival

    The Future of Bournemouth Air Festival

  • Outside the fixed curriculum

    Outside the fixed curriculum

  • 80 years of broadcast and how far we have come

    80 years of broadcast and how far we have come

  • Health and Safety gone mad

    Health and Safety gone mad

  • Where university meets universe with Tim Peake

    Where university meets universe with Tim Peake

  • Documentary filmmaking - Protecting the past

    Documentary filmmaking - Protecting the past

  • IBC with the BBC

    IBC with the BBC

  • All about industry placements - tv futures

    All about industry placements - tv futures

  • Seeing things with a 360 viewpoint

    Seeing things with a 360 viewpoint

  • TVFutures looking back at the class of 2015

    TVFutures looking back at the class of 2015

  • TV Futures

    TV Futures

  • Ask The Expert- Post Production Supervisor at BBC Studios and Post Production

    Ask The Expert- Post Production Supervisor at BBC Studios and Post Production

  • Riding the TV Marketing and Social Media Wave

    Riding the TV Marketing and Social Media Wave

  • TVFutures:Student pitch

    TVFutures:Student pitch

  • Hold up the weather

    Hold up the weather

  • Chasing ratings

    Chasing ratings

  • #TVFUTURES

    #TVFUTURES

  • An end-to-end solution

    An end-to-end solution

  • Cautionary notes from GTC Member number 001

    Cautionary notes from GTC Member number 001

  • Is it my eyes, is it in focus?

    Is it my eyes, is it in focus?

  • Education meets industry...

    Education meets industry...

  • Sealife - Shooting 4k

    Sealife - Shooting 4k

  • 3sixtymedia implements Universal Videohub 288 with ITV

    3sixtymedia implements Universal Videohub 288 with ITV

  • Archiving as a service at BBC Studios and Post Production

    Archiving as a service at BBC Studios and Post Production

  • Wild about Hovercam

    Wild about Hovercam

  • Keeping it real

    Keeping it real

  • Vision for the future of TV

    Vision for the future of TV

  • Taming the Thames for Boat Race coverage

    Taming the Thames for Boat Race coverage

  • Does lack of training produce inaudible sound

    Does lack of training produce inaudible sound

  • Dick Hobbs reaches for the remote

    Dick Hobbs reaches for the remote

  • The Digital Production Partnership

    The Digital Production Partnership

  • In the Flesh: On set with the BBC

    In the Flesh: On set with the BBC

  • Estuary TV interview: Local TV launches in the UK

    Estuary TV interview: Local TV launches in the UK


News
Shotoku USA to Exhibit Manual Camera Support Solutions at NAB 2020 Posted: 27/02/2020
Shotoku USA to Exhibit  Manual Camera Support Solutions at NAB 2020

Shotoku USA, Shotoku Broadcast Systems’ North American operation, will highlight a complement of manual support solutions at NAB 2020 in Booth C 9108 targeting a wide-range of applications. The international leader in the manufacture and marketing of camera support products will display a line-up that includes an addition to the recently launched SX200/260 ENG/EFP systems; the affordable, entry-level SD & SE tripod series, and the universally successful TP500/SX300 studio pedestal/head combination.

SX200 and SX260 ENG/EFP systems

Raising the bar on movement quality and shot framing control, the recently launched Shotoku SX200 and SX260 pan and tilt heads incorporate a brand-new design featuring Shotoku’s “Truebalance” for perfect counterbalance that is also easy to adjust throughout the range and has an intuitive display to indicate the current setting. The drag system uses Shotoku’s well known Viscam design but adds a new actuation system that combines the convenience and speed of selection of a stepped system, with the fine tuning and on-shot adjustment of a continuously variable design. The SX200 has a max payload of 44Lbs (20Kg) and the SX260 55Lbs (25Kg). The systems come standard with 2 stage ENG Carbon Fibre legs and is one of the lightest on the market at these payloads.

NEW for NAB 2020 - With these SX200/SX260 heads crossing over to the EFP application, the new TTH1002C 100mm carbon fibre EFP tripod has been added to provide an extremely rigid solution, useful when using longer lenses for sports and documentary production.

Tags: Shotoku USA | NAB 2020 | NAB | Shotoku Broadcast Systems | SX200 | SX260 | TTH1002C
Submitted by Desert Moon
More from this author
PSSI Global Services engineers massive at-home transmission for Rolex 24 Posted: 27/02/2020
PSSI Global Services engineers massive at-home transmission for Rolex 24

For NASCAR’s Rolex 24, PSSI Global Services, the industry leader in live event management, transmission and connectivity solutions, successfully engineered an at-home transmission that included delivery of 32 video paths and 150 audio paths via both satellite and AT&T Global Video Services fiber.

“This was a remarkably complex transmission for what is undoubtedly the biggest at-home transmission in the country,” said PSSI’s Director of Broadcast Sports Rick Ball. “Once again, we have continued to change the game, proving just how much can be accomplished with the right mix of expertise, experience and technology.”

Using two and a half transponders and only one amplifier, the company transmitted three different modulation schemes at the same time. The primary multiplex utilized DVB-S2X/32APSK, while the secondary program multiplex was modulated using DVB-S2X/16APSK, each at 125 Mbps. The third multiplex was 40 Mbps using DVB-S2/8PSK modulation. All together the three multiplexes, totaling 290 Mbps, occupied only 90 MHz of satellite bandwidth.

PSSI International Teleport (PIT) provided extensive hub services between the racetrack in Daytona Beach, Florida, and NASCAR headquarters in Charlotte, North Carolina.

In addition to transmission of the video and audio, PSSI Global Services was also responsible for providing comms and internet for production.

 

 

 

 

 

 

Tags: satellite transmission | fiber transmission | broadcast television | NASCAR | Rolex 24 | live television
Submitted by PSSI Global Services
More from this author
Broadpeak at SATELLITE 2020 Posted: 27/02/2020
Broadpeak at SATELLITE 2020

As the video streaming market continues to grow, satellite operators have begun deploying new cost-effective content delivery solutions, leveraging the intrinsic nature of satellite transmissions that ensure a flawless quality of experience across all screens in any place. At SATELLITE 2020, Broadpeak® will demonstrate its nanoCDN™ multicast ABR technology for satellite, addressing hospitality and communities, 5G backhaul, mobility, and VSAT use cases.

Multicast ABR for Satellite

Broadpeak's nanoCDN™ multicast ABR technology is a ready-to-deploy, cost-effective solution for OTT delivery. nanoCDN allows operators to address scalable multiscreen streaming with transmission over satellite for live TV, VOD, and catch-up TV content. By leveraging storage available on the receiver, operators can expand their offering to include advanced, nonlinear services such as time-shifting or start-over TV for increased monetization. The solution can be combined with a hybrid broadband network or used without internet access.

 

 

 

Tags: Broadpeak | SATELLITE 2020 | 5G Backhaul | Multicast ABR | nanoCDN | VSAT
Submitted by Broadpeak
More from this author
AVer Europe launches new enterprise professional conferencing system Posted: 27/02/2020
AVer Europe launches new enterprise professional conferencing system

 

AVer Europe, the award-winning provider of video collaboration solutions, has today announced the launch of its professional conferencing system the VC520 Pro in the UK. The VC520 Pro from offers a lifelike audiovisual experience that delivers for all meeting rooms.

The VC520 Pro has been developed by AVer Europe as a solution for various meeting room sizes, alleviating the challenges that teams face on conference calls. The VC520 Pro has an audio pickup range of 15 feet and the ability to daisy-chain two additional speakerphones to reach up to 45 feet, offering ultra-clear unparalleled audio even throughout large meeting rooms.

 

Tags: AVer Europe | video conferencing | business | meeting rooms
Submitted by brookscomm
More from this author
Mediaproxy to demonstrate full LogServer functionality at CABSAT 2020 Posted: 27/02/2020
Mediaproxy to demonstrate full LogServer functionality at CABSAT 2020

Mediaproxy, the leading provider of software-based IP broadcast solutions, will show the latest upgrades to its LogServer IP logging, monitoring and analysis system on booth A4-10 during CABSAT 2020 from 31 March to 2 April at the Dubai World Trade Centre.

CABSAT is the leading broadcast, satellite and content exhibition for the Middle East, Africa and South Asia markets. The show is a major draw for manufacturers of production, delivery and digital media technology. Now arranged to showcase three key broadcast sectors, CABSAT covers Content Creation, Content Production and Post-Production and Content Distribution and Delivery.

Mediaproxy produces technology that plays a major role in ensuring material leaving playout systems meets technical compliance standards. Platforms such as LogServer are also able to analyze and correct any problems or faults in the distribution chain. To perform these tasks more quickly and efficiently, Mediaproxy recently added exception-based monitoring to LogServer's feature set. This uses IP penalty boxes that allow broadcasters and MSOs (multiple system operators) working at scale to deal with QC and compliance more efficiently.

Interactivity is also a major consideration for broadcasters and service providers, particularly because social media is how many people access video today. Outlets such as Twitter, Facebook and YouTube have different, specific requirements for how material is prepared and Mediaproxy has incorporated dedicated tools for this into LogServer. These include features for cropping the image and altering the aspect ratio to make it better suited to mobile devices, in addition to the capability for inserting ad bumpers.

Tags: Mediaproxy | LogServer | CABSAT 2020 | IP Broadcast Solutions | Playout | Logging | Monitoring | Compliance | Analysis | OTT | SMPTE | CABSAT 2020
Submitted by Page Melia PR
More from this author
Grass Valley GV Alyve is the Clear Winner for Miss Germany Competition Posted: 27/02/2020
Grass Valley and rsquo;s GV Alyve is the Clear Winner for Miss Germany Competition

 

Grass Valley’s cloud-based video production and distribution solution was central to AKK TV’s live streaming of the Miss Germany 2020 competition, held on February 15 at the Europa-Park Arena near Freiburg. GV Alyve, allowed the German OB company to leverage one-click distribution of the live HD event stream to Facebook and the dedicated Miss Germany YouTube channel.

Using GV Alyve, the AKK TV production team was able to quickly and easily create digital broadcasts from within a web browser, switching seamlessly between live streams to create the final feed. Integrating seamlessly with AKK TV’s existing Grass Valley workflow, GV Alyve also allows graphics to be added to the live stream and provides a straightforward interface for managing social interactions across multiple platforms. The system was supplied by Grass Valley’s German reseller, LOGIC media solutions.

John Sturm, Managing Director of AKK TV commented: “We looked at a number of different solutions on the market and GV Alyve exceeded our expectations both on functionality and ease of use. We’ve worked with the Grass Valley and LOGIC teams in the past and they really understand our requirements. The added capability GV Alyve brings to our workflow allows us to grow the live streaming area of our business without adding complexity to our OB set-up.”

Pete Semerak, Grass Valley’s vice president, production, added: “We’re very pleased to see a successful first deployment for GV Alyve with AKK TV. In today’s live productions environment fast and smart ways of working are central to our customers’ needs. GV Alyve gives broadcasters and production companies a simple way to integrate online and social delivery, allowing production staff to distribute media to viewers with a single click and ultimately satisfying consumer demand for always-on content.”

 

 

Tags: Grass Valley | AKK TV
Submitted by Platform Communications
More from this author
Reduced Operating Costs, Superior Quality of Service, and Zer0 Friction Customer Experience, Highlight TAG Video Systems NAB Announcements Posted: 26/02/2020
Reduced Operating Costs, Superior Quality of Service, and Zer0 Friction Customer Experience, Highlight TAG Video Systems NAB Announcements

TAG Video Systems continues to demonstrate its Zer0 Friction customer experience with significant new capabilities added to its flagship system. Already the world leader in 100% SW, 100% IP, 100% COTS Probing, Monitoring and Multiviewing for all four of the major broadcast applications (Live Production, Playout, Delivery and OTT), TAG has increased support for additional sources, interfaces and, formats. In addition, TAG has added new audio output functionality and an updated layout editor. The new features and functionality will further demonstrate TAG’s Zer0 Friction approach to technology, operations and asset utilization at NAB 2020 on TAG’s Booth C2217 in Central Hall.

eo Systems NAB Announcements

Tags: TAG Video Systems | NAB 2020 | NAB | Zer0 Friction Customer Experience | Mosaic audio output
Submitted by Desert Moon
More from this author
Shotoku to Launch Next Phase in Technical and Operational Developments for Robotic Camera Control at NAB 2020 Posted: 26/02/2020
Shotoku to Launch Next Phase in Technical and Operational Developments for Robotic Camera Control at NAB 2020

Shotoku USA, Shotoku Broadcast Systems’ North American operation, will launch the next phase in technical and operational developments for robotic control systems at NAB 2020 in Booth C 9108. The international manufacturer of high-quality, easy-to-use, robust and reliable robotic and manual camera support systems will demonstrate advancements that incorporate an IP interface into its flagship SmartPed robotic pedestal; a self-contained and easy to connect pan/tilt head; numerous enhancements incorporated into the Company’s TR-XT control system and will also highlight its height drive and pan/tilt head ideal for legislative applications.

SmartPed Fully Robotic Pedestal – Absolutely Brilliant Navigation

SmartPed with Absolute Navigation is perfect for those applications where referencing the fully robotic pedestal is inconvenient or the design of the studio leaves no scope for a floor tile reference position. SmartPed now comes with two optional additions depending on the environment – AN-I is an IP interface within SmartPed enabling it to interface to existing external optical tracking systems such as Mosys StarTracker or Stype RedSpy using the absolute tracking information to reference and adjust the pedestals own internal navigation systems. AN-S provides a full integrated solution, including the optical tracking system for situations where customers do not already have installed optical tracking.

Tags: Shotoku | NAB 2020 | SmartPed Robotic Pedestal | Robotic Camera Control | Shotoku USA | Shotoku Broadcast Systems | TG-18i | TR-XT Control System | LiveView | TG-27 | TI-12 Elevator Unit
Submitted by Desert Moon
More from this author
bcom and Viaccess-Orca Make a Clear Round at the Cartesian Watermark Evaluation Posted: 26/02/2020
b<>com and Viaccess-Orca Make a Clear Round at the Cartesian Watermark Evaluation

Viaccess-Orca (VO), a global leader providing OTT and TV platforms, content protection, and advanced data solutions, announced today that its Dynamic Watermarking solution developed in collaboration with b<>com, a European private research institute, has undergone a stringent assessment carried out by Cartesian, an independent consultancy company for the communications and digital media industries. Co-developed by VO and b<>com, the Stream Guardian technology provides algorithms for VO's Dynamic Watermarking. According to specifications set by the Hollywood movie industry, Cartesian tested the robustness of the solution through its Farncombe Security Audit® Watermark. During the audit, the technology passed all the robustness tests, which check the watermark's ability to withstand attempts to obfuscate it or prevent it from being recovered. Stream Guardian passed the assessment thanks to its live-optimized analysis algorithm.

 

 

 

Tags: Viaccess-Orca | bcom | Cartesian Watermark Evaluation | VO | Stream Guardian Technology
Submitted by Viaccess-Orca
More from this author
Scandinavian Media Giant Nordic Film Chooses ioGates Cloud-Based Video Platform for Secure Media Workflow Posted: 26/02/2020
Scandinavian Media Giant Nordic Film Chooses ioGates Cloud-Based Video Platform for Secure Media Workflow

ioGates, provider of cloud-based tools for sharing and distributing professional media files, today announced that Nordic Film is using its professional-grade cloud-based video platform and easy-to-use web interface to share media and collaborate securely across departments and with external partners. One of Scandinavia's largest private media organizations, Nordic Film has implemented the ioGates video platform across multiple sites and in departments ranging from production to sales and distribution to guarantee a highly secure workflow for handling high-value media assets.

 

 

 

Tags: ioGates | Cloud-Based Video Platform | Nordic Film | Digital Rights Management
Submitted by ioGates
More from this author
Sonnet Announces Cost-Effective USB to 5 Gigabit Ethernet (5GbE) Adapter, Supports Faster Networking Speeds Over Existing Cabling Posted: 26/02/2020
Sonnet Announces Cost-Effective USB to 5 Gigabit Ethernet (5GbE) Adapter, Supports Faster Networking Speeds Over Existing Cabling

What's New:
Sonnet Technologies today announced the Solo5G™ USB 3 to 5 Gigabit Ethernet (5GbE) adapter, a new addition to Sonnet's comprehensive array of wired Ethernet network adapters. Featuring NBASE-T™ (multigigabit) Ethernet technology, the Solo5G adapter adds 5GbE and 2.5GbE network connectivity to a broad array of computers, enabling superfast data transfers over the existing Ethernet network cabling infrastructure found in most buildings today.

 

 

 

Tags: Sonnet | 5GBe | Solo5G | NBASE-T | Ethernet Technology
Submitted by Sonnet
More from this author
Bolero Sets the Bar for Wireless Intercom Usability and Comfort for California-Based DP Craig Kief Posted: 26/02/2020
Bolero Sets the Bar for Wireless Intercom Usability and Comfort for California-Based DP Craig Kief

Craig Kief, a Los Angeles-based director of photography, is using Riedel's Bolero Standalone wireless intercom for crew communications on his TV shows and commercials. The system allows him to keep all of his camera operators, focus pullers, and department heads in close communication so everyone can focus on the same goals in the middle of a busy and noisy set. With its long list of advanced features and capabilities, Bolero now enables clear communications for every production, whether it's shot on studio sets or at remote locations.

Craig's previous comms solution comprised walkie-talkies and a legacy wireless system that operated in the crowded 2.4 GHz range, delivering less-than-ideal audio quality and suffering from interference, short range, and poor battery life. Bolero has changed all of that, first by eliminating walkie-talkies completely, and next by allowing a more natural way of speaking: giving multiple users full duplex communications instead of forcing them to wait for a walkie channel to be clear before speaking. 

 

 

 

Tags: Riedel | Bolero Standalone Wireless Intercom | Craig Kief | 2.4 GHz Range | Photography
Submitted by Riedel
More from this author
Mexican Media Giant TV Azteca Captivates Viewers Across Digital, Social and Terrestrial Channels with Dalet Posted: 26/02/2020
Mexican Media Giant TV Azteca Captivates Viewers Across Digital, Social and Terrestrial Channels with Dalet

Dalet, a leading provider of solutions and services for broadcasters and content professionals, today announced that TV Azteca, Mexico’s leading multimedia conglomerate, has deployed Dalet Galaxy five to reinvigorate the company’s content supply chain and deliver robust programming options faster to its audiences across all traditional, digital and social platforms. The highly popular media group offers a wide range of entertainment programming including, series, live musicals, thematic programs and sports. In addition to the diverse schedule, TV Azteca delivers news 18 hours per day through a network of local stations across the country.

“The goal of TV Azteca’s ambitious transformation was to connect the digital content traffic for TV with the digital platforms and deliver to our audiences programming options that encompass the breadth and depth of our news reporting, and the entirety of our outstanding media catalog. Dalet Galaxy five gave us the technical capabilities to build this innovative media production ecosystem, with the workflow acceleration to engage with our audiences in real-time,” explains Pedro Carmona, CTO of TV Azteca. “The project execution was remarkable and the resulting impact immediate. The TV Azteca operation went from a manual process, where on average it took 10 minutes to get content on-air, to near-instant and often automated real-time delivery of content and programs. The benchmark for improved performance was undeniable and provided us the efficiency required to expand program options for our viewers.

Tags: Dalet | Dalet Galaxy Five | TV Azteca
Submitted by Zazil Media Group
More from this author
AMS Neve Helps Parasite Deliver Exceptional Sound Quality Posted: 26/02/2020
AMS Neve Helps Parasite Deliver Exceptional Sound Quality

South Korean film facility Live Tone Studios is celebrating the success of Parasite, the comedy satire directed by Bong Joon-ho that made Academy Awards® history in February by becoming the first foreign language film to win an Oscar® for Best Picture.

Audio post production for this remarkable movie, which also picked up three other Oscars® for Best Director, Best Original Screenplay and Best International Film, was carried out at the facility using one of its two large format AMS Neve DFC 3D film consoles. A 48-channel Neve Genesys console also played its part as this was used to record and monitor Additional Dialogue Replacement (ADR).

Ralph Tae-Young Choi is CEO, Sound Supervisor and Re-recording mixer at Live Tone Studios, a facility he helped establish in 1997, says: “The sound of Parasite was so detailed and emotional that it needed the console automation to operate very efficiently and simply. This is where the Neve DFC 3D really came into its own. I mix all of my movie sound with an AMS Neve DFC 3D console because it has a much more powerful audio engine and better audio quality than other consoles or DAWs. For a mixer to be intuitive and efficient, you need the console to be reliable and the AMS Neve DFC 3D excels at that.”

 

 

Tags: AMS Neve | Parasite | AMS Neve DFC 3D Console | Oscars | Academy Awards | Ralph Tae-Young Choi | Bong Joon-Ho | NAB 2020 | NAB 2020
Submitted by White Noise Public Relations Ltd
More from this author
Nevion reports record year as shift to IP in broadcasting intensifies Posted: 26/02/2020
Nevion reports record year as shift to IP in broadcasting intensifies

Nevion, award-winning provider of virtualized media production solutions, has announced that 2019 was a record year for the company with sales orders up 52% compared to the previous year.

In addition to this, software and services now represent almost half (48%) of Nevion’s sales. This is a significant increase from 2014 when software and services represented just 16% of the company’s sales – underlining the move from dedicated hardware to software-defined IP solutions. This shift is further illustrated by the fact that two-thirds of the hardware being sold by Nevion is now IP equipment.

In 2019, Nevion provided workflow-transforming solutions, products and services to over 150 customers in around 50 countries. One of the ground-breaking projects delivered was for the organization behind the League of Legends (LoL) esports tournament, Riot Games who used Nevion’s software-defined media node Virtuoso with JPEG XS for part of its remote production of the LoL World Championship Final. 

One other highlight of 2019 for Nevion was signing a strategic partnership with Sony Imaging Products & Solutions Inc. (“Sony”), in the area of IP-based solutions for broadcasters and other industries. As part of the deal, Sony acquired a minority stake in the company through a share purchase agreement making it a leading investor in Nevion.

As a leader in its field, Nevion also spearheaded the VIRTUOSA consortium which received a €2 million grant from the European Commission in 2019 to explore 5G and virtualization remote production.

Tags: Nevion | Broadcast | Success | IP
Submitted by Whiteoaks
More from this author
Pages:   [1] 2 3 4 5 6 7 > >>