Viz Engine 4 released ahead of IBC2019

Date: 09/09/2019
Viz Engine 4 released ahead of IBC2019

Vizrt, the innovator of software-defined visual storytelling (#SDVS) platforms, has released Viz Engine 4. This much anticipated release revolutionizes how virtual studio sets and augmented reality graphics are designed, rendered and combined with live video, and focuses on driving the complexity out of production workflows.

Attendees of IBC2019 will be able to see the platform drive photo-real, augmented reality graphics at The Big AR Sports Show, daily on the Vizrt booth in Hall 7-7.B01.

Viz Engine is Vizrt’s core graphics engine and video compositing platform that powers the live video productions of more than 4000 broadcasters worldwide. This latest iteration, Viz Engine 4 comes with a wealth of benefits for today’s broadcasters, with exceptional photorealism, deep integration with third-party vendors and future-proof, IP-based technology making it the centrepiece of the next-generation of media workflows.

“New features have been developed with the customer in mind, with this platform propelling them over the next 10 to 20 years. Our R&D teams have focused on how we can elevate our customers’ brands to the next level by providing world-class photorealism, the latest keyer technology and welcoming third party integrations including Unreal Engine 4.” says Gerhard Lang, Chief Technology Officer at Vizrt. “All within a software-defined visual storytelling platform that will power productions into the IP-based future.”

Physical-based rendering

Alongside global illumination, Viz Engine 4’s native, physical-based rendering is the foundation of the programmable graphics pipeline, which has been developed to give customers the best looking graphics today. Included are features like reflection, refraction and depth of field provide extra layers of realism, especially for virtual set design.

All this functionality is being exposed in a brand-new Viz Artist interface where changes in both appearance and workflow have been made to increase efficiency and help customers create world-class photorealistic designs.

New Fusion Keyer

Built from the ground up, the new Fusion Keyer allows customers to perfectly immerse their presenter into a virtual environment, giving a clean, unobtrusive key and ultra realistic results. It uses the latest techniques include light-wrapping, a denoiser, and multiple mattes, amongst others.

A lite version of the virtual set and augmented reality control system, Viz Arc, which includes control of the Fusion Keyer, is provided free with Viz Engine 4.

Unreal Engine 4

For virtual set storytelling that needs to go even further, tapping into the vibrant marketplace of third party integrations such as Unreal Engine 4 is key to the Viz Engine 4 ecosystem. Welcoming creatives to work with Unreal Engine assets and designs, alongside Viz Engine template-driven workflows is a core feature, giving customers the creative freedom to focus on the best way to tell the story for their audience.

The Unreal Engine 4 render pipeline combines seamlessly in virtual set scenes alongside the two native render pipelines inside Viz Engine 4 that are maintained by Vizrt, giving customers maximum storytelling flexibility.

Gerhard Lang adds, “Viz Engine 4 has unrivaled compositing speed and compatibility with established and emerging media technologies– including SDI, IP, UHD and HDR - making this the most advanced platform on the market. It can be used with every other IP format including the SMPTE 2110 standard and of course, NDI.”

For more information about the technical specifications, new features and performance of Viz Engine 4 please visit our website www.vizrt.com or come and see us on the Vizrt stand at IBC2019, Amsterdam. The Big AR Sports Show – powered by Viz Engine 4 – will be live every half an hour on the Vizrt stage.



Tags: Vizrt | Unreal Engine 4 | The Big AR Sports Show | AR | virtual studios | Fusion Keyer | IBC 2019 | IBC 2019
Submitted by Bubble Agency (Bubble Agency)
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    ChyronHego Metacast at IBC 2014

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    ChyronHego Lyric PRO at IBC 2014

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    Pixel Power at NAB 2014

  • SGL at NAB 2014

    SGL at NAB 2014

  • Volicon at NAB 2014

    Volicon at NAB 2014

  • Cinegy at NAB 2014

    Cinegy at NAB 2014

  • Dalet at NAB 2014

    Dalet at NAB 2014

  • Editors Keys at NAB 2014

    Editors Keys at NAB 2014

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    Elemental Technologies HEVC solutions at NAB 2014

  • Elemental Technologies Multiscreen Solutions at NAB 2014

    Elemental Technologies Multiscreen Solutions at NAB 2014

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    Facilis at NAB 2014

  • GB Labs Space at NAB 2014

    GB Labs Space at NAB 2014

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    Glensound Atomic Copper at NAB 2014

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    Guntermann and Drunck at NAB 2014

  • Matrox Mojito at NAB 2014

    Matrox Mojito at NAB 2014

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    Atomos Samurai Blade at BVE 2014

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    Atomos Ronin at BVE 2014

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    Atomos Ninja Blade at BVE 2014

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    Videosys Wireless Transmitters at BVE 2014

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    Ross Video at BVE 2014

  • Sony Wireless Microphones at BVE 2014

    Sony Wireless Microphones at BVE 2014

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    Sennheiser HDM Pro at BVE 2014

  • NewTek TriCaster at BVE 2014

    NewTek TriCaster at BVE 2014

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    Guntermann and Drunck at BVE 2014

  • Metus Ingest at BVE 2014

    Metus Ingest at BVE 2014

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    Polecam Toshiba Minicams at BVE 2014

  • Forbidden Technologies FORscene at BVE 2014

    Forbidden Technologies FORscene at BVE 2014

  • Forbidden Technologies FORscene App at BVE 2014

    Forbidden Technologies FORscene App at BVE 2014

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    Polecam Slow Motion Minicams at BVE 2014

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    The tv-bay Tour in Manchester June 2014

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    The tv-bay Tour in London June 2014

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    Leeds TOUR

  • Belfast TOUR

    Belfast TOUR

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    Philip Bloom on Tour in Belfast

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    Dejero on BroadcastShow LIVE at IBC 2013

  • Canon on BroadcastShow LIVE at IBC 2013

    Canon on BroadcastShow LIVE at IBC 2013

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    Atomos with the Samurai Blade on BroadcastShow LIVE at IBC 2013

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    Cinegy on BroadcastShow LIVE at IBC 2013

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    Trilogy on BroadcastShow LIVE at IBC 2013

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    Glensound on BroadcastShow LIVE at IBC 2013

  • Zylight on BroadcastShow LIVE at IBC 2013

    Zylight on BroadcastShow LIVE at IBC 2013

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    Nexidias Drew Lanham on BroadcastShow LIVE at IBC 2013

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    Miranda on BroadcastShow LIVE at IBC 2013

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    TMD talk workflow on BroadcastShow LIVE at IBC 2013

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    Metus on BroadcastShow LIVE at IBC 2013

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    Pilat Media on BroadcastShow LIVE at IBC 2013

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    Snell on BroadcastShow LIVE at IBC 2013

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    Primestream on BroadcastShow LIVE at IBC 2013

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    NewTek on BroadcastShow LIVE at IBC 2013

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    Wyplay on BroadcastShow LIVE at IBC 2013

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    Volicon on BroadcastShow LIVE at IBC 2013

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    Softron Media Services on BroadcastShow LIVE at IBC 2013

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    Cobham on BroadcastShow LIVE at IBC 2013

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    TMD talk asset management solutions on BroadcastShow LIVE at IBC 2013

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    SMPTE on BroadcastShow LIVE at IBC 2013

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    Wowza Media Systems on BroadcastShow LIVE at IBC 2013

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    Cambridge Imaging Systems on BroadcastShow LIVE at IBC 2013

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    Digital Vision on BroadcastShow LIVE at IBC 2013

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    Dalet at IBC 2013

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    Broadstream Solutions on the Oasys stand at IBC 2013

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    Oasys Chameleon at IBC 2013

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    Loft London Solutions with Cubix on the Oasys stand at IBC 2013

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    Thomson Broadcast at IBC 2013

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    Datacolor Spyder on the Atomos stand at IBC 2013

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    Metus MAM and Ingest at IBC 2013

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    Guntermann and Drunck CrossDisplay switching and CCD at IBC 2013

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    Tony Taylor from TMD talks about LTFS at IBC 2013

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    Tony Taylor from TMD talks about Mediaflex CI

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    Tony Taylor from TMD talks about Post Production

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    Haivision live encoding HEVC at IBC 2013

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    NOA Audio Solutions at IBC 2013

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    Blue Lucy Media at IBC 2013

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    Cinegy at IBC 2013

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    Facilis at IBC 2013

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    Holdan on BroadcastShow Tour May 2013

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    Lightworks on BroadcastShow Tour May 2013

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    Official TOUR Video 2013

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    Autodesk at NAB 2013

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    Glensound: RECCE HD at NAB 2013

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    JVC GY-HM650 upgrade at NAB 2013

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    Phabrix RX2000 at NAB 2013

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    Polecam: Z10 zoom lens at NAB 2013

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    Zylight F8 LED Fresnel at NAB 2013

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    Quantel Pablo Rio at NAB 2013

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    Brainstorm Multimedia: Aston3D at NAB 2013

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    Cinegy: Multiviewer at NAB 2013

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    Guntermann and Drunck GmbH at NAB 2013

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    Dejero LIVE+ VSET at NAB 2013

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    Dejero + Nucomm Connect Live at NAB 2013

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    Object Matrix at BVE 2013

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    Matrox at BVE 2013

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    Lens Adaptor at BVE 2013

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    Guntermann and Drunck GmbH at BVE 2013

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    Glensound at BVE 2013

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    Facilis Technology at BVE 2013

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    Autocue at BVE 2013

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    AC Entertainment Technologies at BVE 2013

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    Glensound at BVE North 2012

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    Featured Clip: Geoff Boyle comments on NAB 2012

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    SGL at NAB 2012

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    Studio Technologies at NAB 2012

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    Glensound at NAB 2012

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    Facilis at NAB 2012

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    LiveU at NAB 2012

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    Atomos Ninja at NAB 2012

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    Litepanels at NAB 2012

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    Tiffen at NAB 2012

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    Calrec at NAB 2012

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    Nexsan at NAB 2012

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    FFV and TNP at BVE 2012

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    Facilis at BVE 2012

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    Calrec at BVE 2012

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    Blue Lucy Media at BVE 2012

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    TMD at BVE 2012

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    Ianiro at BVE 2012

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    Editors Keys at ProVideo2011

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    Ross Video at BVE North 2011

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    JVC at BVE North 2011

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    Oxygen DCT at BVE North 2011

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    Polecam at BVE North 2011

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    Cirrolite at BVE North 2011

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    G-Technology at IBC2011

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    Netia at IBC2011

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    Panasonic at IBC2011

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    Calrec at IBC2011

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    Root6 at IBC2011

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    Sonnet Technology at IBC2011

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    Codex at IBC2011

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    Gekko at IBC2011

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    Radiant Grid at IBC2011

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    Tedial at IBC2011

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    Cobalt Digital at IBC2011

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    Wohler at IBC2011

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    LiveU at IBC2011

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    Eyeheight at IBC2011

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    Bradley at IBC2011

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    Quantel at IBC2011

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    Grass Valley at IBC2011

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    Bella 22 MK11 Network Audio Monitor from Glensound at IBC 2019

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    KitPlus kit overview at IBC 2019

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    New UHD output multiviewer from Apantac at IBC 2019

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    KVM over IP with Video Monitoring Wall from Apantac at IBC 2019

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    Broadcast Solutions OB and fixed install systems integration at IBC 2019

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    HDR and BT Sport with Phabrix at IBC 2019

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    Updates to QX from Phabrix at IBC 2019

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    Emo Power Distrubution from Canford at IBC 2019

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    New Imicro Range of Batteries and accessories from IDX at IBC 2019

  • Adder show super low latency 4k KVM with Autodesk at IBC 2019

    Adder show super low latency 4k KVM with Autodesk at IBC 2019

  • JVC delivers the GY-HC500 and GY-HC550 4k connected cam at IBC 2019

    JVC delivers the GY-HC500 and GY-HC550 4k connected cam at IBC 2019

  • Updates From Ross Video at IBC 2019

    Updates From Ross Video at IBC 2019

  • Product Updates to SAM-Q including MADI & Loudness and PAM-IP updates from TSL Products at IBC 2019

    Product Updates to SAM-Q including MADI & Loudness and PAM-IP updates from TSL Products at IBC 2019

  • CamBall 4Ki 50/60p 18x Zoom waterproof 12g SDI PTZ camera from BR Remote at IBC 2019

    CamBall 4Ki 50/60p 18x Zoom waterproof 12g SDI PTZ camera from BR Remote at IBC 2019

  • New 150mm Bowl System, Pedestal and tripod from Libec at IBC 2019

    New 150mm Bowl System, Pedestal and tripod from Libec at IBC 2019

  • Remote access-U-CPU enabling hybrid cloud computing from G&D at IBC 2019

    Remote access-U-CPU enabling hybrid cloud computing from G&D at IBC 2019

  • Mediaproxy at IBC 2019 Updates to LogServer

    Mediaproxy at IBC 2019 Updates to LogServer

  • 4k HEVC Contribution by VITEC at IBC 2019

    4k HEVC Contribution by VITEC at IBC 2019

  • Blackmagic Design at IBC 2019: New Atem Mini

    Blackmagic Design at IBC 2019: New Atem Mini

  • Mediaproxy MediaPlayer publishing to Social media SDI, 2110, 2022-6 and NDI at IBC 2019

    Mediaproxy MediaPlayer publishing to Social media SDI, 2110, 2022-6 and NDI at IBC 2019

  • Blackmagic Design 2500NIT HDR Video Assist 126 with BRAW Blackmagic Design at IBC 2019

    Blackmagic Design 2500NIT HDR Video Assist 126 with BRAW Blackmagic Design at IBC 2019

  • VisLM Loudness Meter update from Nugen Audio at IBC 2019

    VisLM Loudness Meter update from Nugen Audio at IBC 2019

  • Adder Infinity 4000 showing Dual-Head 4k60 KVM at IBC 2019

    Adder Infinity 4000 showing Dual-Head 4k60 KVM at IBC 2019

  • Hitomi Matchbox Glass lipsync, audio and video alignment. Now Wireless on a free app. IBC 2019

    Hitomi Matchbox Glass lipsync, audio and video alignment. Now Wireless on a free app. IBC 2019

  • PixelPower offers ST2110 Streamaster and Gallion at IBC 2019

    PixelPower offers ST2110 Streamaster and Gallion at IBC 2019

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    Cinegy 8k daniel2 workflow from glass to glass at IBC 2019

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    ChyronHego update Paint adaptive Keying, improved auto-tracking and more at IBC 2019

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    ChyronHego update Prime Graphics Platform to 3.5 at IBC 2019

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    Medialinks 100G media Production Solutions for IP production at IBC 2019

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    AJA Kumo 64x64 becomes 12g and the FS-Mini converter at IBC 2019

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    New EnGo 260 from Dejero with industry leading RF for remote connectivity at IBC2019

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    Dejero IronRoute for first & last mile connectivity at IBC2019

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    Viaccess Orca TV analytics, anti piracy, addressable TV. Open and control at IBC2019

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    Xytech Mediapulse V9 Cloud platform with new user interface at IBC2019

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News
GB Labs FastNAS F-16 Nitro Installed at Kingdom Creative Posted: 17/02/2020
GB Labs FastNAS F-16 Nitro Installed at Kingdom Creative

GB Labs, innovators of powerful and intelligent media storage solutions for the media and entertainment industries, today confirmed that the specialist video production company, Kingdom Creative Studios, has installed GB Labs’ FastNAS F-16 Nitro storage system.

Kingdom Creative founder and Managing Director, Simon Harrison, said, “Our talented in-house team works closely with major brands¬ - primarily in automotive but rapidly expanding into new markets - to deliver powerful video content tailored to engage audiences on every platform, from television to social media.

“However, our expansion, coupled with the advent of 4K, multi-cam shoots and the increasing demand for rapid turnaround, meant that we reached the practical limits of what our existing storage system could do. We had to find a better way to manage and operate storage.”

For the majority of its existence, Kingdom Creative had relied on what many still rely on today, i.e., storing video content on individual drives, backing them up, and walking them up and down corridors or transferring them via couriers.

“As we began taking on larger and more complicated projects,” said Kingdom Creative Head of Creative Technology Ben Treston, “especially when collaboration between editors became important, it turned out that the old methods were no longer viable. Today, we have multiple editors working on many pieces of content from the same project. You can’t share individual hard drives and meet today’s expectations for speed and reliability in those types of scenarios.”

The FastNAS F-16 Nitro system meets those objectives for speed, reliability and value in shared storage. Unlike other NAS products on the market, FastNAS is purpose built to sustain heavy workloads and provide stable and reliable performance, based on best of breed technology exclusively developed in-house, and is comprised of a high-performance unit with unique hybrid disk technology, powered by GB Labs’ proprietary CORE.3 OS.

GB Labs CEO-CTO Dominic Harland said, “Kingdom Creative emerged from a motorsport world built for speed, and that’s what modern shared storage has been engineered to deal with. FastNAS F-16 Nitro easily accommodates the need for speed – and safety – when dealing with fast turnarounds and sharp bends.”

 

 

 

Tags: GB Labs | Storage Solutions | Kingdom Creative Studios | FastNAS F-16 Nitro storage system | 4K | multi-cam shoots .CORE.3 OS
Submitted by Manor Marketing
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Riedel Provides Comprehensive, Future-Proof Comms Solution for Belgiums Historic Theatre Royal de la Monnaie Posted: 14/02/2020
Riedel Provides Comprehensive, Future-Proof Comms Solution for Belgiums Historic Th and eacute; and acirc;tre Royal de la Monnaie

The historic Théâtre Royal de la Monnaie, also known as the De Munt Theatre, has upgraded its entire staff communications infrastructure based on intercom equipment from Riedel Communications. Consisting of the Artist digital matrix intercom, Bolero wireless intercom in both integrated and standalone modes, and SmartPanel multifunctional user interfaces, the Riedel solution surpasses the theater's requirements for highly flexible, reliable, high-quality, and future-proof intercom operations.

Located in the heart of Brussels at the Place de la Monnaie, the De Munt Theatre is one of the most prestigious opera houses in the world and the largest in Belgium, with more than 450 employees. Over its 300-year history, the theater has survived a revolution, a fire, and two world wars, as well as the normal passage of time and evolution of technology. The Riedel upgrade was part of a massive renovation project that closed the De Munt Theatre for two years beginning in 2016.

 

Tags: Riedel Communications | Théâtre Royal de la Monnaie | De Munt Theatre | Artist digital matrix | Bolero wireless intercom | SmartPanel multifunctional interfaces
Submitted by Wall Street Communications
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VuWall Enhances VuScape Video Wall Controller With Collaboration and KVM Features Posted: 13/02/2020
VuWall Enhances VuScape Video Wall Controller With Collaboration and KVM Features

VuWall, a leader in video wall control systems, continues its commitment to bridging AV and IT sources and allowing users to easily and intelligently control and manage any video wall deployment with the addition of new collaboration and KVM features to its VuScape video wall controller. With VuScape's full-featured management software, users can "control what they see" and distribute all content sources to any display on the network with the utmost flexibility.

"Today's control room is a complex hub of incoming data from a range of sources — including IP cameras, encoders, applications and documents, as well as HDMI/DVI/DP inputs — that users must command easily at any given moment," said Paul Vander Plaetse, CEO at VuWall. "VuScape simplifies the control room workflow, giving users everything they need to manage all their content streams. Whether at the video wall or from a desktop, VuScape effectively closes the gap between the different source formats in a user-friendly, future-proof controller."

Tags: VuWall | VuScape | Video Wall Controller | ISE 2020 | KVM
Submitted by InGear
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Actus Digital to Demonstrate All-in-One Media Platform at 2020 NAB Show Posted: 13/02/2020
Actus Digital to Demonstrate All-in-One Media Platform at 2020 NAB Show

2020 NAB Show Exhibitor Preview, Las Vegas, April 19-22, Booth SU 13910

At the 2020 NAB Show, Actus Digital will demonstrate how its mandatory compliance solution is part of a much larger media intelligence platform, providing cross-organizational benefits to the operations, marketing and research, and new media departments of broadcasters and media companies. The platform includes solutions for compliance, quality-of-service assurance, technical monitoring, content repurposing, rating and competitive analysis tools, advanced AI options, and more.

"We have enhanced the Actus Digital intelligent media platform to include more functionality, additional AI options, and extended automation related to compliance, clips creation, and export capabilities for social media, with intelligent content monitoring and analysis," said Raphael Renous, CTO at Actus Digital. "Having all of these capabilities on one integrated platform gives customers the freedom to choose what makes the most sense for their business today and easily add features in the future. At the 2020 NAB Show, we will showcase how media companies can use the new platform to improve their daily workflow and reduce costs."

 

Tags: Actus Digital | 2020 NAB Show | media intelligence platform | TS analysis solution | SCTE | NAB 2020 | NAB 2020
Submitted by 202 Communications
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Interra Systems Simplifies Video Caption Creation With Machine Learning-Based QC Solution Posted: 13/02/2020
Interra Systems Simplifies Video Caption Creation With Machine Learning-Based QC Solution

Interra Systems, a leading global provider of software products and solutions to the digital media industry, today announced BATON Captions, a new addition to its BATON platform. Leveraging cutting-edge machine learning (ML) and automatic speech recognition technology, BATON Captions brings simplicity and cost savings to the creation, management, and delivery of captions for traditional TV and video streaming. BATON Captions allows broadcasters and other media professionals to address all of their captioning needs, from caption generation to QC, auto corrections, review, and editing.

Keeping in mind the high volumes of content being generated and distributed today, a defining feature of BATON Captions is that it offers industry-leading performance. Utilizing the high-performance solution, media companies can dramatically expedite the caption creation and verification processes for both live and VOD content.

 

Tags: Interra Systems | Video Caption Creation | BATON Captions | 2020 NAB Show | digital media | NAB 2020 | NAB 2020
Submitted by 202 Communications
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Broadpeak Performs World-First Video Unified Packaging and Encryption of DASH and HLS Posted: 13/02/2020
Broadpeak Performs World-First Video Unified Packaging and Encryption of DASH and HLS

Broadpeak®, a leading provider of content delivery network (CDN) and video streaming solutions for content providers and pay-TV operators worldwide, today announced that it has completed the world's first unified packaging and encryption of DASH and HLS formats. Using the latest version of its BkS350 origin packager, Broadpeak successfully delivered DASH and HLS video fragments using the same chunks (encrypted with CBCS) and container (CMAF) for both protocols, a unique capability that will optimize storage costs for OTT service providers.

Until CMAF was developed, HLS and DASH needed to be delivered in different containers. In addition, Apple FairPlay and Google Widevine used different encryption schemes (i.e., CBCS and CTR), creating the need for a different chunk for each streaming format (i.e., HLS and DASH) even with the new CMAF container. Now that Widevine allows CBCS encryption, it is possible to encrypt one CMAF fragment for both HLS and DASH formats. Broadpeak's BkS350 origin packager is the first solution to offer this capability.

 

Tags: Broadpeak | DASH | HLS | BkS350 Origin Packager | CMAF | Unifying Encryption | CDN
Submitted by 202 Communications
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Bridgestone World Solar Challenge Streams Live to Social Media Channels With AVIWEST Solution Posted: 13/02/2020
Bridgestone World Solar Challenge Streams Live to Social Media Channels With AVIWEST Solution

AVIWEST, a leading provider of video contribution systems, announced today that the Vattenfall Solar Team recently equipped its solar car convoy with AVIWEST's AIR Series ultra-compact HEVC bonded-cellular transmitter and QUAD CellLink four-modem antenna during the Bridgestone World Solar Challenge. Thanks to AVIWEST's equipment, fans could follow the largest solar race in the world in real time. The race was held in October 2019, starting in Darwin, Australia, with the finish line in Adelaide. Amber Technology, AVIWEST's partner and Australian distributor, helped to ensure a smooth deployment and Dutch media company Stream My Event was in charge of the live video production feed that was streamed to the Vattenfall Solar Team's YouTube and Facebook channels.

The Bridgestone World Solar Challenge is a 3,000-plus km solar car race across Australia's deserts, involving teams comprised of tertiary and secondary students from over 30 countries.

Tags: World Solar Challenge | AVIWEST | video contribution system | AIR Series | ultra-compact HEVC | bonded-cellular transmitter | QUAD CellLink
Submitted by 202 Communications
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ChyronHegos Paint 8.1 Is Now Shipping Posted: 13/02/2020
ChyronHegos Paint 8.1 Is Now Shipping

ChyronHego is now shipping Paint 8.1, the newest release of the company's powerful sports analysis and telestration tool. Thanks to innovative updates in version 8.1, Paint gives broadcasters the unprecedented ability to record and play out a multicamera ultra-high-definition (UHD) panoramic video stitch and then manipulate it using full pan, tilt, and zoom (PTZ) control. H.264 streaming and enhanced remote access and control capabilities are among the other new updates that further boost Paint's value in enriching sports analysis and production.

"Paint was already the market leader in telestration, and with new functionality in version 8.1, we've totally revolutionized telestration," said Niall Hendry, product manager - sports at ChyronHego. "Delivering full PTZ control of a multi-UHD panorama, Paint 8.1 takes things to the next level."

Tags: ChyronHego | Paint 8.1 | Live Sports Production | telestration | PTZ | H.264 streaming | UHD
Submitted by Wall Street Communications
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Sinclair Broadcast Group to use Marquis Broadcast production storage optimisation and management tools Posted: 13/02/2020
Sinclair Broadcast Group to use Marquis Broadcast production storage optimisation and management tools

Sinclair Broadcast Group, one of the largest television broadcast companies in America, is deploying Marquis Broadcast’s Analysis Parking software with a new enterprise monitoring dashboard for its many facilities across the United States. During its expansion, Sinclair Broadcast Group has always focused on optimising best practices for its news technology and operations. Part of this focus was to streamline and simplify the management and monitoring of multiple Avid NEXIS® systems, helping users manage Avid projects and valuable storage space more efficiently.

Sinclair Broadcast initially deployed Marquis Broadcast’s Analysis Parking in three major sites. The software understands the relationships between Avid projects, folders, bins and media, and runs automated Avid NEXIS analytics and visualization processes, enabling each station to maximise the use of space on their Avid NEXIS storage systems.

Paul Spinelli, director of engineering at Sinclair Broadcast Group, explains: “As a group, we’re continually evaluating new technologies that can realise further operational benefits and efficiencies. Our goal is to standardise technologies and workflows across all our Avid news operations, which now total over 60 sites. The new systems enable the recovery of large amounts of blocked-out – but usable – space and offers detailed enterprise-wide analytics on our Avid storage.”

Tags: Marquis Broadcast | Sinclair Broadcast Group | broadcast | Analysis Parking | Avid | Avid NEXIS | editing | enterprise | workflow | NAB 2020 | NAB 2020
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Artel Video Systems at the 2020 NAB Show Posted: 13/02/2020
Artel Video Systems at the 2020 NAB Show

 

On Booth SU5021 at the 2020 NAB Show, Artel will feature products that simplify broadcasters' shift to hybrid IP/SDI and all-IP operations. Visitors to the Artel booth will have the opportunity to see firsthand how new features and capabilities recently added to the company's award-winning SMART Media Delivery Platform™ bring even greater operational simplicity, flexibility, and scalability. Artel also will exhibit the company's Quarra IP PTP switches and FiberLink® family of media transport products.

SMART Media Delivery Platform™

Artel's SMART Media Delivery Platform™ is a software defined, four-channel, auto-sense 3G/HD/SD-SDI-over-IP multifunction gateway with integrated nonblocking Layer 2/3 switching and routing capabilities. The software-enabled solution features four video ports for transport of video, audio, and ancillary data and four GigE data ports bridged to one or two 10G interfaces. Designed to attach seamlessly to the IP network without the need for external network elements, the SMART platform supports SMPTE ST 2022: 1, 2, 5, 6, and 7 hitless switching; J2K compression; QoS; VLAN tagging; and traffic management.

 

Tags: Artel Video Systems | 2020 NAB Show | hybrid IP/SDI | all-IP operations | SMART Media Delivery | Quarra IP PTP | FiberLink media transport | NAB 2020 | NAB 2020
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Calrec NAB 2020 Preview: Central Hall Stand C8008 Posted: 13/02/2020
Calrec NAB 2020 Preview: Central Hall Stand C8008

Calrec’s Type R for TV is a new virtual mixing console with its design allowing customers to take advantage of these new workflows. It’s flexible and integrated native IP core gives customers a way to benefit from virtual working practices by integrating with station automation systems. Type R for TV is driven by station automation and is compatible with popular station automation systems including Ross Overdrive, Sony ELC and Grass Valley Ignite. Type R is the best of both worlds – it provides fully automated programming with real-time adjustment of unpredictable external factors via a standard web browser. Type R’s small, adaptable and highly portable hardware elements can be easily added if desired.Powered by standard POE switches, Type R has three different panel options. If broadcasters prefer a physical surface then banks of 6 x faders can be added, or adaptable soft panels like Calrec’s Large Soft Panel (LSP) and Small Soft Panel (SSP) can be used.

VP2 virtualized mixing system

Calrec’s VP2 virtualized mixing system has no physical control surface and utilisesCalrec’s Assist software for setup and control. VP2’s 4U core comes in three DSP sizes; 128, 180 and 240 input channels, and incorporates Calrec’s powerful Hydra2 networking solution. As with all Hydra2 products this can be controlled by a station automation system.

VP2 enables a station to reap many of the benefits of using a Calrec console, but without a physical control surface. Calrec’s Assist UI can be accessed from multiple locations via a web-browser. Control can be limited to basic functions or full control can be awarded to delve deeper to fine tune the setup or recall different shows as needed.

Tags: Calrec | Calrec Audio | audio | digital consoles | consoles | broadcast | mixing | NAB | production | IP AoIP | NAB 2020 | NAB 2020
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VUALTO PARTNERS WITH ATEME FOR AUTOMATED ENCODER INTEGRATION Posted: 13/02/2020
VUALTO PARTNERS WITH ATEME FOR AUTOMATED ENCODER INTEGRATION

VUALTO, an expert in cloud-based OTT video delivery and orchestration, has partnered with ATEME, a leader in video delivery solutions for broadcast, cable, DTH, IPTV and OTT, for automated encoder integration within the VUALTO CONTROL HUB (VCH) video orchestration tool, which allows for multiple origins and encoders to be integrated seamlessly. The VCH is vendor agnostic and interoperable with a host of technology partners.

The VCH now has full integration for ATEME’s TITAN Live and TITAN Mux encoding solutions, providing integration with the TITAN Live API to automate live event streaming workflows, the ability to set specific inputs and outputs dynamically using the VCH channel configuration, provides support for redundant setups and has capabilities for on-premise and in cloud.

The automated integration with VCH makes streaming easier, removing the requirement for manual configuration and risk of error, which can be a particularly cumbersome process when using a redundant setup. The addition of ATEME’s TITAN solutions has also facilitated an extension of the VCH plugin set.

Combining the two technologies provides broadcasters with a premium quality streaming service, which is flexible, agile and entirely suited to their business model and end goals.

 

 

Tags: VUALTO | ATEME | OTT | Streaming | TITAN | Broadcast
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Shine TV Expands Innovative Use of LiveU Technology Across Series 2 of The Heist and Series 3 of Celebrity Hunted. Posted: 13/02/2020
Shine TV Expands Innovative Use of LiveU Technology Across Series 2 of The Heist and Last Year and rsquo;s Series 3 of Celebrity Hunted

After the success of the first series of The Heist, Sky has commissioned a second series from leading UK production company Shine TV, with this airing from February 6th on Sky One. Once again Shine turned to LiveU to create an innovative production gallery, as well capturing onscreen footage, with the company also deploying LiveU to create a flexible nationwide filming and comms system for its series, Hunted and Celebrity Hunted. LiveU’s UK partner Garland Partners oversaw technology supply and provided support.

The filming of this year’s series of The Heist, which took place in and around Alnwick, Northumberland, UK, differed in two main ways from the first: the use of HEVC via five LU600 units and five LU300s; and a significant increase in the use of LiveU’s smartphone app LU-Smart with a 30 per cent growth in footage captured using this technology.

Filming The Heist has unique challenges as a group of thieves – nine members of the public split into four teams of two and one operating alone – takes part in a bank job to steal £1m. If they do this successfully and manage to keep the cash for 20 days, while being pursued by former real-world detectives, then it’s theirs to keep. The challenge comes in having the producer/directors – or storytellers – be able to see what the main camera teams are shooting while also being able to see what the thieves are up to in order to tell the best story possible. As well as the low-res feeds from the main cameras, the thieves used mobile phones and the LU-Smart app to send footage back to the low-res production gallery with that footage also stored on the phones for use in the show.

Tags: cellular bonding | smartphone | HEVC | production gallery
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Calrec CABSAT 2020 Show Preview Posted: 13/02/2020
Calrec CABSAT 2020 Show Preview

Exhibiting with GSL Professional stand 308

Type R

Calrec is showing its Type R modular, expandable, IP-based system at CABSAT. Type R makes use of standard networking technology and combines it with configurable soft panels that can be tailored to operator needs.

Type R’s physical control system consists of three slimline panels: a fader panel, a large soft panel and a small soft panel. Each is compatible with COTS hardware and powered over Ethernet to keep cabling to a minimum. At the heart of Type R is a simple 2U core with integrated I/O resources to get customers up and running immediately.

Calrec’s Brio console – immense power in a compact package

Calrec’s compact, high power Brio consoles are designed with versatility in mind to work across all different broadcast applications for everything from live sports to news and light entertainment. The Brio36 includes an impressive range of on board I/O so it’s operational straight out of the box. It also has full Hydra2 network compatibility and a sensitive price point that doesn’t reflect the full and rich broadcast feature set. The smaller Brio12 is only 484mm with standard trims and just 430mm with Calrec’s slim trim option.

Last year, Calrec upgraded the channel count for both the Brio36 and Brio12 with DSP expansion packs, bringing their channel counts from 64 to 96 inputs and 48 to 64 inputs, respectively.

Tags: CABSAT 2020 | CABSAT | audio | consoles | AoIP
Submitted by Jump PR
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AJA Ships HDR Image Analyzer 12G with 8K Support Posted: 12/02/2020
AJA Ships HDR Image Analyzer 12G with 8K Support

AJA Video Systems is now shipping HDR Image Analyzer 12G, the powerful, real-time HDR and WCG monitoring and analysis platform featuring 12G-SDI connectivity. Developed in partnership with Colorfront, HDR Image Analyzer 12G supports up to 8K/UHD2 HDR monitoring and analysis for high raster content over 12G-SDI, with the simplicity of single-cable connectivity for higher bandwidth workflows.

Tags: AJA | HDR | HDR Production | HDR Workflow | HDR Pipeline | HDR Image Analyzer 12G | 8K | 12G-SDI
Submitted by Raz Public Relations
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