KitPlus | Articles

AJA Video Systems - Ki Pro GO User Review with Spellbinde...

For most of us 2020 enforced a step change in the way we work and the kind of productions that our businesses have been delivering. Back in March as the pandemic struck, I took a leap of faith and invested in some switching and streaming kit, in the form of a Tricaster Mini, encoding and NDI kit and some extra cameras. Fast forward nine months and...

Submitted by Ben Sherriff

Published 22 December 2020

The Business Case for Hybrid TV and AI

Video on demand (VOD) and OTT live services have come a long way since their introduction and, rather than solely competing with traditional broadcasting, they are becoming more important than ever in helping to keep broadcast TV networks popular, in particular when combining TV broadcasting with online TV into Hybrid TV models, thanks to convergen...

Submitted by Oliver Botti

Published 26 March 2020

Multi-camera fly-away for live music production

A specialist in multi-camera concert films and music documentaries, Toward Infinity began working with Trickbox TV around 18 months ago. Run by Producer, Director and Editor Tim Sidwell and Producer and DP Jeremy Mason, Toward Infinity is a creative collaboration that works with top flight venues including: Royal Albert Hall, Wembley Arena, the O2...

Submitted by Aaron Dunleavy

Published 19 October 2017

The party is not over until the video is online

When we were introduced to the team behind Sensation dance events in Amsterdam they had one big question for Timecode Systems: could our SyncBac VR wireless sync and control solution theoretically make it possible for a high quality, professional 360-degree video of a live dance music event to be edited in the time it takes the DJ to fly to his or...

Submitted by Paul Scurrell

Published 19 October 2017

Camera Operation and Training Part 1

by Peter Leverick Issue 110 - February 2016 Question: What is the difference between a Videographer and a Broadcast Cameraman?Answer: About £150/day without kit. This is a borrowed joke from an old friend of mine (name withheld, but thank you John), who was answering a facetious enquiry from a Lighting Director about his own job title compared to m...

Submitted by Peter Leverick

Published 16 March 2016

Walking into manufacturing with a Dedleg

by Paul Zanders Issue 98 - February 2015 I\'ve been a freelance recordist since 1999. I\'ve been lucky enough to be busy, working with many crews on some major shows like The Apprentice, Masterchef, X Factor, Top Gear, and many documentaries and corporate videos. I\'ve worked with some great cameramen and some fantastic sound recordists. I enjoy wh...

Submitted by Paul Zanders

Published 01 March 2015

#TVFUTURES

by Simon Bull Issue 95 - November 2014 Since introducing myself to Kitplus readers in the tv-bay Magazine back in September its fair to say that now, things are in full swing. The BSc Television & Broadcasting is a degree that aims to replicate industry standard production planning, content and deadlines and in the first few weeks we have been thru...

Submitted by Simon Bull

Published 01 December 2014

6

Issue 95 - November 2014Must have or just a dream? Either way these 6 stood out this month GALILEO is an app-controlled robotic dock for iPhone (and other devices) bringing a new dimension of motion control to your iPhone. You control the orientation of your iPhone remotely or let galileo rotate your iPhone automatically with new apps constantly be...

Submitted by KitPlus

Published 01 December 2014

Manage and Monitor

Issue 94 - October 2014In the month that digital files become the preferred method of delivery for television programmes in the UK, it will come as a blessed relief to many in both post and production that one of the biggest bugbears of file-based delivery – how to deal with insert editing - may have been solved, just in the nick of time. It didn’t...

Submitted by Will Strauss#

Published 01 November 2014

#TVFUTURES

Issue 93 - September 2014TV-Bay has featured a number of stories from the University of Portsmouth course BSc Television and Broadcasting over the last 12 months, and the course is relatively unusual for operating an actually television channel in tandem with the curriculum, and for producing weekly live professional TV programmes. The course has r...

Submitted by Larry Jordan#

Published 01 October 2014

The Challenges of streaming media

by Larry Jordan Issue 91 - July 2014 Internet streaming. It sounds easy, but doing it is surprisingly difficult. I know, Ive been streaming live audio every week for the last seven years for my podcast Digital Production Buzz. And Im streaming video from my website for the last three years as part of my on-going software training. If everything is...

Submitted by Larry Jordan#

Published 01 August 2014

Production Profile with Polecam

What brings an innocent young Swede into the competitive high-adrenalin business of television production? In my case, it all began at school. I developed an early fascination for photography and created slide shows that were presented as end-of-semester happenings to my fellow students. Unlike television, you can actually watch a live slide-show a...

Submitted by Bob Pank#

Published 01 September 2011