Testing mixed signals


TV-Bay Magazine
Read ezine online
It is fitting that a lot of the avid readers of this article are broadcast manufacturers flying over the Atlantic to NAB in Las Vegas so I have a captive audience to influence with an open invitation to come and visit us in the North Hall N5015. Whereas the new product range has been designed for applications in traditional settings such as engineering bays, OB’s and Studios, some of the unique attributes of the PHABRIX Rx range on show at NAB are very much targeted toward broadcast manufacturers. Hence the appeal I hope to the passengers attempting to drink the flight dry once again. (Only joking seat 51H).
This magazine issue deals with distribution within the broadcast infrastructure. The complexity and variety of signal sources involved in broadcast is of course a broadcast engineer’s nightmare. Usually this involves large investment, a variety of testing equipment from different manufacturers, different interfaces, support issues and let’s not go near ROI. This is where the Rx platform is set to perform.
Before the editor is condemned for allowing a gratuitous PHABRIX commercial, let’s look at those signals being distributed and the way in which the PHABRIX instruments can be deployed by manufacturers with an emphasis on several new technologies supported by the range - Dolby E, ASI and IP. There should be a little murmur at this point for rarely do such ‘mixed signals’ appear together in a single cost effective solution.
Video signals
Video signal support from simple SD-SDI to the more complicated HD-SDI and dual link through to 3G-SDI Level A and B is available in both generator and analyser modules. Support for different colour spaces 4:2:2 YUV, 4:4:4 RGB, 4:4:4 YUV, at 10/12 bit has increased the variety of signals to over 350 different formats. Within the signal the video status is analysed with EDH (Error detection and handing) and CRC (cyclic redundancy check sum). Signal identifiers are also present in DID displays which can identify the multitude of signal data present. Cost effective physical layer measurements as a verification of signal integrity has also been a significant PHABRIX development.
Audio support is in the form of embedded audio and AES. At NAB a new feature set is available which provides both Dolby E bitstream generation and Dolby E bitstream analysis. Dolby E has become a de-facto standard enabling surround sound and requires a particular set of T&M instruments. The new Dolby generator provides a full range of program configurations at both 16 and 20 bit. Metadata can be altered with adjustable starting frame rate and output as AES or embedded if required. The accompanying Dolby E analyzer can be set to check the metadata using colour identified fields. 8 channel audio metering and guard band analysis with comprehensive logging make up the toolset. In combination these features provide a manufacturer’s dream toolset - closed loop testing and with support for Dolby D and D plus in the near future. This audio testing capability in combination with video support makes the Rx a very powerful solution.
Up to this point the video signals considered have been uncompressed and it is here that the new modules now under development within PHABRIX move into a new technological domain - support for ASI and IP. ASI is an established technology particularly in cable and satellite installations. Usually these installations offer content management services from select teleports for program origination of television programs. MPEG2 is the predominant format currently in use however support for H.264MPEG4 is on the increase particularly with ad-hoc contribution from newsfeeds and specialised sporting events. At the headend ASI meets SDI and having the ability to monitor both in a single product is a focus of our technological demonstration at NAB.
As a first step into test and measurement for compressed video signals PHABRIX will be demonstrating full decode of MPEG-2 and H.264 video sources integrated into the Rx platform at NAB. Currently supported video formats are:
  • 525i59.9 and 625i50
  • 720p25, 720p29.97, 720p30, 720p50, 720p59.94, 720p60
  • 1080i50, 1080i59.94, 1080i60
  • 1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30
  • 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30
In addition to the decoded SDI output signal monitoring as defined in ETSI TR 101 290 level 1, 2 and 3 will also be available.
I’d just like to say a few words at this point with regard to a condition known as acronym hell - the desire for engineers and technologists to wrap as much detail as possible into a minimal word count. Getting to grips with such acronyms as PCR, PID, ETR, TDT, CAT, PES, EIT, and MDL etc. has been ‘interesting’. I must admit that I thought the world had gone completely mad when I replied to a transport stream customer with a reference to ‘T&M’ and he actually asked what it meant!
The important point here is that within a 1U half rack or 2U space, a truly multi signal toolset is now available and seeing this in action rather than reading about the seamless way the different toolsets are employed are best viewed on the stand. I’m happy to add the incentive of a free mouse mat for those of you who have read down to this part of the article and visit us at NAB.
Alternatively if you’re not reading this on the plane and would still like a mouse mat please drop me an email at paul@phabrix.com and I will unashamedly bribe you with a visit from our sales team.
www.phabrix.com
About:
The PHABRIX Rx is a modular rack mount solution with the ability to accommodate up to four option modules supporting up to 8 simultaneous SDI channels. Different chassis types ranging from a 1U rack rasterizer through to a 2U dual screen instrument with audio monitoring are available for different applications and budgets. The module slots can be configured to target a particular testing requirement be it video or audio, compressed or uncompressed and associated signal types. Instruments on each module can be controlled independently and the output screen of each instrument delivered via front panel interface, HDMI or SDI output. All chassis provide a multi-viewer of instrumentation on an external monitor at 1920 x 1080. Remember it can accommodate up to 8 simultaneous SDI channels or 8 optical if required so the appeal for the broadcast manufacturer is considerable, particularly when controlled remotely with extensive logging. With a single chassis control centre the addition of more modules rapidly reduces the capital cost per signal.

Tags: iss064 | phabrix | video sginal | dolby e | bitstream analysis | mpeg2 | N/A
Contributing Author N/A

Read this article in the tv-bay digital magazine
Article Copyright tv-bay limited. All trademarks recognised.
Reproduction of the content strictly prohibited without written consent.

Related Interviews
  • Phabrix at BVE 2012

    Phabrix at BVE 2012

  • Phabrix at IBC2011

    Phabrix at IBC2011

  • QX Hybrid 2110/12G-SDI UHD Rasterizer from Phabrix at IBC 2018

    QX Hybrid 2110/12G-SDI UHD Rasterizer from Phabrix at IBC 2018

  • PHABRIX QXIP support for SMPTE 2110

    PHABRIX QXIP support for SMPTE 2110

  • QX Updates from Phabrix at NAB 2018

    QX Updates from Phabrix at NAB 2018

  • SX, RX and QX range updates from Phabrix at NAB 2018

    SX, RX and QX range updates from Phabrix at NAB 2018

  • HDR, 12G, 4k, IP - the range expands from Phabrix at NAB 2017

    HDR, 12G, 4k, IP - the range expands from Phabrix at NAB 2017

  • IP, 3G-SDI + HDR generation, analysis and monitoring from Phabrix NAB 2017

    IP, 3G-SDI + HDR generation, analysis and monitoring from Phabrix NAB 2017

  • Phabrix Qx at IBC 2016

    Phabrix Qx at IBC 2016

  • Phabrix Technology Demo at IBC 2016

    Phabrix Technology Demo at IBC 2016

  • PHABRIX Qx at NAB 2016

    PHABRIX Qx at NAB 2016

  • PHABRIX at NAB 2016

    PHABRIX at NAB 2016

  • PHABRIX TAG and Rx updates at NAB 2016

    PHABRIX TAG and Rx updates at NAB 2016

  • Phabrix Qx at IBC 2015

    Phabrix Qx at IBC 2015

  • Phabrix TAG and Rx at IBC 2015

    Phabrix TAG and Rx at IBC 2015

  • PHABRIX Rx range at NAB 2015

    PHABRIX Rx range at NAB 2015

  • PHABRIX Qx Rasteriser at NAB 2015

    PHABRIX Qx Rasteriser at NAB 2015

  • Phabrix RX series at IBC 2014

    Phabrix RX series at IBC 2014

  • Phabrix RX rack mount range at NAB 2014

    Phabrix RX rack mount range at NAB 2014

  • Phabrix at NAB 2014

    Phabrix at NAB 2014

  • Phabrix TAG at NAB 2014

    Phabrix TAG at NAB 2014

  • Phabrix RX2000 at NAB 2013

    Phabrix RX2000 at NAB 2013

  • Phabrix at BVE 2013

    Phabrix at BVE 2013

  • Phabrix at IBC 2012 Part Two

    Phabrix at IBC 2012 Part Two

  • Phabrix at IBC 2012 Part One

    Phabrix at IBC 2012 Part One

  • AudioVideo BrandBuilder Corp at NAB 2016

    AudioVideo BrandBuilder Corp at NAB 2016

  • Sonifex at BVE 2012

    Sonifex at BVE 2012

  • Visionary Solutions at NAB 2012

    Visionary Solutions at NAB 2012


Related Shows
  • Show 20 - July 17th 2013

    Show 20 - July 17th 2013


Articles
Managing Technological Change
Alan Wheable Continual technological change in the broadcast and media industries can make it difficult to plan for the mid to long term. Typically, broadcasters and media organisation are still implementing the last set of changes to working practices when the next changes come along.
Tags: iss133 | omnitek | ip | waveform | vectorscope | ultra tq | Alan Wheable
Contributing Author Alan Wheable Click to read or download PDF
What is next in OTT
Mary Kay Evans In the past year alone, we’ve seen a substantial increase in the amount of OTT content that’s being streamed. In the first quarter of 2018, there’s been a 114 percent year-over-year growth in streaming video hours, and those numbers are only expected to rise. With OTT revenue predicted to reach $16.6B in 2018, a 40% gain over last year, there’s no question that OTT is booming, and that there’s never been a more critical time to pay attention to the space.
Tags: iss133 | ott | verizon | cisco | Mary Kay Evans
Contributing Author Mary Kay Evans Click to read or download PDF
Live audio contribution over wireless networks
Pablo Rodrigues Altmann Wireless “live” contribution from anywhere at any time, this is the ultimate goal for most news reporters. The old favorite of using ISDN is becoming harder and much more expensive to access easily. Today most of us use wireless daily, in particular Wifi and HSPA/LTE 4G networks. These are now mature technologies and widely used for many applications in the home and whilst out and about. However there are still some professionals who prefer to persevere with the traditional, costly and limited ISDN communication technology before jumping into the wireless era.
Tags: iss133 | adrl | wireless audio | isdn | cellular audio | Pablo Rodrigues Altmann
Contributing Author Pablo Rodrigues Altmann Click to read or download PDF
Taking on a self employed placement year
Joshua Round The idea of being self-employed or freelancing has always been somewhat terrifying for me. There is a level of uncertainty and responsibility that comes with the freedom of being self-employed, the likes of which makes me wonder why I chose to give it a go for my placement year as part of my university course - (BSc) Television and Broadcasting.
Tags: iss133 | placement year | university | student | education | portsmouth | Joshua Round
Contributing Author Joshua Round Click to read or download PDF
IBC in a post Brexit world
Peter Savage 2 Cast your mind forward and we are not in 2018 but next year and, yes, it’s you and me walking to the departure lounge to catch the plane to IBC just as I, and perhaps also you, have done for the last 25 years. (By the way, where is my long service award – and perhaps a new pair of shoes as I must, surely, have walked the equivalent of five Caminos covering the 12 halls in the Rai). We are at the gate and my imagination kicks in as I hypothesize on what the trip might look like next year. I leave it to you to decide which is closest to what might be to come.
Tags: iss133 | azule | brexit | ibc | finance | Peter Savage 2
Contributing Author Peter Savage 2 Click to read or download PDF