KitPlus | Articles

Driving Content Security Preparedness from Script to Scre...

By: Terri Davies, President, Trusted Partner Network (TPN) According to Cybersecurity Ventures, the global annual cost of cybercrime is predicted to reach GBP 7.5 million (USD 9.5 trillion) in 2024. As we continue to navigate these trends and forecasts, I encourage you to ask yourselves, what is your company’s content security risk management st...

Submitted by Terri Davies

Published 30 January 2024

Cinematographer Matt Ryan pairs ZEISS Supreme Primes and...

LA based cinematographer Matt Ryan’s enthusiasm for finding the most capable technology to support his creative process has enabled him to shoot across genres and formats. As a Director of Photography, Ryan has shot television for such networks as Disney, FOX, Warner Bros, MTV, PBS, and TruTV. Outside of narrative, Ryan has lensed high-profile comm...

Submitted by Kathryn Ferentchak

Published 08 September 2023

From ISDN to LiveU - an interview with Simon Haywood and...

“Why are people still using SNGs when there’s the reliability, mobility and flexibility of IP-bonding, and that’s without factoring in greater sustainability? It's always surprising to us that some people, when we discuss LiveU with them, still haven't recognised the truly disruptive nature of this technology and the benefits it brings. But that is...

Submitted by Joss Armitage

Published 09 August 2023

Lets do the Time Warp

Time Warp is one of the biggest indoor electronic music events in Europe if not the world, and recently returned to its spiritual home in Mannheim, Germany for the first time in four years for a sold-out attendance that saw 30,000 people soaking up world-class sound. The influential festival was hosted across six floors of Maimarkthalle, a huge...

Submitted by Patrick Hussey

Published 05 July 2023

DIT Sam Petrov Taps AJA ColorBox for Live Grading Flexibi...

Whether working on a feature film, episodic series, or unscripted show, crafting the look of content before it reaches post requires technical acumen and a creative eye. The DIT (Digital Imaging Technician) is integral to this process, bridging the technical realities with the creative goals on-set to ensure the team can achieve its desired aesthet...

Submitted by Anna

Published 27 June 2023

Honey, I shrank the data. How DNA storage could reduce th...

By A3 Communications Capacity, cost, and performance. Three of your top data storage priorities? No wonder, and it’s the same for most organisations across the media and entertainment sector. The volume of data M&E organisations produce is in overdrive, with its global storage market size predicted to reach almost $18bn by 2027. That is likely...

Submitted by KitPlus

Published 17 March 2023

A switch in time: how KVM can unlock the future of broadc...

One of the major changes for broadcasters during the pandemic has been the shift towards remote production; by no means a new phenomenon in an IP environment, yet accelerated under lockdown to accommodate travel and gathering restrictions. A 2021 report found that almost 40% of broadcast professionals now employ remote production, up 9% on the prev...

Submitted by Chris Smeeton

Published 10 March 2022

Sennheiser MKE 400 hands on review and test

Looking to buy? Click here. Sennheiser have just released two products aimed at simplifying audio on the move, the MKE400 shotgun microphone and the XS Lav Mic, in this review we’re looking at the MKE400. If you scroll down there is a video review where you can hear the actual MKE 400 sound so worth a watch. The MKE400 is the second generation with...

Submitted by Simon Tillyer

Published 29 April 2021

How to successfully buy AV and Broadcast Equipment at Auc...

How to successfully buy AV and Broadcast Equipment at Auction Perhaps you wouldn't expect an auctioneer to tell you this - but yes, there are risks to buying equipment at auction; just probably not the risks that you think. Some people may dismiss buying at auction out of hand based on experiences they or friends or colleagues have had. As auctione...

Submitted by Dan Main

Published 19 January 2021

AJA Video Systems - Ki Pro GO User Review with Spellbinde...

For most of us 2020 enforced a step change in the way we work and the kind of productions that our businesses have been delivering. Back in March as the pandemic struck, I took a leap of faith and invested in some switching and streaming kit, in the form of a Tricaster Mini, encoding and NDI kit and some extra cameras. Fast forward nine months and...

Submitted by Ben Sherriff

Published 22 December 2020

In Ear Monitors Help The Cast And Crew of Americas Got Ta...

Capturing performances for television is a stressful business, especially if the programme is being filmed live. You want everything to be perfect but you are also aware that many things can go wrong, even with the best laid plans. Reducing the list of potential disasters is therefore high on any production crew’s agenda and one area where it is po...

Submitted by KitPlus

Published 21 December 2020

Connect A Broadcast-Quality Miniature Camera To Your Comp...

Upgrade any home working or live streaming setup with a broadcast-quality professional webcam. CV503-U3 benefits from a simple plug & play setup, with a single USB 3.0 cable connecting the camera to any computer. Thumbscrew locks on the camera’s USB connector reduces the risk of signal loss due to a loose connection. Any Mac, PC or Linux computer w...

Submitted by Spencer Doran

Published 28 September 2020

An Argument for the Z Cam

Z Cam first dipped their toes into the cinema camera market back at NAB 2018 with the release of the E2 and since then they have proven themselves as one of the go-to camera manufacturers for affordable and unique camera solutions. Their family of cinema cameras has since evolved into a set of 6. Their entry-level E2C is a Micro Four Thirds camera...

Submitted by Jake Ratcliffe

Published 26 March 2020

Why Renting is the New Buying

To rent or to buy? This has long been a topic of debate in the world of property, with people having to choose between spending virtually all of their money up front or giving their money away each month with little chance of seeing a return. How does this apply to the media and entertainment sector? Well, the need to constantly evolve to stay ahea...

Submitted by Ed Tischler

Published 26 March 2020

The Importance of Audio Production Systems

Large-scale entertainment programming presents a unique set of challenges for broadcasters. Often extremely high-profile keystones of a broadcaster’s schedule and increasingly billed as live ‘event television’, as well as delivering the very best audio quality they demand a huge degree of flexibility and agility in terms of their production. With m...

Submitted by Tom Knowles

Published 26 March 2020