BTS World Tour Showcases Breathtaking AR Content

Date: 09/10/2019

Boy band BTS have sold over 15 million albums worldwide, making them South Korea’s best-selling artist of all time. They are continuing their world domination by thrilling fans around the globe with their ‘Love Yourself: Speak Yourself’ World tour.

The 20-date tour is a stadium extension of the band’s successful headlining tour that began in 2018 and has been very well received, with the London Wembley Stadium dates selling out within two minutes of tickets being released. The innovative production uses disguise gx 2 media servers to drive video content, integrate generative content and render AR content.

Management company Big Hit Entertainment, creative directors Plan A and production designers FragmentNine conceived the tour as a big festival with every song on the setlist designed to communicate with fans, known collectively as the ARMY. Performances include inflatables, a water cannon, gun powder and fireworks as well as audience participation with handheld ARMY BOMB sticks. For the song “Trivia: Love” a mysterious mood is created by using live AR, a first for a live concert.

LIVE-LAB Co., Ltd. (Lighting and Visual Expression Laboratory) recommended using disguise for the tour “because of its flexibility and stability in coping with changing variables during the long tour,” says CEO Alvin Chu. LIVE-LAB is a disguise studio partner based in Seoul.

Born out of conversations between Big Hit, Plan A, and FragmentNine came the idea of using Augmented Reality for Trivia: Love. The team had some reference videos that were a compelling jumping off point, but AR had barely found its way into the entertainment industry.

Tasked with turning these napkin ideas into reality, FragmentNine, consisting of principal designers Jeremy Lechterman and Jackson Gallagher, reached out to their long-time associates and friends at All of it Now (AOIN) to begin exploring possibilities.

Over the following weeks, several ideas bounced around between everyone until they ultimately homed in on the style and progression of the song. The AR content ultimately consisted of words, shapes, and a heart motif that the artist could interact with.

In production rehearsals, AOIN constructed a half scale model of the stage to test out AR cameras and motion tracking since this wasn’t just an idea that could come off the shelf, it needed to be workshopped. This also allowed FragmentNine, Plan A, and AOIN to make revisions to the content together before full on-site rehearsals.

AOIN were tasked with integrating AR into the stadium-scale tour using the existing camera and video system, which was no small feat. The tour is believed to be the first to use AR on a global multidate stadium tour.

“Creatively we needed to help the artists, management and production understand what AR content entailed and how it would look,” explains Kevin Zhu, one of AOIN’s AR Content Designers. “This involved a lot of discussion and client education on the variables that impact the end product: lighting, size/scale, colour, front plate compositing and more. This kind of discussion was necessary because the technology and implementation of AR graphics was so new to the major stakeholders. Ultimately, it was a good learning experience all around, and we will be taking some of those lessons forward into projects.”

On the technical side, AOIN had to overcome the unknowns associated with the integration of AR workflows, notes Producer and AR Content Designer, Berto Mora. “We have done many tests within our studio where everything works in a controlled environment, but when you are on-site you have to deal with real-world issues. Since a lot of this technology is relatively new, we have to deal with a lot of unknown issues and unwritten features. Working closely with our partners, such as disguise, allows us to accomplish what we need to make these workflows operational in the real world.”

According to AOIN Executive Producer Danny Firpo, “Understanding the performance on a stadium scale was an important factor. The sheer scale of a stadium setting meant that the performer was almost too small to see in person except for those in the front row. A significant percentage of the audience would experience the show and watch the performer through the IMAG screens with the AR effects.”

The disguise workflow was vital in making creative content decisions without having the full AR rig set up. Firpo explains, “We used the spatial mapping feature on the gx 2 pretty heavily, which allowed us to virtually block out all the camera positions and AR effects on stage from within our studio. Management could approve the changes and revisions remotely using disguise’s stage render video as a virtual proxy of the actual performance.”

The integration of disguise with the stYpe camera tracking system allowed AOIN to link virtual camera objects in disguise’s software GUI with real-time lens and 6D positional data the stYpe unit received from a camera and broadcasting output. stYpe’s Redspy system was used for the handheld camera, and a Vinten Tracking head was used for tracking a stationary camera at the FOH camera riser position.

“We had to make a virtual stage line up perfectly with the real stage, and we were only able to see this alignment through the live camera feed into the gx 2,” explains Touring AR Engineer Neil Carman. “So disguise became a powerful real-time compositing tool that helped us understand adjustments we needed to make for perspective and position. The virtual stage assets that FragmentNine delivered to us for the project were scaled perfectly for the real-world space. Being able to verify scale within the disguise software made aligning the real world and the virtual world much simpler.”

Once disguise had all the connected Stype systems agree on a universal zero point, from which all graphics would emanate, the server allowed AOIN to precisely move around individual elements of the graphics from different sections during rehearsals. This aided AOIN in choreographing interactive movements between the performers and the graphics. “The stability of the hardware and flexibility of the software on the disguise server contributes greatly to the success of a long tour,” says LIVE-LAB’s Chu.

“Controlling the image projected on the large LED screen is important for the overall harmony of the elements, and disguise shows stable and powerful operating capabilities,” adds Creative Director Kevin Kim of Plan A.

Jackson Gallagher and Jeremy Lechterman were the tour’s Production Designers from FragmentNine.



Tags: disguise | South Korea | BTS | Boy band | Big Hit Entertainment | LIVE_LAB Co. | Alvin Chu | FragmentNine | AR | AOIN
Submitted by Bubble Agency (Bubble Agency )
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  • Polecam Antelope Pico at IBC 2014

    Polecam Antelope Pico at IBC 2014

  • BroadStream OASYS at IBC 2014

    BroadStream OASYS at IBC 2014

  • BroadStream CURRENT at IBC 2014

    BroadStream CURRENT at IBC 2014

  • Glensound Dante at IBC 2014

    Glensound Dante at IBC 2014

  • Forscene at IBC 2014

    Forscene at IBC 2014

  • RTW at IBC 2014

    RTW at IBC 2014

  • Ross Video Acuity at IBC 2014

    Ross Video Acuity at IBC 2014

  • openTruck from Ross Video at IBC 2014

    openTruck from Ross Video at IBC 2014

  • Cooke Optics technology at IBC 2014

    Cooke Optics technology at IBC 2014

  • Dejeros products at IBC 2014

    Dejeros products at IBC 2014

  • KITPLUS at IBC 2014

    KITPLUS at IBC 2014

  • Comigo at IBC 2014

    Comigo at IBC 2014

  • Guntermann and Drunck DP-HR range at IBC 2014

    Guntermann and Drunck DP-HR range at IBC 2014

  • Ateme at IBC 2014

    Ateme at IBC 2014

  • SIS LIVE ManPak and LoStow at IBC 2014

    SIS LIVE ManPak and LoStow at IBC 2014

  • Front Porch Digital at IBC 2014

    Front Porch Digital at IBC 2014

  • TMD at IBC 2014

    TMD at IBC 2014

  • Matrox at IBC 2014

    Matrox at IBC 2014

  • Volicon Products at IBC 2014

    Volicon Products at IBC 2014

  • Blackmagic and Fusion at IBC 2014

    Blackmagic and Fusion at IBC 2014

  • ChyronHego Metacast at IBC 2014

    ChyronHego Metacast at IBC 2014

  • ChyronHego Lyric PRO at IBC 2014

    ChyronHego Lyric PRO at IBC 2014

  • Pixel Power at NAB 2014

    Pixel Power at NAB 2014

  • SGL at NAB 2014

    SGL at NAB 2014

  • Volicon at NAB 2014

    Volicon at NAB 2014

  • Cinegy at NAB 2014

    Cinegy at NAB 2014

  • Dalet at NAB 2014

    Dalet at NAB 2014

  • Editors Keys at NAB 2014

    Editors Keys at NAB 2014

  • Elemental Technologies HEVC solutions at NAB 2014

    Elemental Technologies HEVC solutions at NAB 2014

  • Elemental Technologies Multiscreen Solutions at NAB 2014

    Elemental Technologies Multiscreen Solutions at NAB 2014

  • Facilis at NAB 2014

    Facilis at NAB 2014

  • GB Labs Space at NAB 2014

    GB Labs Space at NAB 2014

  • Glensound Atomic Copper at NAB 2014

    Glensound Atomic Copper at NAB 2014

  • Guntermann and Drunck at NAB 2014

    Guntermann and Drunck at NAB 2014

  • Matrox Mojito at NAB 2014

    Matrox Mojito at NAB 2014

  • Atomos Samurai Blade at BVE 2014

    Atomos Samurai Blade at BVE 2014

  • Atomos Ronin at BVE 2014

    Atomos Ronin at BVE 2014

  • Atomos Ninja Blade at BVE 2014

    Atomos Ninja Blade at BVE 2014

  • Videosys Wireless Transmitters at BVE 2014

    Videosys Wireless Transmitters at BVE 2014

  • Ross Video at BVE 2014

    Ross Video at BVE 2014

  • Sony Wireless Microphones at BVE 2014

    Sony Wireless Microphones at BVE 2014

  • Sennheiser HDM Pro at BVE 2014

    Sennheiser HDM Pro at BVE 2014

  • NewTek TriCaster at BVE 2014

    NewTek TriCaster at BVE 2014

  • Guntermann and Drunck at BVE 2014

    Guntermann and Drunck at BVE 2014

  • Metus Ingest at BVE 2014

    Metus Ingest at BVE 2014

  • Polecam Toshiba Minicams at BVE 2014

    Polecam Toshiba Minicams at BVE 2014

  • Forbidden Technologies FORscene at BVE 2014

    Forbidden Technologies FORscene at BVE 2014

  • Forbidden Technologies FORscene App at BVE 2014

    Forbidden Technologies FORscene App at BVE 2014

  • Polecam Slow Motion Minicams at BVE 2014

    Polecam Slow Motion Minicams at BVE 2014

  • The tv-bay Tour in Manchester June 2014

    The tv-bay Tour in Manchester June 2014

  • The tv-bay Tour in London June 2014

    The tv-bay Tour in London June 2014

  • Leeds TOUR

    Leeds TOUR

  • Belfast TOUR

    Belfast TOUR

  • Philip Bloom on Tour in Belfast

    Philip Bloom on Tour in Belfast

  • Dejero on BroadcastShow LIVE at IBC 2013

    Dejero on BroadcastShow LIVE at IBC 2013

  • Canon on BroadcastShow LIVE at IBC 2013

    Canon on BroadcastShow LIVE at IBC 2013

  • Atomos with the Samurai Blade on BroadcastShow LIVE at IBC 2013

    Atomos with the Samurai Blade on BroadcastShow LIVE at IBC 2013

  • Cinegy on BroadcastShow LIVE at IBC 2013

    Cinegy on BroadcastShow LIVE at IBC 2013

  • Trilogy on BroadcastShow LIVE at IBC 2013

    Trilogy on BroadcastShow LIVE at IBC 2013

  • Glensound on BroadcastShow LIVE at IBC 2013

    Glensound on BroadcastShow LIVE at IBC 2013

  • Zylight on BroadcastShow LIVE at IBC 2013

    Zylight on BroadcastShow LIVE at IBC 2013

  • Nexidias Drew Lanham on BroadcastShow LIVE at IBC 2013

    Nexidias Drew Lanham on BroadcastShow LIVE at IBC 2013

  • Miranda on BroadcastShow LIVE at IBC 2013

    Miranda on BroadcastShow LIVE at IBC 2013

  • TMD talk workflow on BroadcastShow LIVE at IBC 2013

    TMD talk workflow on BroadcastShow LIVE at IBC 2013

  • Metus on BroadcastShow LIVE at IBC 2013

    Metus on BroadcastShow LIVE at IBC 2013

  • Pilat Media on BroadcastShow LIVE at IBC 2013

    Pilat Media on BroadcastShow LIVE at IBC 2013

  • Snell on BroadcastShow LIVE at IBC 2013

    Snell on BroadcastShow LIVE at IBC 2013

  • Primestream on BroadcastShow LIVE at IBC 2013

    Primestream on BroadcastShow LIVE at IBC 2013

  • NewTek on BroadcastShow LIVE at IBC 2013

    NewTek on BroadcastShow LIVE at IBC 2013

  • Wyplay on BroadcastShow LIVE at IBC 2013

    Wyplay on BroadcastShow LIVE at IBC 2013

  • Volicon on BroadcastShow LIVE at IBC 2013

    Volicon on BroadcastShow LIVE at IBC 2013

  • Softron Media Services on BroadcastShow LIVE at IBC 2013

    Softron Media Services on BroadcastShow LIVE at IBC 2013

  • Cobham on BroadcastShow LIVE at IBC 2013

    Cobham on BroadcastShow LIVE at IBC 2013

  • TMD talk asset management solutions on BroadcastShow LIVE at IBC 2013

    TMD talk asset management solutions on BroadcastShow LIVE at IBC 2013

  • SMPTE on BroadcastShow LIVE at IBC 2013

    SMPTE on BroadcastShow LIVE at IBC 2013

  • Wowza Media Systems on BroadcastShow LIVE at IBC 2013

    Wowza Media Systems on BroadcastShow LIVE at IBC 2013

  • Cambridge Imaging Systems on BroadcastShow LIVE at IBC 2013

    Cambridge Imaging Systems on BroadcastShow LIVE at IBC 2013

  • Digital Vision on BroadcastShow LIVE at IBC 2013

    Digital Vision on BroadcastShow LIVE at IBC 2013

  • Dalet at IBC 2013

    Dalet at IBC 2013

  • Broadstream Solutions on the Oasys stand at IBC 2013

    Broadstream Solutions on the Oasys stand at IBC 2013

  • Oasys Chameleon at IBC 2013

    Oasys Chameleon at IBC 2013

  • Loft London Solutions with Cubix on the Oasys stand at IBC 2013

    Loft London Solutions with Cubix on the Oasys stand at IBC 2013

  • Thomson Broadcast at IBC 2013

    Thomson Broadcast at IBC 2013

  • Datacolor Spyder on the Atomos stand at IBC 2013

    Datacolor Spyder on the Atomos stand at IBC 2013

  • Metus MAM and Ingest at IBC 2013

    Metus MAM and Ingest at IBC 2013

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    Guntermann and Drunck CrossDisplay switching and CCD at IBC 2013

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    Tony Taylor from TMD talks about LTFS at IBC 2013

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    Tony Taylor from TMD talks about Mediaflex CI

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    Tony Taylor from TMD talks about Post Production

  • Haivision live encoding HEVC at IBC 2013

    Haivision live encoding HEVC at IBC 2013

  • NOA Audio Solutions at IBC 2013

    NOA Audio Solutions at IBC 2013

  • Blue Lucy Media at IBC 2013

    Blue Lucy Media at IBC 2013

  • Cinegy at IBC 2013

    Cinegy at IBC 2013

  • Facilis at IBC 2013

    Facilis at IBC 2013

  • Holdan on BroadcastShow Tour May 2013

    Holdan on BroadcastShow Tour May 2013

  • Lightworks on BroadcastShow Tour May 2013

    Lightworks on BroadcastShow Tour May 2013

  • Official TOUR Video 2013

    Official TOUR Video 2013

  • Autodesk at NAB 2013

    Autodesk at NAB 2013

  • Glensound: RECCE HD at NAB 2013

    Glensound: RECCE HD at NAB 2013

  • JVC GY-HM650 upgrade at NAB 2013

    JVC GY-HM650 upgrade at NAB 2013

  • Phabrix RX2000 at NAB 2013

    Phabrix RX2000 at NAB 2013

  • Polecam: Z10 zoom lens at NAB 2013

    Polecam: Z10 zoom lens at NAB 2013

  • Zylight F8 LED Fresnel at NAB 2013

    Zylight F8 LED Fresnel at NAB 2013

  • Quantel Pablo Rio at NAB 2013

    Quantel Pablo Rio at NAB 2013

  • Brainstorm Multimedia: Aston3D at NAB 2013

    Brainstorm Multimedia: Aston3D at NAB 2013

  • Cinegy: Multiviewer at NAB 2013

    Cinegy: Multiviewer at NAB 2013

  • Yospace: Advert Insertion at NAB 2013

    Yospace: Advert Insertion at NAB 2013

  • Haivision: Video Cloud at NAB 2013

    Haivision: Video Cloud at NAB 2013

  • Facilis at NAB 2013

    Facilis at NAB 2013

  • IMT at NAB 2013

    IMT at NAB 2013

  • SGL at NAB 2013

    SGL at NAB 2013

  • TSL Products at NAB 2013

    TSL Products at NAB 2013

  • TMD at NAB 2013: MediaFlex Reporting Module

    TMD at NAB 2013: MediaFlex Reporting Module

  • TMD at NAB 2013: MediaFlex Systems

    TMD at NAB 2013: MediaFlex Systems

  • TMD at NAB 2013: Content Intelligence

    TMD at NAB 2013: Content Intelligence

  • Guntermann and Drunck GmbH at NAB 2013

    Guntermann and Drunck GmbH at NAB 2013

  • Dejero LIVE+ VSET at NAB 2013

    Dejero LIVE+ VSET at NAB 2013

  • Dejero + Nucomm Connect Live at NAB 2013

    Dejero + Nucomm Connect Live at NAB 2013

  • Tiffen Steadicam at BVE 2013

    Tiffen Steadicam at BVE 2013

  • Telestream at BVE 2013

    Telestream at BVE 2013

  • Polecam at BVE 2013

    Polecam at BVE 2013

  • Phabrix at BVE 2013

    Phabrix at BVE 2013

  • Object Matrix at BVE 2013

    Object Matrix at BVE 2013

  • Matrox at BVE 2013

    Matrox at BVE 2013

  • Lens Adaptor at BVE 2013

    Lens Adaptor at BVE 2013

  • Guntermann and Drunck GmbH at BVE 2013

    Guntermann and Drunck GmbH at BVE 2013

  • Glensound at BVE 2013

    Glensound at BVE 2013

  • Facilis Technology at BVE 2013

    Facilis Technology at BVE 2013

  • Cambo at BVE 2013

    Cambo at BVE 2013

  • Autocue at BVE 2013

    Autocue at BVE 2013

  • AC Entertainment Technologies at BVE 2013

    AC Entertainment Technologies at BVE 2013

  • Glensound at BVE North 2012

    Glensound at BVE North 2012

  • Featured Clip: Geoff Boyle comments on NAB 2012

    Featured Clip: Geoff Boyle comments on NAB 2012

  • SGL at NAB 2012

    SGL at NAB 2012

  • Studio Technologies at NAB 2012

    Studio Technologies at NAB 2012

  • Glensound at NAB 2012

    Glensound at NAB 2012

  • Facilis at NAB 2012

    Facilis at NAB 2012

  • LiveU at NAB 2012

    LiveU at NAB 2012

  • Atomos Ninja at NAB 2012

    Atomos Ninja at NAB 2012

  • Litepanels at NAB 2012

    Litepanels at NAB 2012

  • Tiffen at NAB 2012

    Tiffen at NAB 2012

  • Calrec at NAB 2012

    Calrec at NAB 2012

  • Nexsan at NAB 2012

    Nexsan at NAB 2012

  • FFV and TNP at BVE 2012

    FFV and TNP at BVE 2012

  • Facilis at BVE 2012

    Facilis at BVE 2012

  • Calrec at BVE 2012

    Calrec at BVE 2012

  • Blue Lucy Media at BVE 2012

    Blue Lucy Media at BVE 2012

  • TMD at BVE 2012

    TMD at BVE 2012

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    Ianiro at BVE 2012

  • Editors Keys at ProVideo2011

    Editors Keys at ProVideo2011

  • Ross Video at BVE North 2011

    Ross Video at BVE North 2011

  • JVC at BVE North 2011

    JVC at BVE North 2011

  • Oxygen DCT at BVE North 2011

    Oxygen DCT at BVE North 2011

  • Polecam at BVE North 2011

    Polecam at BVE North 2011

  • Cirrolite at BVE North 2011

    Cirrolite at BVE North 2011

  • FOR-A at IBC2011

    FOR-A at IBC2011

  • Cooke at IBC2011

    Cooke at IBC2011

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    G-Technology at IBC2011

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    Netia at IBC2011

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    Panasonic at IBC2011

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    Calrec at IBC2011

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    Root6 at IBC2011

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    Sonnet Technology at IBC2011

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    Codex at IBC2011

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    Gekko at IBC2011

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    Radiant Grid at IBC2011

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    Tedial at IBC2011

  • Cobalt Digital at IBC2011

    Cobalt Digital at IBC2011

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    Wohler at IBC2011

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    LiveU at IBC2011

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    Eyeheight at IBC2011

  • Bradley at IBC2011

    Bradley at IBC2011

  • Quantel at IBC2011

    Quantel at IBC2011

  • Grass Valley at IBC2011

    Grass Valley at IBC2011


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News
LiveU 2019 State of Live Report Confirms Continuous Strong Growth in Live IP Broadcasting Posted: 12/12/2019
LiveU 2019 State of Live Report Confirms Continuous Strong Growth in Live IP Broadcasting

LiveU today presents its annual ‘State of Live’ report based on data gathered from its global customer base of thousands of users. The findings reflect the substantial growth in IP news and sports broadcasting with a 50% increase in the number of LiveU units used to stream live events and 250% increase to around 20 million in live sessions overall.

HEVC continues to play a key role in live transmission, which is pivotal for live sports productions. This is due to the higher quality video performance and bandwidth efficiency enabled by HEVC technology. LiveU reports a 65% growth in HEVC units deployed worldwide and over 400% growth in HEVC-based sessions. Nearly 50% of the field units used to stream sports are HEVC-based with almost 80% of sports sessions transmitted in HD.

The increasing deployment of cellular bonding technology for live sport coverage has been evident worldwide. Following the FIFA Women’s World Cup France 2019™, Kevin Callahan, VP, Field Operations & Engineering, Fox Sports said, “We always get energized if there is a huge buzz at home and this World Cup surpassed all our expectations with the success of the US Women’s soccer team. LiveU’s LU600 HEVC portable transmission unit provided the backbone for our ENG shoots that were not at the stadium, enabling us to increase the number of live feeds. We also sent content to multiple locations simultaneously using LiveU’s Matrix IP cloud video management platform, making the content available to Fox TV stations that wanted to integrate live shots into their newscasts.”

Tags: Cellular bonding. acquisition | contribution | news | sport | HEVC | 4K | 5G | IP
Submitted by Jump PR
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Colorfront Launches Express Dailies 2020 On New Mac Pro With Annual Rental License Posted: 11/12/2019
Colorfront Launches Express Dailies 2020 On New Mac Pro With Annual Rental License

Coinciding with Apple’s launch of the latest Mac Pro workstation, Colorfront (www.colorfront.com) – the Academy, Emmy and HPA Award-winning developer of high-performance dailies and transcoding systems for motion pictures, broadcast, OTT and commercials – today announced a new, annual rental model for Colorfront Express Dailies that dramatically reduces the cost of operating the software.

Launching in Q1 2020, Colorfront’s subscription service enables users to rent Express Dailies 2020 for an annual fee of $5,000 USD, including maintenance support, updates and upgrades. Additionally, the availability of Apple’s brand-new Pro Display XDR, designed for use with the new Mac Pro, makes on-set HDR monitoring, enabled by Colorfront systems, a more financially viable proposition than ever before.

Tags: Colorfront | Express Dailies | HDR | UHD | HFR | 6K | dailies | Mac Pro | Pro Display XDR
Submitted by Prince PR
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Fusion Studio Used to Create Animated Feature, Latte and The Magic Waterstone Posted: 11/12/2019
Fusion Studio Used to Create Animated Feature, Latte and The Magic Waterstone

Blackmagic Design today announced that Grid VFX relied on Fusion Studio throughout its in house compositing pipeline to deliver newly released children’s animated feature, Latte & The Magic Waterstone.

Directed by Regina Welker, the team’s latest project ‘Latte & The Magic Waterstone’ involved the completion of more than 1,200 visual effects shots, including the complex compositing of background and foreground plates and CG render layers for 3D assets, lighting, procedural effects, and more.

“Latte was a huge project for us. It’s a feature animation with a limited budget, so we knew we had to work as efficiently as possible,” begins compositing supervisor at Grid, Laurens Bekaert.

“Fusion’s GPU accelerated render engine was amazing at being able to handle geometry and 3D space compared to alternative compositors. We could add smoke and particles behind our characters and see a good representation of how they would look in 3D instantly, without needing to re render.”

Tags: Blackmagic | Blackmagic Design | BMD | Fusion | Fusion Studio | VFX | Compositing | Post Production | Filmmaking | Animation
Submitted by Blackmagic design
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Polar Graphics takes a stand at ISE 2020 Posted: 11/12/2019
Polar Graphics takes a stand at ISE 2020

Polar Graphics, a UK leading distributor for the broadcast, post and pro-AV industries, has taken a stand with one of its longest serving partners Bluefish444 for ISE, taking place at the Amsterdam RAI from 11-14 February 2020.

Bluefish444 is a manufacturer of the professional video industry’s highest-quality uncompressed 4K SDI, ASI, Video Over IP & HDMI I/O cards. Bluefish444 also offers IngeSTore Server, a recording appliance supporting SDI, HDMI, NDI, RTP/RTSP and SMPTE IP capture, suitable for any live production workflow in the AV market.

Polar Graphics Managing Director Peter Rowsell said, “Although I have been personally visiting ISE for a dozen years, 2020 will mark our first participation as a co-exhibitor. It will be an excellent opportunity to further expand our business and that of our valued partners.

“We represent a range of products that are ideal for the AV market, and as the world’s largest pro-AV show, ISE is the ideal venue to discuss our entire product range while featuring one of our most relevant product partners.”

Alongside a focus on Bluefish444, Polar Graphics representatives will be on hand for discussions on other brands represented: Apantac, Cinedeck; Imagine Products; MagStor; Mediaproxy; Stardom; StorageDNA; and Studio Network Solutions (SNS).

Tags: Polar Graphics | ISE 2020 | AV | AV Tradeshow | Pro- AV | AV Distributor | Bluefish444 | IngeSTore Server | KRONOS K8
Submitted by Page Melia PR
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Broadcast Solutions looks back on successful Broadcast Innovation Day 2019 in Bingen, Germany Posted: 11/12/2019
Broadcast Solutions looks back on successful Broadcast Innovation Day 2019 in Bingen, Germany

Broadcast Solutions GmbH draws a very positive balance of their Broadcast Innovation Day 2019. On 28 November 2019, the system integrator invited the broadcast community to this one-day event at their headquarters in Bingen, Germany. With around 350 participants from 30 countries, more visitors than ever before came to Bingen and turned the event into an international industry meeting.

Stefan Breder, CEO at Broadcast Solutions GmbH, comments on the event: “We invented the Broadcast Innovation Days as a series of events years ago, and they have increasingly developed into a meeting place for the international broadcast industry. This year’s edition has been the highlight so far. As an international company, it is extremely important for us to show our innovation leadership and attract international visitors to Bingen. The compact size and the direct contact to and between the visitors make up the charm of the Broadcast Innovation Day.

Tags: Broadcast Innovation Day | Panel | event
Submitted by Broadcast Solutions
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Finepoint Broadcast gears up for 2020 with a major further investment in Canon UHD lenses Posted: 11/12/2019
Finepoint Broadcast gears up for 2020 with a major further investment in Canon UHD lenses

As part of a strategy of continuing investment to track with the latest market requirements, Finepoint Broadcast, a leading UK dry hire provider of production and OB equipment to the global marketplace, has announced the further addition of a range of Canon lenses to its hire stock portfolio.

The additions include the standard Canon CJ24, plus the Canon CJ45 and large UJ90 lenses (UHD DIGISUPER).

Finepoint Broadcast Hire Manager Clive Northen said, “Finepoint has not seen the disruptive business peaks and troughs of recent years that have been so prevalent in various broadcast sectors. To the contrary, our growth has been steady and continuous, due in part to our continual evaluation and investment in technologies, such as these Canon lenses, that provide a direct benefit to our customers.”

Finepoint Broadcast Chief Engineer Andrew Mckenzie said, “The Canon CJ24 is an acclaimed telephoto lens with a 24x broadcast zoom and a focal length of 7.5-180mm that offers 4K performance that is ideal for on-the-shoulder newsgathering. The ultra-high zoom CJ45 is packed with innovative, class-leading technology that is perfectly suited to wildlife and live-sport deployments.

And with a 90x zoom, 9-810mm focal length, and image stabilisation that's fully compatible with 2/3" 4K cameras and broadcast environments where HDTV is currently in use, the Canon UHD DIGISUPER 90 lens is perfect for expanding Finepoint Broadcast’s 4K lens range.”

Tags: Finepoint Broadcast | Investment | Canon | Canon UHD Lenses | Dry Hire | Canon Lens Hire | Canon CJ24 | Canon CJ45 | Canon UJ90
Submitted by Page Melia PR
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Autodesk Packs Artist-Driven Features into Maya 2020 Release Posted: 10/12/2019
Autodesk Packs Artist-Driven Features into Maya 2020 Release

Today, Autodesk announced the release of Autodesk Maya 2020, bringing animators, modelers, riggers, and technical artists a host of new tools and improvements that enable faster, more intuitive CG content creation from first concept to final delivery.

Building on powerful animation features introduced in Maya 2019, Maya 2020 adds more than 60 new updates animators will notice in their day-to-day work. The release also includes Arnold 6, which can now be used for production rendering on both the CPU and GPU, as well as significant performance enhancements and new simulation features to Bifrost, the visual programming environment in Maya.

Tags: Autodesk | Autodesk Maya | Autodesk Maya 2020 | Autodesk Arnold
Submitted by News Feed
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Autodesk Arnold 6 Offers Production Rendering on Both CPU and GPU Posted: 10/12/2019
Autodesk Arnold 6 Offers Production Rendering on Both CPU and GPU

Autodesk today announced the release of Arnold 6 with Arnold GPU. From look development to final frame rendering, Arnold 6 with Arnold GPU simplifies how artists and studios create and iterate content, giving them the speed and flexibility to adapt to a fast-paced working environment and scale rendering capacity to accommodate the ebbs and flows of production. Arnold’s intuitive interface makes it easy to toggle between CPU and GPU rendering, maintaining the same settings with a single click. Arnold GPU is based on NVIDIA’s OptiX framework and optimized to take advantage of NVIDIA RTX technology.

“Rendering workloads continue to grow as content providers strive to meet rising audience expectations for content quality. Speed and interactivity have become more crucial than ever to the creative process. Arnold 6 delivers performance gains that will help lighten the load with the same high-quality render results that the CPU renderer is known for,” said Chris Vienneau, senior director, Media & Entertainment Products, Autodesk. “We’ve worked closely with NVIDIA to optimize Arnold GPU to run on the latest RTX GPUs and RTX Server, and we’re excited to get this latest update into the hands of new and existing Arnold customers.”

 

Tags: Autodesk | Arnold | Arnold 6 | Arnold GPU
Submitted by Raz Public Relations
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Frame.io Makes its Debut on the iPad Posted: 10/12/2019
Frame.io Makes its Debut on the iPad

Frame.io, the world's leading video review and collaboration platform, announced today the arrival of Frame.io for iPad. Frame.io for iPad follows the success of the company’s 2016 Apple Design Award-winning iOS app, and, like its smaller sibling, allows users to stay up to date with what’s happening on set or in the edit suite while on the move. Frame.io for iPad is another step toward realizing a fully, globally distributed video workflow, giving creators and collaborators the ability to review or approve work in progress from anywhere in the world. Apple’s high quality iPad screen lets users view true-to-life color, while making the mobile experience more flexible and delightful. There are times when watching dailies, evaluating VFX shots, or getting a better sense of composition and color benefits from a larger display than a smartphone can offer - that’s where Frame.io for iPad comes into play.

Tags: frameio | debut | ipad
Submitted by Zazil Media Group
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Custom Consoles Module-R Desks and MediaWall Monitor Display Mounts Selected for Cardiff University School of Journalism, Media and Cultural Studies Posted: 10/12/2019
Custom Consoles Module-R Desks and MediaWall Monitor Display Mounts Selected for Cardiff University School of Journalism, Media and amp; Cultural Studies

 

Custom Consoles announces the completion of Module-R studio control desks and two MediaWall monitor display mounts for Cardiff University's School of Journalism, Media & Cultural Studios. The desks and display mounts form part of a full broadcast-quality news studio facility designed by UK-based system integrator ATG Danmon.

"We were invited to propose a turnkey solution based on an outline specification provided by the university," explains ATG Danmon Managing Director Russell Peirson-Hagger. "The project coincided with a relocation to new city-centre premises. It comprised a large TV studio and dedicated gallery, a smaller TV studio with its associated gallery, plus a broadcast newsroom. These will be used to train the next generation of television, radio, online and printed-media journalists. Module-R desks and MediaWalls are used in many broadcast facilities in the UK, Europe, MENA and Asia, so were a logical choice given the need to match the functionality and processes of a real broadcast environment. They are robustly constructed, ergonomically efficient for engineering staff and well as operators, and attractively styled. Both product series also gave us the freedom to match the available room dimensions from standard modular elements."

 

 

 

 

Tags: Custom Consoles Ltd | broadcast control room furniture | motorised desks | manually-adjustable desks | sound-insulated equipment housings | MediaWall | Media Wall | monitor walls | post-production studio furniture | System Two control room furniture | Module-R | Mod
Submitted by Stylus Media Communications
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ADTH Announces Support for SRT Open Source Project Posted: 10/12/2019
ADTH Announces Support for SRT Open Source Project

 

 

Atlanta DTH, Inc. (ADTH) announces that it has joined the SRT Alliance, a broadcast media industry collaboration created to develop an open-source protocol allowing low-latency video streaming over the internet. ADTH will provide full support for the SRT (Secure Reliable Transport) protocol.

Developed and pioneered by Haivision, the SRT protocol optimizes streaming performance across unpredictable networks with secure streams and easy firewall traversal. It accounts for packet loss, jitter, and fluctuating bandwidth, maintaining the integrity and quality of a video stream.

"With its 25 years of experience in the broadcast and telecommunication sectors, ADTH is a very welcome addition to our membership," comments Haivision CCO & EVP Strategic Alliances Peter Maag. "With increasing support from across the entire industry, SRT is rapidly becoming the globally preferred standard for low-latency video streaming."

"Efficient and effective standards are essential to the advancement of any industry, not least in the OTT streaming sector where signal delivery needs to overcome many technical variables," adds ADTH founder and Managing Director Michael Day. "The SRT Alliance's aims and objectives are in full accord with our own strategy of promoting the highest possible video quality-of-experience securely, efficiently and at the lowest possible latency. We are SRT-ready."

 

 

 

 

Tags: Atlanta DTH | Inc. | ADTH | broadcast media access | broadcast content security | targeted television advertising | personalised television advertising | personalized television advertising | OTT content protection | IPTV content protection | satellite IR | miniatur
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Plymouth Marjon University Chooses Custom Consoles Desks for New Broadcast Media Training Facility Posted: 10/12/2019
Plymouth Marjon University Chooses Custom Consoles Desks for New Broadcast Media Training Facility

Altered Images, a leading UK supplier of visual communications technology solutions, has chosen Custom Consoles Module-R, M-Desk Technical and custom-designed studio furniture for a newly completed broadcast media training suite at Plymouth Marjon University.

The new resource includes a total of seven desks in an open plan configuration. Located on the former BBC South West villa site in Plymouth, it is equipped with all the facilities required for the university's courses in journalism and broadcast production. These include a four-camera TV studio, a TV news room and TV production gallery, a radio news room, radio studio and central apparatus room.

"The design brief we were given was to create a fully professional radio and TV production environment including latest-generation Dante IP networking", says Altered Images' Media and Broadcast Solutions Director Russell Butcher. "Custom Consoles desks are very widely used throughout the broadcast media industry so will be met by many students as they progress into their careers. The desks and equipment bays look good, are ergonomically comfortable and efficient, and are very long-lasting."

 

 

 

Tags: Custom Consoles Ltd | broadcast control room furniture | motorised desks | manually-adjustable desks | sound-insulated equipment housings | MediaWall | Media Wall | monitor walls | post-production studio furniture | System Two control room furniture | Module-R | Mod
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ATG Danmon Completes New HD UHD Production System for That Lot Posted: 10/12/2019
ATG Danmon Completes New HD UHD Production System for That Lot

ATG Danmon announces the completion of a broadcast-quality production facility for the London headquarters of That Lot, one of Europe's leading providers of social media content production support. Core of this project is a multi-camera studio plus a fully equipped control room including lighting, vision and audio mixing, routing, recording, monitoring and archiving.

"Working with ATG Danmon, we have been able to create the most flexible possible system for use across our wide range of creative services," comments Ben Forder, Head of Video at That Lot. "The new studio and its control suite enable us to offer our clients versatile resources for creating broadcast-quality content for a wide range of media applications."

"A full-colour back-lit LED cyclorama, which we believe is the first of its kind in Europe, provides sharp chroma-key superimposition onto on any background. Lighting is from a ceiling-mounted rig which can be adjusted to get the exact style of illumination we need for live-streaming or recording sketches, scripted videos, interviews, podcasts, vodcasts and social media photoshoots. That includes 360 degree surround video and audio capture if specified."

 

 

 

Tags: ATG Danmon UK | broadcast systems integration | broadcast systems integrators | broadcast television systems | studio design | playout centre design | newsroom design | satellite system design | broadcast infrastructure | broadcast archive system design | broadcast
Submitted by Stylus Media Communications
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Rocstar TV Launches Multi-Tenant TV Everywhere OTT offers for Carriers, Operators and ISPs on the mediaClass Multi-screen Platform Posted: 10/12/2019
Rocstar TV Launches Multi-Tenant TV Everywhere OTT offers for Carriers, Operators and ISPs on the mediaClass Multi-screen Platform

 

Argentine telecommunications facilities provider Servicios y Telecomunicaciones SA (SYT) has chosen a complete mediaClass OTT TV Everywhere solution as the core of a newly launched Rocstar TV Everywhere platform. The system is designed to allow carriers, cable operators and ISPs to offer own-brand TV Everywhere OTT products based on a strong channel line-up and premium content. All functions are provided through an operator-class version of mediaClass software, customised and integrated into servers at SYT's headquarters in Buenos Aires.

"We signed the agreement with SYT at the April 2019 NAB Show and have been very busy adding specific features for Rocstar TV local markets," says mediaClass EVP Manelli Hosseini. "This new service will allow easy white-labeling for carriers, ISPs and cable operators to offer full TV Everywhere OTT and IPTV with their own brand and their own app. The system includes all the advanced TV Everywhere features – content source processing and storage, digital rights management, subscriber management, viewer analytics and an AI-based recommendation engine. We have also built in true multi-tenancy which is often claimed but not delivered. The resultant service is very easy to use, includes automatic configuration, and is highly cost efficient."

 

 

 

Tags: mediaClass | multiscreen platform | end-to-end hybrid OTT and IPTV | IPTV Management | OSS/BSS Integration | EPG | Reverse EPG | Multi-DRM | AI Recommendation Engine | Content Management System | CMS | Catchup Management | Set-top box APIs | IoS Apps | Android Apps | Ad
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Anevia Drives Expansion of Argentinian OTT TV Service Posted: 10/12/2019
Anevia Drives Expansion of Argentinian OTT TV Service

 

 

Anevia, a leading provider of OTT and IPTV software solutions, for the expansion of its multiscreen TV service.

The expansion was driven by the exponential growth of the market locally, as well as geographical inroads of the multiscreen TV service into other South American countries. To scale up, the telecommunication service provider chose the Anevia Embedded Distributed Storage (EDS) technology, where the same servers are used for both computing and storage. This enables costs to be kept under control by halving the number of physical rack units needed.

The operator has also continued expanding its CDN infrastructure using Anevia’s NEA-CDN® solution which enables it to ensure high quality during football matches and other peak traffic events as well as supporting the cutting-edge features required for interactive OTT television.

"We are thrilled that Anevia’s technology has once again been trusted to deliver premium services for OTT television, after four years of spectacular success with this OTT offering in Argentina," says Anevia CEO Laurent Lafarge. "Our EDS technology is widely recognised to be much more reliable and scalable than a traditional NAS architecture. It enables TV operators to thrive as they scale up."

 

 

 

 

Tags: Anevia | OTT software | IPTV software | video compression | multiscreen IPTV head-ends | Cloud DVR | CDN solutions | VOD | cloud-native content delivery network solutions | NEA-CDN | NEA-DVR | multiscreen solutions for the delivery of live TV | streaming video | time-
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