BTS World Tour Showcases Breathtaking AR Content

Date: 09/10/2019

Boy band BTS have sold over 15 million albums worldwide, making them South Korea’s best-selling artist of all time. They are continuing their world domination by thrilling fans around the globe with their ‘Love Yourself: Speak Yourself’ World tour.

The 20-date tour is a stadium extension of the band’s successful headlining tour that began in 2018 and has been very well received, with the London Wembley Stadium dates selling out within two minutes of tickets being released. The innovative production uses disguise gx 2 media servers to drive video content, integrate generative content and render AR content.

Management company Big Hit Entertainment, creative directors Plan A and production designers FragmentNine conceived the tour as a big festival with every song on the setlist designed to communicate with fans, known collectively as the ARMY. Performances include inflatables, a water cannon, gun powder and fireworks as well as audience participation with handheld ARMY BOMB sticks. For the song “Trivia: Love” a mysterious mood is created by using live AR, a first for a live concert.

LIVE-LAB Co., Ltd. (Lighting and Visual Expression Laboratory) recommended using disguise for the tour “because of its flexibility and stability in coping with changing variables during the long tour,” says CEO Alvin Chu. LIVE-LAB is a disguise studio partner based in Seoul.

Born out of conversations between Big Hit, Plan A, and FragmentNine came the idea of using Augmented Reality for Trivia: Love. The team had some reference videos that were a compelling jumping off point, but AR had barely found its way into the entertainment industry.

Tasked with turning these napkin ideas into reality, FragmentNine, consisting of principal designers Jeremy Lechterman and Jackson Gallagher, reached out to their long-time associates and friends at All of it Now (AOIN) to begin exploring possibilities.

Over the following weeks, several ideas bounced around between everyone until they ultimately homed in on the style and progression of the song. The AR content ultimately consisted of words, shapes, and a heart motif that the artist could interact with.

In production rehearsals, AOIN constructed a half scale model of the stage to test out AR cameras and motion tracking since this wasn’t just an idea that could come off the shelf, it needed to be workshopped. This also allowed FragmentNine, Plan A, and AOIN to make revisions to the content together before full on-site rehearsals.

AOIN were tasked with integrating AR into the stadium-scale tour using the existing camera and video system, which was no small feat. The tour is believed to be the first to use AR on a global multidate stadium tour.

“Creatively we needed to help the artists, management and production understand what AR content entailed and how it would look,” explains Kevin Zhu, one of AOIN’s AR Content Designers. “This involved a lot of discussion and client education on the variables that impact the end product: lighting, size/scale, colour, front plate compositing and more. This kind of discussion was necessary because the technology and implementation of AR graphics was so new to the major stakeholders. Ultimately, it was a good learning experience all around, and we will be taking some of those lessons forward into projects.”

On the technical side, AOIN had to overcome the unknowns associated with the integration of AR workflows, notes Producer and AR Content Designer, Berto Mora. “We have done many tests within our studio where everything works in a controlled environment, but when you are on-site you have to deal with real-world issues. Since a lot of this technology is relatively new, we have to deal with a lot of unknown issues and unwritten features. Working closely with our partners, such as disguise, allows us to accomplish what we need to make these workflows operational in the real world.”

According to AOIN Executive Producer Danny Firpo, “Understanding the performance on a stadium scale was an important factor. The sheer scale of a stadium setting meant that the performer was almost too small to see in person except for those in the front row. A significant percentage of the audience would experience the show and watch the performer through the IMAG screens with the AR effects.”

The disguise workflow was vital in making creative content decisions without having the full AR rig set up. Firpo explains, “We used the spatial mapping feature on the gx 2 pretty heavily, which allowed us to virtually block out all the camera positions and AR effects on stage from within our studio. Management could approve the changes and revisions remotely using disguise’s stage render video as a virtual proxy of the actual performance.”

The integration of disguise with the stYpe camera tracking system allowed AOIN to link virtual camera objects in disguise’s software GUI with real-time lens and 6D positional data the stYpe unit received from a camera and broadcasting output. stYpe’s Redspy system was used for the handheld camera, and a Vinten Tracking head was used for tracking a stationary camera at the FOH camera riser position.

“We had to make a virtual stage line up perfectly with the real stage, and we were only able to see this alignment through the live camera feed into the gx 2,” explains Touring AR Engineer Neil Carman. “So disguise became a powerful real-time compositing tool that helped us understand adjustments we needed to make for perspective and position. The virtual stage assets that FragmentNine delivered to us for the project were scaled perfectly for the real-world space. Being able to verify scale within the disguise software made aligning the real world and the virtual world much simpler.”

Once disguise had all the connected Stype systems agree on a universal zero point, from which all graphics would emanate, the server allowed AOIN to precisely move around individual elements of the graphics from different sections during rehearsals. This aided AOIN in choreographing interactive movements between the performers and the graphics. “The stability of the hardware and flexibility of the software on the disguise server contributes greatly to the success of a long tour,” says LIVE-LAB’s Chu.

“Controlling the image projected on the large LED screen is important for the overall harmony of the elements, and disguise shows stable and powerful operating capabilities,” adds Creative Director Kevin Kim of Plan A.

Jackson Gallagher and Jeremy Lechterman were the tour’s Production Designers from FragmentNine.



Tags: disguise | South Korea | BTS | Boy band | Big Hit Entertainment | LIVE_LAB Co. | Alvin Chu | FragmentNine | AR | AOIN
Submitted by Bubble Agency (Bubble Agency )
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  • Cineo HS2 at IBC 2015

    Cineo HS2 at IBC 2015

  • LSC Lighting at IBC 2015

    LSC Lighting at IBC 2015

  • Cineo Matchbox at IBC 2015

    Cineo Matchbox at IBC 2015

  • Portaprompt at IBC 2015

    Portaprompt at IBC 2015

  • SGL Broadcast at IBC 2015

    SGL Broadcast at IBC 2015

  • Matrox at IBC 2015

    Matrox at IBC 2015

  • ERA - Cloud Services - at BVE 2015

    ERA - Cloud Services - at BVE 2015

  • TMD at BVE 2015

    TMD at BVE 2015

  • Tiger Technology at BVE 2015

    Tiger Technology at BVE 2015

  • Brainstorm Multimedia at BVE 2015

    Brainstorm Multimedia at BVE 2015

  • BeyondHD - Drones at BVE 2015

    BeyondHD - Drones at BVE 2015

  • Cavena Image Products at BVE 2015

    Cavena Image Products at BVE 2015

  • NETIA at BVE 2015

    NETIA at BVE 2015

  • Rosco at BVE 2015

    Rosco at BVE 2015

  • Polecam Antelope Pico at IBC 2014

    Polecam Antelope Pico at IBC 2014

  • BroadStream OASYS at IBC 2014

    BroadStream OASYS at IBC 2014

  • BroadStream CURRENT at IBC 2014

    BroadStream CURRENT at IBC 2014

  • Glensound Dante at IBC 2014

    Glensound Dante at IBC 2014

  • Forscene at IBC 2014

    Forscene at IBC 2014

  • RTW at IBC 2014

    RTW at IBC 2014

  • Ross Video Acuity at IBC 2014

    Ross Video Acuity at IBC 2014

  • openTruck from Ross Video at IBC 2014

    openTruck from Ross Video at IBC 2014

  • Cooke Optics technology at IBC 2014

    Cooke Optics technology at IBC 2014

  • Dejeros products at IBC 2014

    Dejeros products at IBC 2014

  • KITPLUS at IBC 2014

    KITPLUS at IBC 2014

  • Comigo at IBC 2014

    Comigo at IBC 2014

  • Guntermann and Drunck DP-HR range at IBC 2014

    Guntermann and Drunck DP-HR range at IBC 2014

  • Ateme at IBC 2014

    Ateme at IBC 2014

  • SIS LIVE ManPak and LoStow at IBC 2014

    SIS LIVE ManPak and LoStow at IBC 2014

  • Front Porch Digital at IBC 2014

    Front Porch Digital at IBC 2014

  • TMD at IBC 2014

    TMD at IBC 2014

  • Matrox at IBC 2014

    Matrox at IBC 2014

  • Volicon Products at IBC 2014

    Volicon Products at IBC 2014

  • Blackmagic and Fusion at IBC 2014

    Blackmagic and Fusion at IBC 2014

  • ChyronHego Metacast at IBC 2014

    ChyronHego Metacast at IBC 2014

  • ChyronHego Lyric PRO at IBC 2014

    ChyronHego Lyric PRO at IBC 2014

  • Pixel Power at NAB 2014

    Pixel Power at NAB 2014

  • SGL at NAB 2014

    SGL at NAB 2014

  • Volicon at NAB 2014

    Volicon at NAB 2014

  • Cinegy at NAB 2014

    Cinegy at NAB 2014

  • Dalet at NAB 2014

    Dalet at NAB 2014

  • Editors Keys at NAB 2014

    Editors Keys at NAB 2014

  • Elemental Technologies HEVC solutions at NAB 2014

    Elemental Technologies HEVC solutions at NAB 2014

  • Elemental Technologies Multiscreen Solutions at NAB 2014

    Elemental Technologies Multiscreen Solutions at NAB 2014

  • Facilis at NAB 2014

    Facilis at NAB 2014

  • GB Labs Space at NAB 2014

    GB Labs Space at NAB 2014

  • Glensound Atomic Copper at NAB 2014

    Glensound Atomic Copper at NAB 2014

  • Guntermann and Drunck at NAB 2014

    Guntermann and Drunck at NAB 2014

  • Matrox Mojito at NAB 2014

    Matrox Mojito at NAB 2014

  • Atomos Samurai Blade at BVE 2014

    Atomos Samurai Blade at BVE 2014

  • Atomos Ronin at BVE 2014

    Atomos Ronin at BVE 2014

  • Atomos Ninja Blade at BVE 2014

    Atomos Ninja Blade at BVE 2014

  • Videosys Wireless Transmitters at BVE 2014

    Videosys Wireless Transmitters at BVE 2014

  • Ross Video at BVE 2014

    Ross Video at BVE 2014

  • Sony Wireless Microphones at BVE 2014

    Sony Wireless Microphones at BVE 2014

  • Sennheiser HDM Pro at BVE 2014

    Sennheiser HDM Pro at BVE 2014

  • NewTek TriCaster at BVE 2014

    NewTek TriCaster at BVE 2014

  • Guntermann and Drunck at BVE 2014

    Guntermann and Drunck at BVE 2014

  • Metus Ingest at BVE 2014

    Metus Ingest at BVE 2014

  • Polecam Toshiba Minicams at BVE 2014

    Polecam Toshiba Minicams at BVE 2014

  • Forbidden Technologies FORscene at BVE 2014

    Forbidden Technologies FORscene at BVE 2014

  • Forbidden Technologies FORscene App at BVE 2014

    Forbidden Technologies FORscene App at BVE 2014

  • Polecam Slow Motion Minicams at BVE 2014

    Polecam Slow Motion Minicams at BVE 2014

  • The tv-bay Tour in Manchester June 2014

    The tv-bay Tour in Manchester June 2014

  • The tv-bay Tour in London June 2014

    The tv-bay Tour in London June 2014

  • Leeds TOUR

    Leeds TOUR

  • Belfast TOUR

    Belfast TOUR

  • Philip Bloom on Tour in Belfast

    Philip Bloom on Tour in Belfast

  • Dejero on BroadcastShow LIVE at IBC 2013

    Dejero on BroadcastShow LIVE at IBC 2013

  • Canon on BroadcastShow LIVE at IBC 2013

    Canon on BroadcastShow LIVE at IBC 2013

  • Atomos with the Samurai Blade on BroadcastShow LIVE at IBC 2013

    Atomos with the Samurai Blade on BroadcastShow LIVE at IBC 2013

  • Cinegy on BroadcastShow LIVE at IBC 2013

    Cinegy on BroadcastShow LIVE at IBC 2013

  • Trilogy on BroadcastShow LIVE at IBC 2013

    Trilogy on BroadcastShow LIVE at IBC 2013

  • Glensound on BroadcastShow LIVE at IBC 2013

    Glensound on BroadcastShow LIVE at IBC 2013

  • Zylight on BroadcastShow LIVE at IBC 2013

    Zylight on BroadcastShow LIVE at IBC 2013

  • Nexidias Drew Lanham on BroadcastShow LIVE at IBC 2013

    Nexidias Drew Lanham on BroadcastShow LIVE at IBC 2013

  • Miranda on BroadcastShow LIVE at IBC 2013

    Miranda on BroadcastShow LIVE at IBC 2013

  • TMD talk workflow on BroadcastShow LIVE at IBC 2013

    TMD talk workflow on BroadcastShow LIVE at IBC 2013

  • Metus on BroadcastShow LIVE at IBC 2013

    Metus on BroadcastShow LIVE at IBC 2013

  • Pilat Media on BroadcastShow LIVE at IBC 2013

    Pilat Media on BroadcastShow LIVE at IBC 2013

  • Snell on BroadcastShow LIVE at IBC 2013

    Snell on BroadcastShow LIVE at IBC 2013

  • Primestream on BroadcastShow LIVE at IBC 2013

    Primestream on BroadcastShow LIVE at IBC 2013

  • NewTek on BroadcastShow LIVE at IBC 2013

    NewTek on BroadcastShow LIVE at IBC 2013

  • Wyplay on BroadcastShow LIVE at IBC 2013

    Wyplay on BroadcastShow LIVE at IBC 2013

  • Volicon on BroadcastShow LIVE at IBC 2013

    Volicon on BroadcastShow LIVE at IBC 2013

  • Softron Media Services on BroadcastShow LIVE at IBC 2013

    Softron Media Services on BroadcastShow LIVE at IBC 2013

  • Cobham on BroadcastShow LIVE at IBC 2013

    Cobham on BroadcastShow LIVE at IBC 2013

  • TMD talk asset management solutions on BroadcastShow LIVE at IBC 2013

    TMD talk asset management solutions on BroadcastShow LIVE at IBC 2013

  • SMPTE on BroadcastShow LIVE at IBC 2013

    SMPTE on BroadcastShow LIVE at IBC 2013

  • Wowza Media Systems on BroadcastShow LIVE at IBC 2013

    Wowza Media Systems on BroadcastShow LIVE at IBC 2013

  • Cambridge Imaging Systems on BroadcastShow LIVE at IBC 2013

    Cambridge Imaging Systems on BroadcastShow LIVE at IBC 2013

  • Digital Vision on BroadcastShow LIVE at IBC 2013

    Digital Vision on BroadcastShow LIVE at IBC 2013

  • Dalet at IBC 2013

    Dalet at IBC 2013

  • Broadstream Solutions on the Oasys stand at IBC 2013

    Broadstream Solutions on the Oasys stand at IBC 2013

  • Oasys Chameleon at IBC 2013

    Oasys Chameleon at IBC 2013

  • Loft London Solutions with Cubix on the Oasys stand at IBC 2013

    Loft London Solutions with Cubix on the Oasys stand at IBC 2013

  • Thomson Broadcast at IBC 2013

    Thomson Broadcast at IBC 2013

  • Datacolor Spyder on the Atomos stand at IBC 2013

    Datacolor Spyder on the Atomos stand at IBC 2013

  • Metus MAM and Ingest at IBC 2013

    Metus MAM and Ingest at IBC 2013

  • Guntermann and Drunck CrossDisplay switching and CCD at IBC 2013

    Guntermann and Drunck CrossDisplay switching and CCD at IBC 2013

  • Tony Taylor from TMD talks about LTFS at IBC 2013

    Tony Taylor from TMD talks about LTFS at IBC 2013

  • Tony Taylor from TMD talks about Mediaflex CI

    Tony Taylor from TMD talks about Mediaflex CI

  • Tony Taylor from TMD talks about Post Production

    Tony Taylor from TMD talks about Post Production

  • Haivision live encoding HEVC at IBC 2013

    Haivision live encoding HEVC at IBC 2013

  • NOA Audio Solutions at IBC 2013

    NOA Audio Solutions at IBC 2013

  • Blue Lucy Media at IBC 2013

    Blue Lucy Media at IBC 2013

  • Cinegy at IBC 2013

    Cinegy at IBC 2013

  • Facilis at IBC 2013

    Facilis at IBC 2013

  • Holdan on BroadcastShow Tour May 2013

    Holdan on BroadcastShow Tour May 2013

  • Lightworks on BroadcastShow Tour May 2013

    Lightworks on BroadcastShow Tour May 2013

  • Official TOUR Video 2013

    Official TOUR Video 2013

  • Autodesk at NAB 2013

    Autodesk at NAB 2013

  • Glensound: RECCE HD at NAB 2013

    Glensound: RECCE HD at NAB 2013

  • JVC GY-HM650 upgrade at NAB 2013

    JVC GY-HM650 upgrade at NAB 2013

  • Phabrix RX2000 at NAB 2013

    Phabrix RX2000 at NAB 2013

  • Polecam: Z10 zoom lens at NAB 2013

    Polecam: Z10 zoom lens at NAB 2013

  • Zylight F8 LED Fresnel at NAB 2013

    Zylight F8 LED Fresnel at NAB 2013

  • Quantel Pablo Rio at NAB 2013

    Quantel Pablo Rio at NAB 2013

  • Brainstorm Multimedia: Aston3D at NAB 2013

    Brainstorm Multimedia: Aston3D at NAB 2013

  • Cinegy: Multiviewer at NAB 2013

    Cinegy: Multiviewer at NAB 2013

  • Yospace: Advert Insertion at NAB 2013

    Yospace: Advert Insertion at NAB 2013

  • Haivision: Video Cloud at NAB 2013

    Haivision: Video Cloud at NAB 2013

  • Facilis at NAB 2013

    Facilis at NAB 2013

  • IMT at NAB 2013

    IMT at NAB 2013

  • SGL at NAB 2013

    SGL at NAB 2013

  • TSL Products at NAB 2013

    TSL Products at NAB 2013

  • TMD at NAB 2013: MediaFlex Reporting Module

    TMD at NAB 2013: MediaFlex Reporting Module

  • TMD at NAB 2013: MediaFlex Systems

    TMD at NAB 2013: MediaFlex Systems

  • TMD at NAB 2013: Content Intelligence

    TMD at NAB 2013: Content Intelligence

  • Guntermann and Drunck GmbH at NAB 2013

    Guntermann and Drunck GmbH at NAB 2013

  • Dejero LIVE+ VSET at NAB 2013

    Dejero LIVE+ VSET at NAB 2013

  • Dejero + Nucomm Connect Live at NAB 2013

    Dejero + Nucomm Connect Live at NAB 2013

  • Tiffen Steadicam at BVE 2013

    Tiffen Steadicam at BVE 2013

  • Telestream at BVE 2013

    Telestream at BVE 2013

  • Polecam at BVE 2013

    Polecam at BVE 2013

  • Phabrix at BVE 2013

    Phabrix at BVE 2013

  • Object Matrix at BVE 2013

    Object Matrix at BVE 2013

  • Matrox at BVE 2013

    Matrox at BVE 2013

  • Lens Adaptor at BVE 2013

    Lens Adaptor at BVE 2013

  • Guntermann and Drunck GmbH at BVE 2013

    Guntermann and Drunck GmbH at BVE 2013

  • Glensound at BVE 2013

    Glensound at BVE 2013

  • Facilis Technology at BVE 2013

    Facilis Technology at BVE 2013

  • Cambo at BVE 2013

    Cambo at BVE 2013

  • Autocue at BVE 2013

    Autocue at BVE 2013

  • AC Entertainment Technologies at BVE 2013

    AC Entertainment Technologies at BVE 2013

  • Glensound at BVE North 2012

    Glensound at BVE North 2012

  • Featured Clip: Geoff Boyle comments on NAB 2012

    Featured Clip: Geoff Boyle comments on NAB 2012

  • SGL at NAB 2012

    SGL at NAB 2012

  • Studio Technologies at NAB 2012

    Studio Technologies at NAB 2012

  • Glensound at NAB 2012

    Glensound at NAB 2012

  • Facilis at NAB 2012

    Facilis at NAB 2012

  • LiveU at NAB 2012

    LiveU at NAB 2012

  • Atomos Ninja at NAB 2012

    Atomos Ninja at NAB 2012

  • Litepanels at NAB 2012

    Litepanels at NAB 2012

  • Tiffen at NAB 2012

    Tiffen at NAB 2012

  • Calrec at NAB 2012

    Calrec at NAB 2012

  • Nexsan at NAB 2012

    Nexsan at NAB 2012

  • FFV and TNP at BVE 2012

    FFV and TNP at BVE 2012

  • Facilis at BVE 2012

    Facilis at BVE 2012

  • Calrec at BVE 2012

    Calrec at BVE 2012

  • Blue Lucy Media at BVE 2012

    Blue Lucy Media at BVE 2012

  • TMD at BVE 2012

    TMD at BVE 2012

  • Ianiro at BVE 2012

    Ianiro at BVE 2012

  • Editors Keys at ProVideo2011

    Editors Keys at ProVideo2011

  • Ross Video at BVE North 2011

    Ross Video at BVE North 2011

  • JVC at BVE North 2011

    JVC at BVE North 2011

  • Oxygen DCT at BVE North 2011

    Oxygen DCT at BVE North 2011

  • Polecam at BVE North 2011

    Polecam at BVE North 2011

  • Cirrolite at BVE North 2011

    Cirrolite at BVE North 2011

  • FOR-A at IBC2011

    FOR-A at IBC2011

  • Cooke at IBC2011

    Cooke at IBC2011

  • G-Technology at IBC2011

    G-Technology at IBC2011

  • Netia at IBC2011

    Netia at IBC2011

  • Panasonic at IBC2011

    Panasonic at IBC2011

  • Calrec at IBC2011

    Calrec at IBC2011

  • Root6 at IBC2011

    Root6 at IBC2011

  • Sonnet Technology at IBC2011

    Sonnet Technology at IBC2011

  • Codex at IBC2011

    Codex at IBC2011

  • Gekko at IBC2011

    Gekko at IBC2011

  • Radiant Grid at IBC2011

    Radiant Grid at IBC2011

  • Tedial at IBC2011

    Tedial at IBC2011

  • Cobalt Digital at IBC2011

    Cobalt Digital at IBC2011

  • Wohler at IBC2011

    Wohler at IBC2011

  • LiveU at IBC2011

    LiveU at IBC2011

  • Eyeheight at IBC2011

    Eyeheight at IBC2011

  • Bradley at IBC2011

    Bradley at IBC2011

  • Quantel at IBC2011

    Quantel at IBC2011

  • Grass Valley at IBC2011

    Grass Valley at IBC2011


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News
DoPchoice Intro Light Directing Tools for Aputure Nova P600c New Snapbags Snapgrid Rabbit Ear Mount Adapter Posted: 20/10/2021
DoPchoice Intro and rsquo;s Light Directing Tools for Aputure Nova P600c New Snapbags and reg;, Snapgrid and reg; and amp; Rabbit Ear Mount Adapter

DoPchoice now offers light directing Snapbag® soft boxes and Snapgrids® to make the most of Aputure’s new P600c LED fixture. To complement this panel light, DoPchoice has designed a dedicated new Snapbag® soft box and Rabbit Ears Mount Adapter, plus a host of other choice tools.

Tags: DoPchoice GmbH | Light Modifiers | ARRI Orbiter | Obiter | Lightbank | Snapbag | lighting | cinematography | Local 728 | Local 80 | gaffer | light control | cinema tools | LED | Rabbit Rounder | Snapgrid | TRP Worldwide | Snapbag | reflective fabric | internal 3D Baffle | IBC 2021
Submitted by Lewis Communications
More from this author
HPA Young Entertainment Professionals Program Opens Call for Applications Posted: 20/10/2021
HPA Young Entertainment Professionals Program Opens Call for Applications

HPA (Hollywood Professional Association) has opened the call for applications for the 2022 Young Entertainment Professionals (YEP) program. Since its inception in 2015, the growing YEP program has supported the careers of talented creative, technical, project management and administrative professionals between the ages of 21 and 32 through mentorship, community building and educational offerings. Applications are due Monday, November 8 and applicants will be notified of their status in early December. The 2022 YEP class will begin in January 2022.

Tags: HPA | HPA YEP | professional development
Submitted by ignite strategic communications
More from this author
Lead Singer Billy Lunn Puts Neve Firmly At The Heart Of His Latest Recordings Posted: 20/10/2021
The Subways and rsquo; Lead Singer Billy Lunn Puts Neve Firmly At The Heart Of His Latest Recordings

Billy Lunn, lead singer, guitarist, songwriter and producer of the rock band The Subways, has made Neve outboard units the centrepiece of his new studio after recognising the positive impact Neve equipment had on the sound of the band’s second album, All or Nothing.

Released in 2008, All or Nothing was produced by Butch Vig and recorded on a Neve® 88R desk at Conway Studios in Los Angeles.

Tags: Billy Lunn | The Subways | AMS Neve | Neve 1073SPX | Neve Pre Amps | Butch Vig
Submitted by White Noise Public Relations Ltd
More from this author
TSL Products Hosts Virtual and Interactive Showcase to Spotlight New Products and Latest Advancements Posted: 20/10/2021
TSL Products Hosts Virtual and Interactive Showcase to Spotlight New Products and Latest R and amp;D Advancements

TSL Products will spotlight its latest product developments in audio monitoring, control systems and power solutions with a virtual and interactive showcase. The new digitalplatform will allow customers to visit a virtual representation of TSL’s tradeshow booth, with access to product demos and exclusive interviews, as well as the opportunity to speak live with product specialists via a custom-built set up based out of TSL’s Marlow office.

Tags: TSL Products | NAB 2021 | virtual tradeshow
Submitted by D. Pagan Communications
More from this author
Pebble continues 2021 expansion with new hires Posted: 20/10/2021
Pebble continues 2021 expansion with new hires

Pebble, the leading automation, content management, and integrated channel specialist, is pleased to announce a range of new hires across its business as it continues to build on its successes over the last year. The company announced an impressive set of figures for H1 2021 last month, buoyed by an up-tick in all key financial metrics over the Covid-impacted 2020, including revenue, pre-tax profits, and net cash.

Tags: Pebble | automation | content | channel | hires
Submitted by Bubble Agency
More from this author
dock10 launches real-time motion-capture solution Posted: 20/10/2021
dock10 launches real-time motion-capture solution

dock10, the UK’s leading television facility, has announced the launch of a new innovative technology solution for broadcasters that enables Augmented Reality (AR) characters to be rendered in real-time in both traditional and virtual sets. 

Tags: dock10 | BBC | Bitesize Daily | AR | Motion Capture
Submitted by Bubble Agency
More from this author
Scality delivers comprehensive, rock-solid portfolio for Splunk SmartStore deployments Posted: 19/10/2021
Scality delivers comprehensive, rock-solid portfolio for Splunk SmartStore deployments

Scality announced today that it delivers the most comprehensive and rock-solid portfolio of Disaster Recovery-enabled SmartStore ready deployment options as validated by Splunk. To provide enterprise customers with maximum data protection and deployment flexibility, Scality offers three SmartStore-ready architectures spanning single-site to multi-site models capable of ensuring zero recovery point objectives (RPO) and recovery time objectives for superior delivery of Splunk's mission critical data analytics.




Tags: Scality | Splunk | SmartStore | disaster recovery
Submitted by A3 Communications
More from this author
Marketron to Share Keys to Effective Yield Management and Dynamic Pricing in Nov. 3 Webinar for Broadcast Sales Professionals Posted: 19/10/2021
Marketron to Share Keys to Effective Yield Management and Dynamic Pricing in Nov. 3 Webinar for Broadcast Sales Professionals

Marketron, the broadcast industry's leading technology provider for more scalable, predictable, and reliable revenue, will host a Nov. 3 webinar that explains to broadcast sales professionals how they can leverage the power of yield management and dynamic pricing to increase revenues. Beginning at 2 p.m. EDT, "Yield Management in Broadcast Sales: Why It's a Powerful Tool" will offer an overview of yield management and delve into how integrating dynamic pricing into the sales process can drive greater success and profitability.

Tags: Marketron | Yield Management | Webinar | Broadcast | Broadcast Sales
Submitted by Wall Street Communications
More from this author
53% of companies are left exposed to supply chain attacks Acronis Cyber Readiness Report 2021 reveals critical security gaps Posted: 19/10/2021
53% of companies are left exposed to supply chain attacks Acronis Cyber Readiness Report 2021 reveals critical security gaps

Acronis, the global leader in cyber protection,has released its annual Cyber Readiness Report, providing a comprehensive overview of the modern cybersecurity landscape and the key pain points faced by businesses and remote employees worldwide amid the global pandemic. Acronis’ research from last year revealed more than 80% of global companies admitted they were not prepared to transition to remote work – exposing key vulnerabilities businesses must quickly plan and implement solutions for.

Tags: Acronis | cyber security | ransomware | malware | phishing
Submitted by A3 Communications
More from this author
SDVI and TMT Insights Partner to Accelerate Customer Deployment of Rally Media Supply Chain Platform Posted: 19/10/2021
SDVI and TMT Insights Partner to Accelerate Customer Deployment of Rally Media Supply Chain Platform

SDVI, the leading platform provider for cloud-native media supply chains, today announced a new Rally platform deployment partnership with TMT Insights, a professional services and software development company with strong expertise in digital supply chain implementation for Fortune 500 companies. The partnership leverages the implementation and professional services expertise of TMT Insights to accelerate integration and deployment of the SDVI Rally media supply chain platform and to assist customers in optimizing their implementation and management of the platform.

Tags: SDVI | TMT Insights | Rally | Media Supply Chain | Funamation | Anuvu
Submitted by Wall Street Communications
More from this author
Triveni Digital LIVE Forum Unites the Broadcast Industry Around NextGen TV Posted: 19/10/2021
Triveni Digital LIVE Forum Unites the Broadcast Industry Around NextGen TV

Triveni Digital today announced that it will host Triveni Digital LIVE Forum, an interactive, virtual event to unite broadcast engineers, station management, cable operators, and anyone interested in NextGen TV on Wednesday, Nov. 3. During the online event, attendees will learn directly from ATSC experts, interact with broadcast industry colleagues, and enhance their knowledge on solutions related to the ATSC 3.0 ecosystem.

Tags: ATSC | NextGen TV | E.W Scripps | ARK Multicasting | Harmonic | Hitachi Comark | Synamedia | Heartland Video Systems | Triveni Digital
Submitted by 202 Communications
More from this author
Darcy Antonellis to Receive Lifetime Achievement Award From HPA Posted: 19/10/2021
Darcy Antonellis to Receive Lifetime Achievement Award From HPA

Veteran media technology executive Darcy Antonellis will receive the organization’s prestigious Lifetime Achievement Award during a gala celebration at the Hollywood Legion on November 18, 2021. The Lifetime Achievement Award, given only at the discretion of the HPA Board and Awards Committee, honors the recipient’s dedication to the advancement of the industry.


Tags: HPA | HPA Awards | Darcy Antonellis | Vubiquity
Submitted by ignite strategic communications
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Marshall High Resolution Encoder decoder Upgrade Goes the Distance for Victorville, Californias, KVVB-TV Posted: 19/10/2021
Marshall High Resolution Encoder decoder Upgrade Goes the Distance for Victorville, Californias, KVVB-TV

When Tim Harris, general manager and CEO of KVVB-TV in Victorville, CA was looking for an efficient way to expand his station’s ability to transmit data, he found the solution he was looking for with the VS-102-HDSI encoder from Marshall Electronics.

Tags: Marshall Electronics | encoders | independent television
Submitted by D. Pagan Communications
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Emmy-nominated Re-recording Mixer Gets Creative With NUGEN Audio Plug-ins Posted: 19/10/2021
Emmy-nominated Re-recording Mixer Gets Creative With NUGEN Audio Plug-ins

A 15-year veteran of the film and TV business, freelance re-recording mixer Alexandra Fehrman loves to get creative with her projects. Nominated for a 2021 Sound Mixing Emmy for her work on Amazon’s drama The Boys, Fehrman works with Formosa Group, a post-production facility in Los Angeles, as well as from her home studio. Fehrman, like many audio pros, started her career in music as a teenager and has been pursuing sound mixing ever since. Her specialties include streaming and TV series, as well as feature and independent films. As she ramps up her work on streaming projects, Fehrman continually turns to NUGEN Audio’s VisLM loudness meter, Paragon reverb and Halo Upmix/Halo Downmix plug-ins for reliability, accuracy and creativity.

Tags: NUGEN Audio | women in audio | post production
Submitted by D. Pagan Communications
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Grass Valley Appoints Jan Lange as Chief Revenue Officer Posted: 19/10/2021
Grass Valley Appoints Jan Lange as Chief Revenue Officer

Grass Valley today announces the appointment of Jan Lange as Chief Revenue Officer. In this new role, Lange will report to Tim Shoulders, Grass Valley CEO and president and will oversee Grass Valley’s go-to-market strategy to empower customers to deliver the live moments that matter to people across the globe. Harnessing his commercial experience, Lange will lead the global sales team and help drive the company’s recently launched new strategic focus on live production. He will be responsible for expanding the GV Media Universe (GVMU) cloud-centered customer base and growing revenue through new partnerships and large enterprise pricing agreements.

Tags: jan lange | grass valley | appointment
Submitted by Staff
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