KitPlus | Articles

REVIEW Canon UJ111x8_3B UHD Lens

Shooting in ultra high definition and high dynamic range has become the preferred option for all television productions with a potentially long commercial life. The hir-ing charge and indeed the outright purchase cost of cameras of this standard are not significantly greater than those of high definition standard dynamic range models. With half the...

Submitted by Andy McKenzie

Published 10 September 2019

State of the Nation: Wings, Fine Coffee and Fake Nudes

One of the many attractions of this time of year is that I get to meet with my fellow judges for the IBC Innovation Awards, and see what the industry sees as the most important, most forward-looking projects of the day. For me, this says what the key talking points are going to be in September, far more eloquently than the endless press releases fr...

Submitted by Dick Hobbs - new

Published 16 July 2019

Plan to be smart at IBC

While chatting with a good friend last week, he told me he was full of foreboding about the coming IBC. It needs no introduction: this conference/exhibition is the largest gathering of broadcast professionals in Europe, and the second largest in the world, and everyone in our world knows about it. Ill give you some statistics later but, for now, le...

Submitted by Peter Savage 2

Published 19 October 2017

Lighting - the stuff you do not see

i Lighting is the stuff you don\'t see that makes a difference in what you do see. How the audience feels about a character and whether the scene is scary, tense or upbeat are communicated by the quality and placement of light. Lighting can take the drama to a whole new level - think about film noir with all those shadows on the wall. So called "na...

Submitted by Tama Berkeljon

Published 07 September 2017

Broadcasting virtual reality to the world

Following the recent launch of a number of virtual reality (VR) headsets, such as the Oculus Rift and HTC Vive, VR is introducing new and compelling platforms for broadcasters to deliver their content, and new ways for audiences to consume. While the way that audiences consume content continues to shift, with the ratio between viewing on fixed scre...

Submitted by Steve Plunkett

Published 13 January 2017

Seeing things with a 360 viewpoint

One of the benefits of working in teaching support is you often get opportunities to explore and experiment with lots of new kit that has been purchased for teaching or research. I have spent the past couple of years supporting the activities that take place within the Creative and Cultural Industries TV Studios (CCI TV for short) at the University...

Submitted by Michael Parsons

Published 22 July 2016

An alternative power solution

Issue 106 - October 2015 OVERVIEWChuck Walior, Aldis Systems VP & Chief Engineer, attends NAB each year in search of creative, forward-looking solutions to wrap around and support the custom systems he designs for each integration project. He wasnt really looking for an alternative power source when he was introduced to Video Ghost at NAB 2015, but...

Submitted by KitPlus

Published 01 November 2015

Introduction to FM Single Frequency Networks

by Werner Drews Issue 103 - July 2015 Single Frequency Networks (SFNs) are a form of broadcast network design where several transmitters use the same frequency channel to send the same signal. SFNs are usually used for radio and digital TV broadcasting FM, AM and digital radio can be transmitted over SFNs while analog television is more problematic...

Submitted by Werner Drews

Published 01 August 2015

The changing face of film and TV

by George Olver Issue 99 - March 2015 With the convergence of technologies and blurring of lines between broadcast and other forms of media, the industry has undergone a seismic shift over recent years. In 2015 half of all UK ad spend will be spent on digital, in what has been described as a "seminal moment in the history of the ad industry". Clien...

Submitted by George Olver

Published 01 April 2015

Everything you ever needed to know about Wireless Links

by Michael Coyler Issue 96 - December 2014 Wireless links - be it catapulting footage from the cockpit of a Formula One Car as it reaches 180MPH into a knifepoint turn, or feeding a screen in the serene landscape of Scotland\'s world-renowned links for this year\'s Ryder Cup - Radio Frequency (RF) links have taken a major foothold in recent years i...

Submitted by Michael Coyler

Published 01 January 2015

How to work without batteries

by Julian Hiorns Issue 86 - February 2014 Camera and monitor batteries - what\'s not to like? They\'re portable, rechargeable and easy to use. Well, actually, there are some drawbacks. Batteries can be heavy, expensive to replace and difficult and costly to travel with, as airline passengers know all too well. This last issue has become particularl...

Submitted by Julian Hiorns

Published 01 March 2014

Following the Ravensbourne 3: What a past few months!

by Ruth MatosIssue 79 - July 2013 Here I am, at the end of my course BA Hons Production. For this final term I had to submit several projects including a portfolio showing a wide range of skills that I have developed and learnt. The most challenging and important one was a music video called Born of Stars, where I took the role of producer and DOP/...

Submitted by Ruth Matos

Published 01 August 2013

3D for Cinema, ProAV and Events

Over more than a century of motion picture presentations there have been periods when 3D has emerged, and each time interest has faded away. The latest 3D wave goes back to the advent of digital technology for cinemas. Digital Cinema Initiatives (DCI) was formed in 2002 and delivered its first DCI Specification in 2005, when Doremi was well ahead w...

Submitted by Bob Pank#

Published 01 January 2013

Ask the Experts with Dolby

Q: Dolby has recently been making waves in imaging with its PRM-4200 Professional Reference Monitor, but isn’t Dolby an audio company?Dolby has been involved with imaging technology for years, beginning with Dolby® Digital Cinema in 2005, then launching Dolby 3D for the cinema in 2007, and then in 2010 we introduced the Dolby PRM-4200 Professional...

Submitted by Bob Pank#

Published 01 June 2012

Convergence Grading for Stereoscopic 3D Broadcast with Da...

After soldiering through a long run of freelance work in Soho, I had a couple of days off. I thought, “It’ll be nice to relax a little bit,” which is when I got the call. “We have this project with quite a tight turnaround, a couple of days to deliver 75 minutes worth of 3D.” I told them to hold on — this would be my first 3D job. They replied, “It...

Submitted by Bob Pank#

Published 01 January 2012