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IP or not IP, that is the question

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There can be a one size fits all approach to prompting, but with the many forms of production in todays broadcasting world - from a major sporting event, to the biggest Saturday night entertainment show, to a 24-hour news operation or prompting on location - it is unlikely that a single system will suit every circumstance. The equipment needs to be...

Submitted by Brian Larter

Published 02 November 2017

How Your iPad Can Help Your Filmmaking

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by Beth Zarkosh Issue 110 - February 2016 How Your iPad Can Help Your FilmmakingThe new iPad is a fantastic and innovative tool for practically anything, but now you can rely on it for your filmmaking needs as well. It may not be what Spielberg is using to shoot his next blockbuster, however its rapidly becoming a must-have tool for filmmakers of a...

Submitted by Beth Zarkhosh

Published 16 March 2016

Looking at the teleprompter

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by Beth Zarkhosh Issue 104 - August 2015 Talking directly to the camera - a basic fundamental in the world of TV presenting. If youve dabbled, you\'ll probably know just how hard it is to remember an entire script word for word without taking your eyes away in order to keep things nice and smooth. So, (please excuse the pun) cue the teleprompter. A...

Submitted by Beth Zarkhosh

Published 01 September 2015

Capture and Produce

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Issue 94 - October 2014One of the hot topics at this year’s IBC was undoubtedly the growing adoption of end-to-end IP production and the imminent death of SDI. During a panel session, hosted by Mediasmiths and Cognizant, and including representatives from BBC, Sony and more, the key point made was that the adoption of IP production technology and w...

Submitted by Will Strauss#

Published 01 November 2014

In the Field

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by Robin Brown Issue 93 - September 2014 Traditionally teleprompters were seen solely as a studio staple, but for more than two decades they have been consistently supporting talent in the field in a variety of locations around the globe. The numerous step changes in technology, which have had such a dramatic impact on all types of television equip...

Submitted by Robin Brown

Published 01 October 2014

Innovative prompting

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by Brian Larter Issue 92 - August 2014 What prompting trends are you foreshadowing for the broadcast industry?Customers are requiring the need to be more versatile in the way they use prompting solutions in their respective production workflows. Providing hardware and software that will work in all aspects, whether it is in a studio or on location,...

Submitted by Brian Larter

Published 01 September 2014

A new age of teleprompting?

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by Jon Hilton Issue 92 - August 2014 Whilst it may not be the first thing on the production agenda, one could argue it is an essential production tool today delivering at least two fundamental production values. Firstly it can save you money by reducing the time required to get that perfect take and secondly it means that your presenter will be wor...

Submitted by Jon Hilton#

Published 01 September 2014

Thinking of buying an OLED - read this first...

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It may surprise some people that Autocue, known worldwide as the leader in broadcast, educational and corporate teleprompting, is also highly experienced in providing broadcast quality reference monitors. We’ve parlayed our experience in quality prompting screens to specify the manufacture of broadcast monitors for OB trucks, vision galleries and Q...

Submitted by Bob Pank#

Published 01 December 2011

LIGHTS, CAMERA, PROMPTING

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Prompting equipment may seem to be one of the most standard, reliable and commonplace pieces of a workflow but that doesn’t mean provision should be treated with complacency. Thinking ahead and selecting best of breed is as applicable in this case as it is for a supposedly more mission-critical asset management, newsroom or production system. In re...

Submitted by Bob Pank#

Published 01 October 2011