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The Art of Implementing Responsible and Effective GenAI a...


Raman Abrol CEO of Vubiquity and General Manager for Amdocs Media, a global leader in software and services for communications and media companies, is sharing his thoughts regarding the art of implementing responsible and effective GenAI and automation across media supply chains. Generative Artificial Intelligence (GenAI), the modern elixir of...

Submitted by Jenni
Published 10 April 2024

Driving Content Security Preparedness from Script to Scre...


By: Terri Davies, President, Trusted Partner Network (TPN) According to Cybersecurity Ventures, the global annual cost of cybercrime is predicted to reach GBP 7.5 million (USD 9.5 trillion) in 2024. As we continue to navigate these trends and forecasts, I encourage you to ask yourselves, what is your company’s content security risk management st...

Submitted by Terri Davies
Published 30 January 2024

Edmonton Oilers Engage Their Content-Hungry Fans with Liv...


Edmonton Oilers Engage Their Content-Hungry Fans with LiveU Longtime Edmonton Oilers’ Manager of Video Production, Ryan Hyrcun has been a big believer in digital media since the beginning. He first brought content to diehard fans of the NHL team via social media channels, then helping to launch Oilers+, a streaming platform that gives fans exclu...

Submitted by Joss Armitage
Published 18 January 2024

Prioritizing Localization Earlier in the Media Supply Cha...


The surge of content localization is a prolifically discussed topic, and it’s no secret that localization has become essential for content providers, streaming platforms, and broadcast networks to monetize their content, attract new subscribers and viewers, and ultimately provide more culturally relevant content. What was often a scalable investmen...

Submitted by Shawn Belluigi
Published 05 October 2023

Cinematographer Matt Ryan pairs ZEISS Supreme Primes and...


LA based cinematographer Matt Ryan’s enthusiasm for finding the most capable technology to support his creative process has enabled him to shoot across genres and formats. As a Director of Photography, Ryan has shot television for such networks as Disney, FOX, Warner Bros, MTV, PBS, and TruTV. Outside of narrative, Ryan has lensed high-profile comm...

Submitted by Kathryn Ferentchak
Published 08 September 2023

Lets do the Time Warp


Time Warp is one of the biggest indoor electronic music events in Europe if not the world, and recently returned to its spiritual home in Mannheim, Germany for the first time in four years for a sold-out attendance that saw 30,000 people soaking up world-class sound. The influential festival was hosted across six floors of Maimarkthalle, a huge...

Submitted by Patrick Hussey
Published 05 July 2023

DIT Sam Petrov Taps AJA ColorBox for Live Grading Flexibi...


Whether working on a feature film, episodic series, or unscripted show, crafting the look of content before it reaches post requires technical acumen and a creative eye. The DIT (Digital Imaging Technician) is integral to this process, bridging the technical realities with the creative goals on-set to ensure the team can achieve its desired aesthet...

Submitted by Anna
Published 27 June 2023

Magine Pro and Appear partner to transform and optimize S...


Appear, the global leader in media processing and delivery technology, and Magine Pro, the platform for B2B managed services for OTT, have been chosen by Sappa to transform its OTT linear distribution media workflow to include fully on-premise transcoding. Sappa has migrated its existing cloud-based workflow to Appear’s NEO20 on-premise live transc...

Submitted by Katya Pristiyanti
Published 17 April 2023

Honey, I shrank the data. How DNA storage could reduce th...


By A3 Communications Capacity, cost, and performance. Three of your top data storage priorities? No wonder, and it’s the same for most organisations across the media and entertainment sector. The volume of data M&E organisations produce is in overdrive, with its global storage market size predicted to reach almost $18bn by 2027. That is likely...

Submitted by KitPlus
Published 17 March 2023

Spotlight on James Gilbert, Director of Product and Solut...


What vision do you have of the broadcast technology business beyond 2030?Over the next eight years we are going to be in transition, and within that there will be vastly different rates of change among content owners and media organisations. As a technology provider the onus is on us to be flexible and adaptable to meet this wide range of requirem...

Submitted by James Gilbert
Published 25 July 2022

Rohde & Schwarz integration with Adobe Premiere Pro


Now recognised as one of the leading editing platforms for television and video post, Adobe Premiere Pro combines powerful functionality and a familiar user interface whilst remaining a competitive option. Simple integration with other applications in the Adobe Creative Cloud family, including After Effects (motion graphics), Audition (audio post)...

Submitted by Ciaran Doran
Published 24 February 2022

REVIEW - Hollyland MARS 400S PRO Digital Wireless Transmi...


HOLLYLAND MARS 400S PRODigital Wireless Video Transmission SystemBuilt by Hollyland and costing around £600 the Mars 400S is an easy-to-use wireless video transmitter/receiver system – it will be right up the alley of anyone who, like me, considers an instruction manual to be nothing more than box padding. The body is made of metal as opposed to...

Submitted by Phil Vinter
Published 12 February 2021

AJA Video Systems - Ki Pro GO User Review with Spellbinde...


For most of us 2020 enforced a step change in the way we work and the kind of productions that our businesses have been delivering. Back in March as the pandemic struck, I took a leap of faith and invested in some switching and streaming kit, in the form of a Tricaster Mini, encoding and NDI kit and some extra cameras. Fast forward nine months and...

Submitted by Ben Sherriff
Published 22 December 2020

How to engage students with live projects


For many employers, how and what we teach at university is sometimes considered to be very mysterious. The responsibility for creating the structure and content within the curriculum is the responsibility of academics. In my experience, the best method for making sure that students and staff are kept up to date with current working practices is to...

Submitted by Martin Andrews
Published 26 March 2020

State of the Nation and Virtual Social Distancing


Under normal circumstances, I usually make my plans for NAB in November time. It’s when the airlines tend to have sales. This year, for personal reasons, I did not get around to booking back then, and it was only at the end of February that I could start thinking about it. Well, the airline sales had long gone, and I was faced with the prospect of...

Submitted by Dick Hobbs - new
Published 26 March 2020