Riot Games in a league of their own with Calrec RP1 remote production solution

Date: 12/02/2020
Riot Games in a league of their own with Calrec RP1 remote production solution

Riot Games’ 2019 League of Legends World Championship final in Paris relied on Calrec’s RP1 remote production technology for the English language feed for viewers in North America, Europe and Oceania.

Dave Talavera, Audio Engineer with Riot Games, said, “When it came to building our new European facility in Berlin two years ago, we knew, given our experience with remote production, that was the path that we wanted to continue down. Calrec was the only company that had come up with a remote production solution for IFB and they are still very much at the forefront of this. This was essential for the remote production of the English language feed for the final in Paris.”

Riot Games installed an Artemis console in Berlin, connected to the RP1 in Paris. The RP1 was used with the on-air talent in Paris and was controlled from Berlin. The on-air talent consisted of three “shoutcasters” – game commentators – as well as six analysts.

The majority of the English language feed producers were in Berlin with only a minimal footprint onsite, a key advantage of using remote production technology. As well as IFB for the talent, there was also a mix minus feed that was sent back from Berlin to the RP1 so they could hear video playback, music and so on. Some talent wanted to hear themselves as well as game action/other analysts/shoutcasters, which the RP1/Artemis combination was designed to accommodate.

The IFB for the on-air talent was processed onsite by Calrec’s RP1 to avoid the delay that would occur if it had been routed to Berlin and back, and networked around the Paris site on a DANTE IP network.

This allowed producers to control the talent audio from the console in Berlin. In addition, the Berlin console also handled the overall English language production mix, which was then sent, using Riot Games’ Riot Direct backbone network, to its LA facility for onward distribution.

Talavera added, “We were very pleased with what we achieved with Calrec’s remote production technology. It did exactly what it’s designed to do and was great. We are very firm believers in remote production as it saves production costs in the long run and that’s money that can be spent improving other aspects. This system proved that it works and saved the costs we anticipated.”

Dave Letson, VP of Sales, Calrec, said, “We worked very hard developing our RP1 system, listening to customer requirements and therefore clearly understanding how to create technology that satisfied those. We are very pleased that Riot Games recognises this. We are witnessing broadcasters starting to reap the benefits in terms of remote production, across eSports and, of course, more widely across the production sector. Remote production has now been adopted on a wider basis and has really taken off as an alternative to traditional workflows.”



Tags: audio | consoles | esports | calrec | broadcasting | NAB 2020 | NAB 2020
Submitted by Jump PR (Jump PR)
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New IP Workflows Take Centre Stage In Eight Different Countries as Axon and rsquo;s PRE-NABSHOW TOUR 2020 Hits The Road

Axon’s proven Neuron IP processing and Cerebrum control & monitoring technology will be demonstrated with equipment from EVS, Sony, Arista, Calrec and Meinberg during this 22-day Outside Broadcast truck tour.

The Axon PRE-NABSHOW TOUR 2020, which runs across 16 locations in eight different European countries, kicks off on March 2nd. It allows broadcasters to experience tomorrow’s workflows by getting on board today. The products demonstrated on the truck will be exactly the same as those on display at Axon’s booth at NAB, so this will also provide a perfect opportunity for people who are not going to Las Vegas to get up-close and personal with Axon’s solutions.

For further information about the tour and to access a full schedule, please follow this link: https://www.axon.tv/knowledge/axon-pre-nab-tour-2020/

 

Tags: Axon Digital Design | Sony | EVS | Arista | Calrec | Pre-NABSHOW 2020 Tour | IP workflows | NAB 2020 | NAB 2020
Submitted by White Noise Public Relations Ltd
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With New FOR-A HVS-2000 Switcher and ClassXGraphics, WLVT-TV Improves Production Workflows and On-Air Look Posted: 19/02/2020
With New FOR-A HVS-2000 Switcher and ClassXGraphics, and nbsp;WLVT-TV Improves Production Workflows and On-Air Look

FOR-A Corporation of America today announced PBS39/WLVTTV, part of Lehigh Valley Public Media based in Bethlehem, Penn., upgraded its control room last August with a FOR-A HVS-2000 HANABI video production switcher and ClassX broadcast graphics system. The new equipment has improved the on-air look of the station’s original programming as well as its live production workflows.

 

For example, the HVS-2000 can load and playback graphics from the ClassX, so the TD can access them during live productions. As a result, PBS39’s graphics designer does not have to be in the control room for “routine” productions. “When I saw how well the two integrated together, plus the price, it seemed like an obvious choice,” said Andrea Cummis, chief technology officer.

The ClassX also supports the use of RSS feeds for updating election results and other data in graphics, a feature that was not supported by the station’s older graphics system. Cummis said the system “worked great” for local primary election coverage last year, but she is looking forward to using the system to its full potential for Election Night in November.

 

Tags: FOR-A | PBS | production switcher | video switcher | live production | CG | broadcast graphics
Submitted by Pipeline Communications
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GB Labs to feature Mosaic and CORE.4 Lite at CABSAT 2020 Posted: 19/02/2020
GB Labs to feature Mosaic and CORE.4 Lite at CABSAT 2020

CABSAT 2020, Dubai, 31 March - 2 April 2020, Stand G3-24: Leaders in intelligent storage solutions, GB Labs, will showcase its award-winning Mosaic automatic asset organiser and the new CORE.4 Lite operating system during CABSAT 2020 at the Dubai World Trade Centre from 31 March – 2 April.

The Mosaic asset organiser makes it far easier to quickly search for, retrieve, and view video assets. Mosaic automatically scans all inbuilt metadata and integrates it with AI tagging enabling the ability to store, catalogue and access assets with no need for manual intervention, making it a substantial time and money saver.

GB Labs new CORE.4 Lite operating system is a custom OS specifically designed to serve media files. Its high degree of speciality guarantees stable performance for every user, whether as workgroups or individuals, while maximising the efficiency of every disk.

A powerful new feature included with CORE.4 Lite is Analytics Centre, a dashboard that runs in the background of GB Labs intelligent storage devices and continuously analyses the network, providing complete visibility of exactly how, and by whom, data is being used.

GB Labs CEO-CTO Dominic Harland said, “Read/write speeds are usually compromised by a misconfigured network, which wastes resources. But configuration issues can be difficult to locate and resolve manually. Analytics Centre automatically analyses the read/write process through the network with specially designed algorithms that identifies, locates, and suggests how to resolve any issues, often before they occur, thereby eliminating the need for painstaking manual intervention.”

GB Labs will also demonstrate how its proprietary Dynamic Bandwidth Control identifies and selects high, medium, and low priority users to guarantee that the storage system automatically adjusts to operate at peak performance for all.

According to Harland, “Dynamic Bandwidth Control makes storage malleable to ensure it can flexibly respond to changes in usage priorities without breaking. This is unique to GB Labs and can be implemented whether storage is in use by one user or an entire workgroup.”

For backup and archiving, the exhibition stand workspaces will be coupled with GB Labs EasyLTO, an easy-to-use, cost-effective, all-in-one, high-speed solution.

Finally, the company will also discuss the success of recent GB Labs deployments to new customers including M for Media; Qatl Al Youm TV; Polimer TV; Craft; Kalvi TV; and Madha TV.

Tags: GB Labs | Media storage | CABSAT | CORE.4 Lite | OS | AI tagging | Mosaic | Analytics Centre | Dynamic Bandwidth Control | EasyLTO
Submitted by Manor Marketing
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Colorfront Blows The Lederhosen Off 4K 6K 8K HDR at HPA 2020 Posted: 19/02/2020
Colorfront Blows The Lederhosen Off 4K 6K 8K HDR at HPA 2020

Colorfront (www.colorfront.com) – the Academy, Emmy and HPA Award-winning developer of high-performance dailies and transcoding systems for motion pictures, broadcast, OTT and commercials – will showcase the powerhouse capabilities of its products to enable color-consistent 4K/6K/8K SDR/HDR acquisition-to-post workflows during the 2020 HPA Tech Retreat, 17-20 Feb, Rancho Mirage, CA. The company will also participate in the groundbreaking, cloud-based, live production of “The Lost Lederhosen” short film, and share details of its pivotal role in the making of this mini-movie during the Retreat’s “HPA Makes A Movie” Supersession on Feb 18th.

Tags: Colorfront | On-Set Dailies | Expres Dailies | SDR | HDR | UHD | HFR | 4K | 6K | 8K | dailies | Transkoder | Lederhosen | AJA
Submitted by Prince PR
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