Painting with Light makes Senses for Panasonic at ISE

Date: 21/02/2018
Painting with Light makes and ldquo;Senses and rdquo; for Panasonic at ISE

International creative design practice Painting with Light was commissioned by Panasonic to produce a high-impact multimedia live show for their booth at this year’s ISE (Integrated Systems Europe) expo at Amsterdam RAI.

In 2017, Painting with Light’s creative director Luc Peumans developed a show that featured simultaneous tracking and projecting onto multiple objects … resulting in a dynamic live performance piece that combined a number of cutting-edge technologies, illustrating their capabilities, together with the flexibility of Panasonic’s latest projectors.

This year, Luc received a brief from Panasonic’s European Product Marketing Manager for Projectors and Visual Solutions, Thomas Vertommen, who wanted to take it one step further and create a more graphical show that was even more technically ambitious.

Panasonic is continuously following live entertainment trends to establish how best to showcase relevant technologies at ISE, and this year Thomas suggested a more futuristic performance altogether which included the use of holograms, tracking and mapping, all working in conjunction with Panasonic-selected partners like disguise, BlackTrax and Novaline.

From this starting point, Luc conceived and developed a special 6 minute movement piece called “Senses” in collaboration with show director Frank de Wulf and choreographer Roy Julien.

A team from Painting with Light was amassed to produce bespoke video content and design a meticulously detailed projection show / system based around two dancers, four projection boxes, 12 projectors and a new generation of holographic screens from Novaline.

Integrated into the show was BlackTrax real-time motion tracking, with disguise gx2 media servers sitting at the heart of the system to handle all the playback video and camera feeds, outputting them via the projectors to a selection of different surfaces.

A major goal was to achieve true holographic effects using images of the dancers, for which it was necessary to create some completely black areas in the middle of a bright and extremely busy exhibition hall.

Hence the plan to construct the double-decker theatre space comprising four boxes – two up and two down – each measuring 3 metres wide by 2.5 metres high with a 4 metre depth, which were fully enclosed.

The front of the boxes were covered in screen material stretched tight. At the rear of each box, a Panasonic PT-RZ31 31,000 lumen laser projector was located, fitted with a short throw lens, projecting onto the back of the (front) screen material.

A Panasonic PT-RZ21 20,000 lumen machine fitted with an ultra-short throw lens was positioned in the front of each box, pointing to the back wall which was covered in a special ‘black screen’ material, also from Novaline.

The installation’s other four projectors were Panasonic PT-RZ21s. These were mounted on a gantry at the opposite end of the exhibition stand and mapped via the disguise server to project content and texturing onto frames around each projection box. This gave them a slightly quirky appearance, which was a nice finishing detail.

The dancers - Gill Require & Anthony Benjamin – wore bespoke suits with sewn-in neon lines that were activated by blacklight, plus remote controlled EL-wire light effects. The dancers were also fitted with BlackTrax beacons and trackers so their movement and images could be captured by eight BlackTrax cameras positioned in the corners of each box.

The positional data from the dancers’ movements processed by the BlackTrax system was fed into the disguise server and, using Notch real-time generated content, mapped onto the front and back surfaces of the boxes in the all-action show … where it was virtually impossible to differentiate between what was real and what was virtual.

The dancers were each lit by three UV Gantom Precision Z Spotlights on the floor of the boxes – the fixtures’ tiny dimensions are ideal for this application. For some additional power, four Chauvet COLORdash Par-Hex 7 LED fixtures were added to each box, also offering a bright, intense UV option.

The story started with the dancers emerging in a robotic world, and as the narrative unfolded they gradually transformed into humans.

Notch software, well known for its real-time rendering and instantaneous playback features, was used in conjunction with some elements of the live video and pre-recorded footage to enhance the fluidity and movement.

Lighting was programmed using a grandMA2 system by Painting with Light’s Jeroen Opsteyn with Katleen Selleslagh programming video and the disguise servers. Ivar Van Dijk assisted in setting up the BlackTrax system. The show was set to timecode from a soundscape commissioned by Painting with Light and composed by Studio Regie.

Luc comments, “It was another great opportunity to partner with Panasonic and produce a show to engage thousands of exhibition visitors. Live entertainment is still something of a rarity at these events and it was fantastic to see so many people stop and look and then share the experience in multiple ways. Taking an imaginative approach to illustrating the dynamics and scope of these exciting technologies and how they can be beautifully blended with classic theatrical techniques … is definitely a winner!”

Photo: Sina Sohn

https://www.youtube.com/watch?v=cAGsJkYkvYc



Tags: Painting with Light | Panasonic | ISE 2018 | BlakTrax | d3 | media server | video | projection
Submitted by Louise Stickland
View author's directory page

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Octopus Newsroom and STRYME announce MOS-based partnership Posted: 17/10/2018
Octopus Newsroom and STRYME announce MOS-based partnership
Octopus Newsroom announces a partnership agreement with Vienna-based STRYME which produces broadcast ingest solutions for the global broadcast market. The agreement centres on the integration of STRYME's GENESIX VideoServer V9 and the Octopus NRCS via the industry standard MOS software protocol.
Tags: Octopus Newsroom | NRCS | broadcast newsroom systems | Octopus 7 | Octopus 8 | iPhone-based newsroom system | iPad-based newsroom system | Traco Media Bridge | MOS interface
Submitted by Stylus Media Consultants
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Finepoint Broadcast Reports Vibrant IBC2018 Posted: 17/10/2018
Finepoint Broadcast Reports Vibrant IBC2018

Finepoint Broadcast reports a successful 2018 International Broadcasting Convention with hundreds of mainstream manufacturers introducing new technology and some of the world's most influential broadcasters demonstrating new creative production concepts.

Tags: Finepoint Broadcast | broadcast equipment rental | broadcast equipment hire service | broadcast camera rental | television production equipment rental | dry hire service-provider | new and used broadcast production equipment | professional audio visual sales and | IBC 2018
Submitted by Stylus Media Consultants
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Ikegami Sees Growing Interest in HDR Posted: 17/10/2018
Ikegami Sees Growing Interest in HDR
Ikegami reports rapidly growing interest in high dynamic range production (HDR) equipment among delegates attending the 2018 International Broadcasting Convention. Held in Amsterdam every September, IBC is Europe's largest annual broadcast trade show. The event this year attracted 1,700 exhibiting companies and 55,884 registered attendees.
Tags: Ikegami Electronics | broadcast cameras | video monitors | optical camera links | medical imaging equipment | 4K hybrid base station | 4K EFP cameras | 4K studio cameras | 8K EFP cameras | 8K studio cameras | optical camera links | fibre camera links | fiber camera l
Submitted by Stylus Media Consultants
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Asim Saeed Joins Ikegami Electronics as Business Development Manager Posted: 17/10/2018
Asim Saeed Joins Ikegami Electronics as Business Development Manager
Ikegami announces a new addition to its sales and support team with the appointment of Asim Saeed as Business Development Manager. Reporting to Ikegami Europe President Kenzo Ishizuka, Asim Saeed will promote the full Ikegami range of broadcast and medical products to existing and potential customers.
Tags: kegami Electronics | broadcast cameras | video monitors | optical camera links | medical imaging equipment | 4K hybrid base station | 4K EFP cameras | 4K studio cameras | 8K EFP cameras | 8K studio cameras | optical camera links | fibre camera links | fiber camera li
Submitted by Stylus Media Consultants
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ENG Professionals Darren Bramley and Ken Cavali Embrace New flowtech100 Posted: 17/10/2018
ENG Professionals Darren Bramley and Ken Cavali Embrace New flowtech100
Renowned news cameramen Darren Bramley and Ken Cavalli have endorsed the new flowtech100 after field-testing the tripod in demanding electronic newsgathering (ENG) and live news environments. The world's fastest deploying tripod, flowtech100 is compatible with all 100mm fluid heads and can support a payload of up to 30 kilograms (66 pounds), making it ideal for heavy-duty ENG production.
Tags: ENG Professionals | Darren Bramley | Ken Cavali | flowtech100 | World\'s Fastest Tripod
Submitted by Wall Street Communications
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PMC Monitoring For Private Studio Posted: 17/10/2018
Top French Film Composer Nathaniel M and eacute;chaly Chooses PMC Monitoring For His Private Studio
French composer Nathaniel Méchaly has installed a pair of PMC IB2S XBD-A monitors in his private studio in Paris, citing the precision and openness of their sound as the main reasons for choosing this system.
Tags: PMC Speakers | Nathaniel Mechaly | IB2S XBD-A monitors | Film Scores | Taken | Liam Neeson
Submitted by White Noise Public Relations Ltd
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Smoke and Mirrors in London Goes HDR with Leader LV7600 Posted: 17/10/2018
Smoke and amp; Mirrors in London Goes HDR with Leader LV7600
Full-service post production company Smoke & Mirrors has chosen Leader's LV7600 rasterising waveform monitor as the facility's reference test instrument for high dynamic range content processing. The LV7600 was supplied by Leader Europe UK channel partner Thameside for use at Smoke & Mirrors' studios in Poland Street, central London.
Tags: Leader Instruments | Asaca Shibasoku | video test equipment | audio test equipment | video waveform monitors | 3D video monitoring | surround sound audio monitors | rasterizers | loudness monitors | lipsync timing analysers | lipsync timing displays | 4K test equipm
Submitted by Stylus Media Consultants
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NAB New York: JVC Showcases Affordable 31-Inch UHD 4K Monitors for Broadcast, Live Production Posted: 17/10/2018
NAB New York: JVC Showcases Affordable 31-Inch UHD 4K Monitors for Broadcast, Live Production

JVC Professional Video, a division of JVCKENWOOD USA Corporation, will introduce two new 31-inch UHD/4K LCD monitors to support today’s growing 4K workflows at the 2018 NAB Show New York (Booth N333), which runs Oct. 17-18 at the Jacob K. Javits Center in New York City.

Tags: JVC | 4K | LCD monitors | NAB New York
Submitted by Pipeline Communications
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