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21st Century Technology for 20th Century Content
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A big challenge facing owners of legacy content is rationalising and archiving their tape and film-based media in cost effective and efficient ways, whilst also adding value. Normally the result of this is to find a low cost means of digitising the content – usually leaving them with a bunch of assets on HDD. But then what? How can content owners have their cake and eat it? |
| Tags: iss135
| legacy
| digitising
| digitizing
| archive
| James Hall
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Grading BBC Sounds
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The BBC has launched its new personalised music, radio and podcast app with a campaign that follows one listener’s journey from meeting Kylie Minogue in a lift to Idris Elba on a bus.
BBC Sounds offers a single home for the BBC’s thousands of hours of audio content, including live and on-demand shows and special music mixes curated by artists.
BBC Creative, the broadcaster’s in-house creative division, took the brief to agency Riff Raff Films and Megaforce directing duo of Charles Brisgand and Raphaël Rodriguez who in turn brought on board regular collaborators Time Based Arts.
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| Tags: iss135
| bbc
| grading
| bbc sounds
| davinici
| resolve
| blackmagic
| editing
| Simone Grattarola
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Test, Measurement and Standards
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The Alliance for IP Media Solutions (AIMS), is a non-profit trade alliance that fosters the adoption of one set of common, ubiquitous, standards-based protocols for interoperability over IP in the media and entertainment, and professional audio/video industries. |
| Tags: iss135
| omnitek
| aims
| SNMP
| hdr
| ai
| Alan Wheable
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Your two week editing future
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So here we are - January again! Usually a good time to reflect on the year just gone by, and a good time to look forward to the coming months as the new year begins.
When I was reflecting on my 2018, and when thinking about what to write for my first article for Kit Plus - I kept coming back to one theme - organisation.
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| Tags: iss135
| editing
| mediacity training
| premiere pro
| dit
| Alex Macleod
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Future proofing post production storage
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Advancements in NVMe (Non-Volatile Memory Express), the storage protocol designed for flash, are revolutionising data storage. According to G2M Research, the NVMe market will grow to $60 billion by 2021, with 70 percent of all-flash arrays being based on the protocol by 2020. NVMe, acting like steroids for flash-based storage infrastructures, dynamically and dramatically accelerates data delivery. |
| Tags: iss135
| nvme
| sas
| sata
| it
| storage
| post production
| Josh Goldenhar
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Switching to Internet Based Distribution
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"An IP status check for the broadcast industry", "Resistance is futile", "IP points the way forward for the broadcast industry"...
Yes, we've read the headlines too. But rather than force you into submission, scare you, or leave you feeling like you have no other choice, we want to give you the information that helps you to make a sensible decision about Internet-based distribution.
So what’s stopping you from making the switch right now?
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| Tags: iss135
| ip
| internet
| distribution
| cerberus
| Chris Clark
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The impact of drone incidents on the industry
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Cast your minds back to December, when commercial drone operators were on the verge of breathing a sigh of relief having made it through another 12 months without a major drone incident.
Then, came ‘The nightmare before Christmas’ when those reported drone sightings in the vicinity of Gatwick Airport grounded planes for 36 hours and caused more than 160,000 people to miss flights.
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| Tags: iss135
| drones
| drone
| airport
| gatwick
| Phil Vinter
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Viva La Microphone Evolution
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2018 marks the twentieth year of Sennheiser Evolution microphones - a range of wired and wireless live performance microphones and wireless systems that took Sennheiser from relatively small-volume broadcast manufacturing to a prime position on stages around the world. Last November, Sennheiser UK marked this auspicious occasion by holding an evening of storytelling, hosted by Jamie Gosney and featuring Michael Polten, Martin Fischer and Andrew Lillywhite, all key members of the Sennheiser Evolution team, as well as Pete Malandrone (guitar tech to Dr Brian May), Joe Campbell (monitor engineer for artists include Chris Rea, Placebo and Adele) and Chris Denman (producer of the live sessions at Global Radio) who have all used, and loved, Evolution microphones for many years. |
| Tags: iss135
| sennheiser
| evolution
| microphone
| KitPlus
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Sony PWS-4500 Live Production Server Reviewed
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Available since 2016, the Sony PWS-4500 is a solid-state UHD/HD live production server designed for use in applications such as sports, studio or stage events. The target applications are master recording and advanced replay operations for live production companies for whom the server's ability to record the output from high frame rate cameras and deliver easily controllable slow motion is a major asset. The PWS-4500 is already in use by many prestigious live production companies and broadcasters around the world. |
| Tags: iss135
| finepoint
| sny
| pws-4500
| review
| production server
| Andy McKenzie
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Battery Power Management
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There are many obvious ways a modern battery is better than one that would have been common just a few years ago and is light years ahead of what was available a generation ago. In everything from form factor to battery life to charge time, things have vastly improved. Consider cycle ratings, an indication of how many times a pack has or can be used. Some battery packs for professional video production and broadcast are now promising up to 2,000 full discharge/recharge cycles, double what was state-of-the-art just a year ago. That’s a significantly better return on investment. |
| Tags: iss135
| core
| battery
| charging
| power
| Ross Kanarek
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TVFutures - Location Assistant
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Hi, my name is Maddison Young and I am an undergraduate on BSc (Hons) Television and Broadcasting at the University of Portsmouth. If there is one consistent message being given to students these days it is ‘move out of your comfort zone, and get real industry work and experience’! It’s a scary message, and my first year saw me take mostly internal and ‘safe’ experiences within the realms of the university. I was determined to change this approach as a second year student. |
| Tags: iss135
| portsmouth university
| location
| training
| education
| Maddison Young
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An Obituary to Timecode
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A stoic and persistent character that stubbornly refused to change with the times, Timecode has finally passed on, but no-one has noticed. A long-lasting industry veteran, Timecode was brought into this world at an uncertain date in the late 1960s due to the needs of analogue tape workflows and the demand for synchronisation between audio and video devices. A joint activity between SMPTE and the EBU led to the work on Time and Control codes starting its journey to standardisation in the early 1970s. |
| Tags: iss134
| timecode
| smpte
| ebu
| edit
| Bruce Devlin - new
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Accelerated Workflows with eGPU
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From the UK’s National Trust to magazine publishers to manufacturers, digital content creator Mike Griggs has a wide and varied portfolio of clients for whom he creates 3D art, motion graphics and multimedia exhibits. A typical day might involve sampling birdsong near Virginia Woolf’s country estate or creating 3D animations for VR. To keep on top of these demands, Griggs wanted to take the full power of the GPU computing revolution on the road. |
| Tags: iss134
| sonnet
| egpu
| amd
| post production
| editing
| Mike Griggs
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Using Wireless Transmission
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Wireless acquisition is a staple of live sports, entertainment and reality shows where cable free capture permits shots not previously possible, for health and safety reasons, and gives the camera-operator greater artistic licence to roam. The same is increasingly true of narrative drama where cinematographers are keen to work handheld or Steadicam where that helps tell the story. Any equipment which frees their movement and time by being lighter, easier to use and reliable in performance is going to tick a lot of boxes. |
| Tags: iss134
| wireless
| 4k
| transmission
| Jeremy Benning
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Sony HDC-4800 Review
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First announced at NAB 2016, the Sony HDC-4800 is a studio camera system capable of shooting 4K/UHD at up to 8x or full HD at up to 16x. With a price point upwards of £250,000 it is a very high-end product with a wide feature set. In Sony's own words, "This is the future of live production, designed to satisfy the storytelling aspect of modern sports production.” Deliveries began in mid 2017 and, after careful preliminary evaluation, we invested in several systems for our hire fleet ahead of the FIFA World Cup in Russia. |
| Tags: iss134
| review
| hdc-4800
| sony
| finepoint
| Andy McKenzie
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GoPro HERO 7 Review
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When I heard I was filming a nature restoration project in the pouring rain this week I was excited. WHY? No Cameraman enjoys the rain, surely but this time I was enthusiastic because I knew this would be the perfect opportunity to try out the brand new GoPro Hero 7 Black Edition. |
| Tags: iss134
| gopro
| hero 7
| review
| liberal media
| Tim Bearder
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University and Mental Health
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University study and mental health has been in the media quite a bit over the last year, and I’m sure there are many people wondering what is going on? The issues are complex, and I suppose the focus of employability off the back of a degree course has raised the stress stakes for a lot of young people. I’m only qualified to talk about this from my perspective, and my story began when I joined a course not knowing I had a mental health condition. |
| Tags: iss134
| portsmouth uni
| mental health
| student
| tvfutures
| Rhiannon Jenkins
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NEP Student Day
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The world of broadcasting is in constant flux, with undefined boundaries between broadcast, TV, film and interactive media. With a changing consumer demographic now a key influence on the industry, many companies no longer specialise in a single medium, but have had to become adaptable to deliver multiple services through a combination of media. |
| Tags: iss134
| students
| tvfutures
| NEP
| KitPlus
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An Epiphany Moment
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I had been negotiating the sale of my company and had reached the really hard end of the bargain. We were close to agreeing the final sum after a lot of too-much-give-and-not-enough-take negotiation. The solicitors were calling me, keen for a deal. It had come down to one sticking point and, in my hard ball “I am the Wolf of Wall Street” guise, I wasn’t going to let it go. It would make a value difference of 1.5% on the total outcome. Not much, you might think, but I had already nearly fallen out with the solicitors over their fees and I was giving my advisors an extremely hard time because the corporate adviser couldn’t see how I had already given more than an inch and the buyers were taking more than a mile. I was not going to let them win. |
| Tags: iss134
| azule
| finance
| Peter Savage 2
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The Wireless Way to 4k
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DTC’s AEON group of products have been specifically designed for the 4K market.
We encode with the more efficient HEVC algorithm, which means we are taking a 12G signal and compressing it to a bitrate that can be managed over an RF link.
So what makes this a leading idea in the 4K revolution? |
| Tags: iss134
| wireless
| 4k
| transmission
| JP Delport
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What content providers need to know about OTT
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As OTT (Over-The-Top) technology has gotten more mature and established robust standards over the years, the concept of OTT monitoring is gaining popularity. With customer expectations soaring, it’s vital for OTT providers to deliver superior quality content. To deliver Quality of Experience (QoE) on par with linear TV broadcast, the entire system, starting from ingest to multi-bitrate encoding to delivery to CDN must be monitored continuously. |
| Tags: iss134
| ott monitoring
| qos
| logging
| compliance
| dash
| atsc
| cloud
| Hiren Hindocha
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Keeping it remotely real
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Everyone wants to do more with less. Always have, although it could be argued that doing more with more is something to aspire to, not many have that luxury.
So let’s stick with the prevailing winds of doing more with less, and not just doing more, but doing it remotely, particularly in terms of production. Remote production, in particular, is getting a lot of attention in the field these days, but not so much in terms of the remote operation of fixed studios. |
| Tags: iss134
| remote control
| IPE
| IDS
| Reuben Such
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Protecting the continuity of transmission
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Your viewers love you. You consistently bring them their preferred channels 24/7. They’ve come to rely on you for their viewing pleasure. They never miss cheering on their beloved sports teams. They’re the envy of their friends as they watch live concerts of their favourite bands. They gather the family around and catch up on their must-see shows. They don’t have a bad word to say about you. |
| Tags: iss134
| garland
| gpl
| streaming
| artel
| disaster recovery
| Lorna Garrett
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The brave new world of software based production
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In today’s rapidly evolving broadcast industry, the only constant media organizations can truly count on is change — and the need to adapt as rapidly and cost-effectively as possible. One of the biggest agents of change is the IP revolution, driving broadcasters to migrate their operations to all-software solutions running on commodity, IT-based technologies. |
| Tags: iss134
| chyronhego
| graphics
| sports
| ott
| Boromy Ung
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AI in Media and Entertainment
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Artificial Intelligence (AI) is a term appearing everywhere these days. What is happening in media and entertainment (M&E) that makes the industry ripe for AI? In other words, why does the M&E industry need AI? |
| Tags: iss134
| AI
| wazee
| David Candler
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What is next in OTT
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In the past year alone, we’ve seen a substantial increase in the amount of OTT content that’s being streamed. In the first quarter of 2018, there’s been a 114 percent year-over-year growth in streaming video hours, and those numbers are only expected to rise. With OTT revenue predicted to reach $16.6B in 2018, a 40% gain over last year, there’s no question that OTT is booming, and that there’s never been a more critical time to pay attention to the space. |
| Tags: iss133
| ott
| verizon
| cisco
| Mary Kay Evans
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IBC in a post Brexit world
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Cast your mind forward and we are not in 2018 but next year and, yes, it’s you and me walking to the departure lounge to catch the plane to IBC just as I, and perhaps also you, have done for the last 25 years. (By the way, where is my long service award – and perhaps a new pair of shoes as I must, surely, have walked the equivalent of five Caminos covering the 12 halls in the Rai). We are at the gate and my imagination kicks in as I hypothesize on what the trip might look like next year. I leave it to you to decide which is closest to what might be to come. |
| Tags: iss133
| azule
| brexit
| ibc
| finance
| Peter Savage 2
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Smashing the WTA Tour
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The Women’s Tennis Association (WTA) is the global leader in women’s professional sport with more than 2500 players representing nearly 100 nations competing for a record $146 million in prize money. The 2018 WTA competitive season includes 54 events and four Grand Slams in 30 countries. In 2017, the WTA was watched around the world by a total TV audience of 500 million – with host broadcast services provided by NEP UK. |
| Tags: iss133
| tennis
| wta
| nep
| outside broadcast
| ob
| Danny Ridler
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The Pace of Change
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The youngest human to stand on the moon (so far) was Charles Moss, the lunar module pilot of Apollo 16. Charlie had a wonderful claim: his father witnessed the Wright Brothers’ first flight at Kitty Hawk, and lived to see his son on the moon.
Does anything capture the speed of technological advance better than that? The whole of the history of powered flight in one lifetime.
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| Tags: iss133
| state of the nation
| st2110
| st2110-10
| Dick Hobbs - new
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How todays technology platforms can make AMAZING seem mundane
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Some things never change. It's September and it's time for another IBC. Maybe I'm getting old and maybe I have selective memory about the past, but recently there hasn't been the buzz of years gone by. Sure, as you wander around the vast halls there will be lots of enthusiastic sales people trying to give you the best demo possible, but something has changed and to survive, I believe that vendors and customers need to change too. |
| Tags: iss133
| ibc
| class
| vulture
| imf user group
| Bruce Devlin - new
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DJI Ronin-S Review
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If you read my review of the GH5 in Issue 129 at the beginning of the year, you know I’m a filmmaker that is all about small form factor. My basic setup combines the tiny yet powerful mirrorless Panasonic GH5 with the wonderfully compact Sennheiser AVX wireless mic system. Together you’ve got a run and gun set up to die for.
Unless you actually run!
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| Tags: iss 133
| dji
| ronin-s
| gh5
| Tim Bearder
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Why are trade shows still important
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First, the disclaimer: as the CEO of a rather large trade show, my opinion is likely to be skewed. However, I wouldn’t be here – now in my eighth year at IBC - if I didn’t truly believe that well-curated trade shows like IBC are a hugely important resource for our industry. |
| Tags: iss133
| ibc
| innovation award
| Mike Crimp
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Trade shows and their role in the wired world
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Historically trade shows afforded an opportunity to collect the latest brochures relevant to the visitor's chosen industry or career path. Today there seems little reason to store data of any kind, let alone paper brochures, when information is so easily accessible online. Brochure back-packing at exhibitions has become a rare sight, rarer still since the security clampdown on visitor luggage at exhibitions. Today's efficient show delegate need only carry a mobile phone and, in deference to tradition, a bundle of business cards. The phone doubles as a snapshot camera, video camera, dictaphone, email reader, internet browser, Skype communicator, and so on. |
| Tags: iss133
| finepoint
| ibc
| nab
| kitplus show
| bve
| Richard Baker
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Ruth Matos Interview - A Career Unfolds
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We first met Ruth when we employed her as a student to help with our live studio at BVE in 2013. We were struck by her determination, passion and ‘I’ll do anything to help’ attitude. We became friends of Facebook and have since seen her career in the industry develop and unfold. We thought it was about time to catch up and share her inspiring story of where she is now, how she got there and the challenges she has faced along the way. |
| Tags: iss133
| interview
| filming
| career
| education
| Ruth Matos
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